After a variety of saliva and cursing battles in the early days, the competition between Tanzi and fans was finally released as scheduled. As a movie viewer who has loved Big Fish & Begonia FLASH for ten minutes 12 years ago, I would like to talk about the cultural issues that came to mind from behind the film. This film is one of the few national comics with a very strong cultural imprint, and it is also a new type of exploration. Its pictures, music, and dubbing are all without criticism, and its personality and worldview are very imaginative and oriental. But the plot of this film is very unlucky. Its plot is completely contrary to the preferences of our people. This is also worth exploring. Why the plot of this film is interpreted as the waywardness of Mary Su and the sacrificing of everyone. Your own story? On request, put the content of the plot first to those who are just to find out what is right or wrong:
If Tsubaki does not choose to trade, if Tsubaki does not choose to save Tsubaki, and if the conch is not stolen by Rat Po, the final disaster may not necessarily succeed. If the rat lady did not steal the conch, Chun might be able to pass through the gate of the sea and the sky, and Qiu would not have to sacrifice himself and would not become his successor. For the choice of each plot setting, please think about the heroine’s character setting. Is there any possibility for her to make other choices? ? If you are forced to push the result directly to the cause, then I think you just want to find a sinner to criticize her. You can still insist on your point of view, but please don't forcefully impose it on morality. I saw a detailed scrutiny in the post bar. I personally think it is very interesting: Tsubaki has been repaying his gratitude from the beginning to the end, and Qiu has sacrificed to fulfill Tsubaki’s wish, but both of these children were killed by Maoye and Mousepo. After calculating, the lingpo wants to find a successor, and the mouse is to escape. In detail below, because it is an animation, the dark side can not be clearly expressed, maybe it is the words of the family. 1. Lingpo helps Tsubaki for no reason, here is a question, so-called there is no love for no reason, why does he want to help Tsubaki, it is for the future plan. 2. Lingpo only said to Chun that he needed half of his soul, and that he would experience catastrophes, but he did not tell him that he would die after he left, and he hid important information from Chun. 3. Kun and they raised it for a long time and were not discovered. I was discovered inexplicably, only someone would inform the secret, who? Rat Po, Rat Po deceived Qiu to release for herself and took away important conch. 4. Ling Po knew Qiu’s love, so she deliberately set up a game and told Qiu’s life to change his life, and Chen was gone. Die, lead Qiu to sacrifice himself, and make a deal. The content of the attached ear will only open the door of the sea and the sky, and the walnut can save Chun, nothing else. 5. The mask is an important prop. I don't believe that a child can get it casually with Qiu, so the rat lady stole it and gave it to Qiu to open the Haitian Gate and escape there by himself. 6 Chun did not know that it would cause a disaster, so after the disaster, he chose to sacrifice to save the villagers. At this time, Qiu's transaction was completed, and Lingpo's conspiracy was half completed. 7. Chun didn't know that Kun would die after he left, so he didn't follow Kun to the world. Qiu knew that, so he sacrificed himself and sent Chun to the world. You can see that Chun did not want to follow to the world. If Chun loves Kun, absolutely At the beginning, I decided to follow, saying that the love triangle can stop. 8 The last egg, after Chun left, Lingpo resurrected Qiu and ran away. 9 So the plot is about two people who are tired of their position. Because of Tsubaki's decision, they set up a situation and escaped from their position. Why do they use escape? Because this position is lonely and has no freedom, the rat can't see the sun and the spirit. The mother-in-law can only play mahjong with the avatar. Lingpo and Mouse Po are also two very story-telling characters. They are both likely to be punished and become their current characters. Lingpo once revealed that she was also an atonement person and will never be redeemed. Rat Po is greedy for lovers, and is sealed, her face is aging. Finally, the rat woman successfully escaped. -------------------------------------------------- ------- About the basic premise of culture: Sun Longji’s "Deep Structure of Chinese Culture" has a statement that Chinese culture has not become core for thousands of years. He believes that the biggest difference between Chinese culture and Western culture lies in China Culture is the separation of body and mind (the West pays attention to the soul, and the soul represents self-consciousness, so all their behavior comes from the control of self-consciousness. This is the reason why they respect the individualism of personal choice.) And Chinese culture emphasizes Cultivating one's body, taking one's body, starting from the heart, the meaning is to form a community to protect one's "body", so survival is the first thing. Individuals