In all fairness, the music and graphics are good. Of course, the music is written by the Japanese and the animation is outsourced to South Korea. Everyone knows that. However, I think the outsourcing of domestic animation parts to foreign countries is not a big problem in itself, unless the producer uses 100% domestically produced to fool people, or the animation department students on Weibo shouted "Big fish". No outsourcing! Don't spread rumors! It's all made by our school!" A joke.
Besides, the picture of Big Fish and Begonia after all has a particularly obvious advantage-it is indeed the most normal 2D hand-drawn animation, plus a small part of the normal 3D CG, instead of taking a girl like "Quiba". The master’s head-to-body ratio is not well-tuned. The inferior 3 to 2 come out and call us that this is the highest level of domestic animation. All the former main players who have left us are unable to make such a good work.
As for the plot of the film. hahahahahahahahahahahaha.
Let me talk about the lines first. Most of the lines in this film are of that kind, you know, many people who write stories (such as me) would do them when they were young-suddenly they have some inspiration, just remember small sentences, and put them in whenever they think it’s appropriate to write a story. Accidentally, the whole story becomes a prose poem that drowns out a small amount of plot with exquisite sentences (it seems very powerful).
But what I can't bear especially is the sentence from Qiu: "There is a fish in Beiming whose name is Kun, and Kun is so big that I don't know its thousands of miles. It flies in anger, and its wings are like clouds in the sky, which means that this fish is very big. And it can fly!!"-What about the middle sentence "It turns into a bird and its name is Peng, the back of Peng, I don't know how many miles it is," what? Hey mice? ? ? It’s not Kun, it’s Peng who flies! ! !
It is not recommended for students who have not graduated from high school to watch this film, and be careful to follow it by memorizing "Easy Travel", which may lead to a failure in the high school entrance examination and college entrance examination. ! (Distressed first)
Let's talk about the plot. On the whole, it’s like someone thought of a story that could draw dozens of P lyrical picture books, and then he insisted on drawing it into a medium-length novel, so various weaknesses were exposed. As a picture book or short film, no problems can be seen in the plot. Once it becomes a movie, it seems very naive.
Some people always say that this story is like Hayao Miyazaki's animation, but it is not. The first thing in Hayao Miyazaki’s animation is the growth of the character, and then the male and female protagonists have a relationship (or no relationship). In this film, love is the first thing, and it revolves around this matter. The heroine did not show any growth. The most contradictory and most prominent manifestation is that after such a disaster, the heroine seems to have realized "It's all my fault, I want to go back and save everyone", but at the end, the lyrical expression still doesn't talk about growth. And responsibility, but to "Do you believe in miracles?" Then I started talking, as long as you love someone seriously, no matter what you experience, there will be miracles in the end. ) Balabala, and then the two will meet HE in the nude.
There is no mention of a word that you can rely on Mr. Spare to sacrifice yourself.
The first time I saw the line "Do you believe in miracles?" This line was in "Fantasy 3" released in 2004 (it's a coincidence it has been 12 years), the heroine Kai who put this sentence on the lips Lin has been working very hard even at the expense of herself. She has saved many people and created many miracles in the world she lives in. She will never grab things that do not belong to her. In the end, she should have died with her lover, but relying on With the help of her comrades in arms, she finally got a little miracle between her and her lover Lance.
This is a miracle. Engaging in a bunch of earth-shattering scenes almost drowned the whole village and finally it was possible that you two fell in love.
To be cute, you can call pike men and women.
Of course, there are also many stories that are based on love (rather than growth) and have been successful, and they are also earth-shattering love, but the conventional writing of this kind of story (the conventional writing means that it is not easy to collapse) is written in one In a negative environment (such as wars, such as a highly oppressive hierarchical society), the male and female leaders are finally together after all the hardships (if the environment itself is particularly bad, the male and female leaders are therefore reasonable to abandon everything and elope), rather than in a normal environment (For example, in this movie) the male and female protagonists actively or passively cause a lot of things... and finally they are together! !
What is the significance of the existence of a plot like "the protagonist provokes troubles"? Of course it should be to let the protagonist wake up and grow up and take the responsibility instead of running away on the spare tire............
(If you want to talk about how to change it, just give an old stalker but will not be sprayed. The female protagonist's mother was killed when the flood was flooded. The female protagonist suddenly realized that she inherited her mother’s position and assumed responsibility. One day I will definitely go to you...Then the hostess has been at work for many years, and finally meets the host again one day, HE! Both the responsibility and the miracle!)
But I don’t think the hostess is a bitch because of this, I think It's just naive, which is a concentrated expression of the author's immature level of screenwriting skills and the overly self-centeredness of the theme expression level. To put it plainly is that the second disease is still not healed.
How come you say that a filmmaker in his 20s and 30s still has a second illness? In fact, it is normal. People who were born in 1968 on the first floor of Da Hanoi are also writing about the Revolutionary Machine and the Iron Fortress.
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