must survive in a large social group and find their own value and definition. (Individual strength is too weak, you must rely on the power of the cluster to settle down) If you are out of the crowd, you have no meaning, because your identity is defined by others (this is why we love to label people in particular). Because you have to rely on others, your mind and body will feel safe. The most basic unit of relationship in Chinese culture is the relationship between two people, such as parents, brothers, friends, monarchs, and peers. "Benevolence" is the core of Confucianism, and the word benevolence literally means two people. As a result, people within the ethnic group are too close to me, so there is a lack of clear boundaries between individuals. The mind in the body and mind in Chinese culture can be said to be a function of emotions, and rational activities tend to treat emotions as the object of analysis. As a result, there is a tendency that Chinese culture connects intellect and emotion together, and cognitive value (intellect) falls to the second place. Moral judgment is also contained in the heart, and the standard for judging right from wrong is "conscience," which means judging right from wrong based on strong emotional factors. Intelligence, will, and judgment show an emotional trend. (The opinions here are from Sun Longji's "Deep Structure of Chinese Culture", Xu Hongguang's "Chinese and Americans", "Ancestral Shadows", and a book "Yuecun Politics" and Fei Xiaotong's "Cultural Psychology Essentials" There are many detailed arguments, and you can refer to them if you are interested. These books are all classics of sociology and political science) and emotionalization often plays a role in misleading judgments. Therefore, judging right from wrong with emotional factors as the leading factor is obviously subjective. Reason is really a good thing, but if you want to make a sensible judgment, you must first learn to control your emotions and not let your thinking get out of control. Please fasten the beast in your heart. Regarding the main conflict of values: Going back to this movie, this movie is actually a fable, not a simple description of the love between men and women. Many of the intentions of the gods are completely different from the gods who have always believed that they are desperate, so many people think that they are similar to the Japanese mythological structure in Hayao Miyazaki's Spirited Away. Little did they know that before the great prosperity of Confucianism, Buddhism, and Taoism, the mainstream of Chinese mythology was witch culture, which is the cultural traits that are still circulating in the southern part of Chu. The witch culture advocates the power of nature, and the earliest ancient gods were not as high as the immortals of later generations, and were closer to human settings. As the prototype of many characters, Shan Hai Jing is also full of mysterious beauty. The enclosure symbolizes the materialized state of the ethnic group, and there is no shortage of defenders of order. The heroine's feet are not the incarnation of truth, goodness and beauty in traditional animation. She represents the most true and authentic things in people's hearts, and they are not bound by order. The big fish image of the male protagonist has more typical symbolic meaning. It represents the human soul. After the death of the male protagonist, the soul is asleep. The hostess awakened it, made it grow, and finally broke through the shackles to find belonging. I mentioned earlier that the body and the mind are separated in Chinese culture. The mind is around the body to serve. The purpose of the mind is to create a relationship and emotional connection between people. The ethnic connection formed by this emotional connection is completely opposed to the voluntary awakening represented by the big fish. Once people have their own consciousness and beliefs, they will leave the ethnic group, so it is an ominous thing. For the heroine, it was because of guilt that it protected Big Fish and sent it home. In order to repay her, she must choose according to her heart. This is very incorrect for the celestial dynasty, which is accustomed to personal interests giving way to group interests. Under the influence of our childhood education of right and wrong concepts, things that are incorrect are bad, and we cannot accept emotionally. And Qiu's intention is a perfect expression of people's ideal love, and he is also very loyal to his inner choice. He only asks for sacrifice and dedication without asking for rewards. His image is very pleasing and fits the structural design of Chinese culture. In fact, there are so many remarkable points in this movie. Under normal and rational circumstances, most people will choose tolerance for any bright spot and give an acceptable score. What's more, there are many bright spots, and it can even be regarded as an undisguised national comic. Why does the overwhelming negative evaluation have such a huge momentum? ? Even many comments are full of hostility. What I personally understand is that Chinese people have a very strong self-defense mentality. Since childhood, we have been taught what is good and what is bad. Bad children are spurned by everyone, and good children have candy to eat. And this standard of good or bad has even been solidified at the cost of obedient, obedient, and compressed self-awareness. If there is no grand-sounding excuse (reasonable channel), the suppressed self-awareness dare not express at will. (Why does the theme of the Great Sage resonate? Because it is also a hero of resistance, and stands on the moral high ground. It is the authority who resists, and he is the incarnation of justice. Therefore, it is morally permitted to expose self-consciousness through the Great Sage.) This is also the case. The reason why keyboard men usually gather together to stand on the moral high ground. The main value of Big Fish is to follow the trend and follow the inner choice. The consequences may be cruel. Just face it. This is an awakening that encourages self-consciousness, does not require moral permission, and faces the true heart. This kind of values has triggered many people His heart is severely unsuitable, just like Chun and Kun at the end of the film have also caused many people's unsuitability. If you break the shackles and inner barriers, you can appreciate a different world. (I don’t know why many people think that to encourage self-awareness is to do whatever they want, that is to do whatever they want. The corresponding promotion of personal interests is to oppose collective interests, which is brainwashed by the West. The generation of self-awareness means to face up to oneself and accept oneself. Rather than suppressing oneself blindly, this is another way of self-control and self-management. Selfishness actually represents the behavioral performance of desire not controlled by oneself. How to control desire? According to our old thinking, suppress desire and criticize desire, Is it effective to control it with morality? Using strong means can never be truly recognized. One of the most important management rules is to take care of your own merits, so that people will weigh what they cannot afford before they speak and do things. .Only by the birth of self-consciousness can we identify with ourselves, face up to ourselves, including face up to our own desires, and control it. More importantly, we can truly be spiritually independent instead of relying on others all the time, and we can start thinking independently. Learn to respect yourself and others. If you think that you have no desires, and desires are bad things, then you are deeply poisoned) As an individual, I need to say some of my own opinions. No protagonist in this film is unfaithful to his choice and ultimately bears for his actions. The sign of growth is to face and bear. The female protagonist faces a dilemma. This choice is the pit that the director digs for herself as I mentioned at the beginning. This kind of dilemma is easy to refer to if it is not played well. When the female protagonist initially chose to repay the male protagonist, it violated the clan rules, and was opposed to the entire ethnic group and the contradictions were irreconcilable. In the end this conflict culminates, whether to sacrifice everyone for one person or sacrifice one person for everyone. None of it seems to be correct. We tend to choose to sacrifice the weaker side, because the rules shouldn’t have been broken, right? ? If it weren't for the heroine, everyone would not face the crisis, right? ? And the heroine's choice is to hope for both, which is undoubtedly still a limitation of Eastern thinking. This dilemma has been involved in the Batman series. Every time the Joker killed a person, he forced Batman to sacrifice one person or sacrifice more people. At that time, the film was praised for this human torture. Batman said that he is not God and cannot decide who to sacrifice or not to sacrifice. In Big Fish, the heroine's initial motivation was to make her own choice, which did not fit the public's "correctness", and finally decided to sacrifice herself to fulfill her choice. Many people label the heroine and interpret the motivation of the heroine. If the motivation of the heroine is too personal (love), it will appear less noble, and then her label will not be so good-looking. It seemed that she was destined to be pointed at by a thousand husbands. But I personally think that it is understandable to make a choice for my own heart and intend to undertake this choice is growth. Of course, Qiu's success is another issue. About how to truly love someone? How to truly love someone from Qiu's point of view? This question is too cliché. Movies discussing this issue can be recorded in tons at home and abroad. Director Dayu also conveyed his understanding of love through Qiu. There is no correct answer to this question, but after a long period of precipitation, I review Qiu's behavior again, and there is something new in it. There is no doubt that the love of friends, the love of lovers, the love of relatives. Almost all these kinds of love are included in the movie, but there is a difference in how to love. Parents love their children in a way that I think is right, and Qiu actually behaves in this way at the beginning, so there is a plot of losing fish. Qiu is also painful, suffering because of not getting a response. But why would Qiu still support Tsubaki, even at the expense of himself? ? In my opinion, the answer is near the end of the scene where a good person gets stuck. We all can't help but spit out because of our brother's terrible, in fact, we have overlooked the intention of this scene. That is Qiuwen Chunyuan He didn't want to go to the world, he knew that Chun would die if he didn't go to the world. If you want her to live, you have to do this, but he still asked Chun, if he wanted to, would he like it. Chun said she wouldn't go to the world, and Qiu asked if she didn't want to or could not? ? Chun's silence made him make a decision. Too many relationship problems in the world are nothing more than that I treat you well the way I think, but you don't approve of it. Parents who sacrificed for their children may have been waiting for their children's gratitude, but what they want is their parents' letting go. Couples always appear such as "I treat you so well, why don't you respond to me/repay me?" We are always given various identities and labels in the family unit in society as a group. xx’s children, xx’s husband/wife, xx’s children, xx’s friends. We always use this label to ask each other, what should you do as a husband/wife, what should you do as a child, and what should you do as a friend? ? We are using templates and sets to compare each other's requirements, and treat each other the way we think. Many times this is actually the beginning of a kind of injury without knowing it. No one will ask "what do you want, do you want it, do you want it or not". Every individual faces a certain kind of loneliness at birth. So in order to overcome loneliness, there are groups and society, families and couples. But this loneliness still cannot be avoided in the community. People suffer from the fact that no one understands their own hearts. They resort to seeking confidants, soul mates, spiritual belonging, and reading. The root of this is that we are unable to face our true self, accept ourselves, find a partner who accepts ourselves, and get the respect of the other person. The starting point for all this is to recognize the uniqueness of the individual. Chun is special to Kun, it is the bond of life and the bond of soul. And Chun Zhi Yu Qiu is not only the name Chun, but also the childhood sweethearts who grew up together. She is such a unique existence to him. So for this unique individual Qiu is willing to give everything. In fact, isn't it just such a value that we have been busy struggling with in life? ? ? In the community, in the work, in the intimate relationship, the more unique, the more irreplaceable value there is. Because it is irreplaceable, a sense of security, stability and belonging is also produced. That's why it is said that if you want to be respected, you must learn to love yourself and respect yourself. Because it means that you have learned to face the fact that you are a unique individual. The reason why respect is so commendable is that the courage to face oneself is so scarce. In addition, the bad words in the movie have been acting silently. Therefore, true love for a person may appear to the author to be a unique existence for you, respect him/her, support him/her, and really Interaction is more meaningful than sweet words. Regarding responsibility and protection: Responsibility and protection may be another theme that the whole film wants to express, but the expression of this line is too dark. The main creator puts too many things to express on the main line, which is really overwhelmed. I only noticed this metaphor after the second brush. The heroine’s name is Chun, and her abilities were not clear at the beginning. She was in charge of Haitang because her mother wanted her to inherit her mother’s abilities. But in fact, she didn't show her own ability. Tsubaki's description in Zhuangzi is "the ancients who had large tsubaki, regarded eight thousand years as spring and eight thousand years as autumn." The ancients used the metaphor of the tsubaki tree as a metaphor for longevity, and the longevity of the tsubaki tree must be so long. This sentence is also specifically written at the end of the film. What is the intention? ? I personally think that this line involves the hostess's family. The heroine's mother gave her in a way that she thought was good for her, like most parents. Grandpa is the most clear supporter of the heroine, and turned into a big tree in the end. Why is it that grandpa is in charge of the Baicao but turns into a tree in the end? ? When Chun was finally in danger, he asked his grandfather who had become a big tree for help, and his grandpa spontaneously summoned his grandma to save Chun. To make up for the disaster he caused to the tribe, Chun also used his grandfather's remains to give birth to a huge crabapple tree. What are these metaphors? ? Our image of the big tree is generally tall, straight, and silent. Grandpa is the typical image of the silent guardian of the family. The heroine was ignorant and ignorant at first, and would turn to grandpa for help at critical moments. But the heroine has been trying to bear it, whether it is recklessly raising the soul, or finally making up for the disaster to the villagers. Tsubaki literally means one wood and one spring. Tsubaki's ability is to promote the growth of plants, which symbolizes the growth of spring. Mu Jiachun finally formed a real tsubaki tree. That's why the heroine's abilities began to appear at this time, and she really began to learn to take responsibility and protect her homeland. The heroine experienced challenges to the rules and ignored the family at this time and began to return. Cold rules can't make people sincerely maintain but can only obey them. Only love and tolerance can make people return. Our true return is not because of being forced, but because of voluntary volition from the heart. Chun’s rescue of the villagers was an escape, a death to thank the world, or a real commitment. The key depends on whether anyone knows that her death can turn into a big tree to block Haikou? ? Or is there any hint of this, let us know whether the heroine did it deliberately or not at all? ? The metaphor of this place is indeed too vague. Did the creator think that other people would understand it by marking the ancient saying that there was a big tree? ? Maybe you fell into a pit that I thought you knew you didn't know! ! ! About growth: There is no doubt that the most magnificent worldview and the most imaginative part of the film is the setting that everyone is a fish from the sea. This is different from the usual framework of continental civilization, but another rarely involved. Thinking about the ocean civilization. The three questions about the most classic philosophy in the film are, who am I, where I come from, and where I am going. There is a tradition in the West. When individuals grow up, they need to experience a self-torture of the soul, which is the three philosophical questions mentioned above. The ultimate goal is to stimulate your self-awareness. You need to know what you want and what you are after. , So as not to be confused anymore. Therefore, ancient Western myths always have themes about heroes' coming-of-age rituals, usually fighting monsters or going out to sea to experience hardships. There is still such a tradition in the West now, so many foreigners are keen to travel around the world and experience different things on the road to achieve a clear inner self. Many Hollywood films actually express this model. What is our Chinese-style growth? ? As mentioned earlier, the most fundamental difference between Chinese culture and the West lies in the separation of body and mind. Therefore, Chinese culture pays attention to self-cultivation, and the meaning of starting from the heart is to form a community to protect one's "body", so survival is the first. Folk wisdom for thousands of years is nothing more than condensing two pieces. After surviving, each person will save himself (in fact, it is also for the sake of wise protection). Therefore, Chinese parents only care about the body of their offspring, and life is considered very precious in the individual cognition of Chinese culture. However, when individuals are not bound by rules when they are young, they have the courage to fight for and challenge authority and control, even at the expense of themselves. Because I was too young and had nothing but myself. And as he grows older, he gradually becomes sleek and stagnant. The lingon in the big fish also said that the older people are the most cherish their lives, and they dare not toss. Endure the life of loneliness and stagnant water alone. Tsubaki was determined to repay her after being killed by a wrong hand in the coming-of-age ceremony, so she paid half of her life, and the other half of her life was to make up for another mistake of her own after learning how many consequences it would bring to the village. So I personally think that Chun is very fulfilling himself. At the beginning, Qiu portrayed a bear kid who would do all kinds of naive things in order to attract attention, but for the people he liked, he began to learn to forbear, control himself, and learn to bear, and eventually he exchanged his own life for Chun’s life and fulfilled it. Lost my love. Precisely because the protagonist portrayed in the movie is a young adult, he may still be rebellious with his native family. Her recklessness and incompleteness are exactly what she should have at that age. Many people are obsessed with why they have to challenge the gods when they know it will bring disasters. In fact, this is the commendable courage. In the film, the courage is restrained by the punishment of the gods and the bond between the villagers and the protagonist, maintaining authority, and letting all things surrender. In Chinese society, the hierarchy is very strict, because it is necessary to rely on groups and ethnic groups to ensure the survival and development of individuals. Therefore, the boundary between the person and the self is very blurred. If the distance is too close, it is possible that if you want to protect your own interests, you must harm the interests of others. In order to obtain benefits logically, superiors will establish themselves as authority and allow subordinates to submit, voluntarily compress their self-awareness, and contribute their own interests. So the more mature, the more afraid Authority, protect your own interests to the utmost. We like Monkey King, not only because he challenges authority but also because he is strong, he is a winner. The strong are always exceptional to a certain extent. They have the ability to challenge authority at any time, while the weak do so by using their pebbles to hit the rocks. What are we disgusting when we dislike the protagonist's inconsideration, selfishness, and negligence? ? What we hate is not following the rules and having a strong self-awareness (non-obedience to the rules and strong self-awareness is very likely to harm the interests of the group, and what we automatically substitute is the group) weak, reckless, and deeply helpless with reality projection. It takes more courage for the weak to challenge authority. Only courage can do it. Courage is the most precious. I did not intend to rationalize the protagonist’s behavior and make excuses. What I am more concerned about is why we are so obsessed with right, wrong, and moral, and we don't seem to judge that it is right, good, and noble morals. Who will not make mistakes? ? As long as you can be responsible for your actions. The Chinese are too scared of making mistakes, and we are always the harshest and coldest attitude towards what is wrong. We don't ask about motivation, we don't care about the original intention, we don't care about the process, we only pursue the result. No matter what it is for, as long as the result is not good, you will bear the blame. What is the reason and support for us to judge and be confident? ? Is the law of the jungle where the weak feeds on the strong and the fittest survives? Or is it our morals? ? Right and wrong are always right, wrong? ? If we change the time, place, and cultural background of our modern society, it may not be so correct. So what are the things we have been insisting on that are meaningful? ? I once saw a description in an article on sociology that China is undergoing the third demographic transition. Many young people are choosing to stay away from their families and work alone, even not going home during the New Year. In the past, the parents were there and they didn’t travel far. Even your parents do everything possible to let you go home. If you don't obey their wishes, you will be unfilial. The reason why many people do not go home during the New Year is also because they are afraid of forced marriage by their parents. In the eyes of parents, this is selfish and immature. The current society is experiencing collisions and conflicts between old and new trends of thought. We have been seeking a balance between conservation and freedom, maintaining order and pursuing power, and the invasion of traditional culture and new culture. The movie Big Fish bravely touched the edge of the core conflict, and the main creators are also trying to use their thinking and understanding to find a balance. Presentation is a value of existence. About life and death: The issue of life and death can be said to be the most mysterious and secretive grand theme in Eastern culture. The biggest thread running through the film is actually the question of life and death. The world of "others" is where the soul belongs after death. The beginning of the story originated from the coming-of-age ceremony at the feet of the heroine and saw death. She recalled many times that Kun's sister asked her for a brother, and Kun's sister reminded her that she caused them. The murderer of life and death. She is undoubtedly unacceptable, so she wants to resurrect the big fish. Grandpa and grandma played a very important role in the theme of death. When Grandpa talked to Chun for the first time about life and death, he said that his deadline was approaching, and he said to Chun that this was the law of nature very frankly. Grandma became a phoenix after death, and grandpa became a big tree after death. In fact, they existed in a different way. The 16-year-old Tsubaki cannot accept death and parting Ignorance and ignorance) Qiu was hit by the snake venom, grandpa saved Qiu and sacrificed himself. Grandpa became a tree and continued to exist. This is the second time the heroine has faced death. The heroine and the big fish have parted several times. The heroine's stubborn search for Kun also shows that she cannot accept the parting. The heroine kept facing life and death. In the end, the flood flooded the village and was flooded. She realized that the villagers were also facing life and death, and she also couldn't accept it because she had caused the deaths of other people. So she used the last half of her life to use the remains of her grandfather to give birth to a crabapple tree and save others. But in the end, she didn't choose to go to the human world when she could go to the human world with Da Yu, but to send him away. Means that she began to accept parting. Qiu had long known that Tsubaki's death would be after Big Fish's departure, so he sent Tsubaki away forcibly, and sacrificed himself in front of Tsubaki. Lingpo resurrected Qiu and made him his successor. Chun and Kun returned to the world with the voice-over "Do you believe in miracles?? Be bold, maybe be bold." This miracle is the miracle of life, and the big fish has gone home. There are eight sufferings in Buddhism, birth, old age, sickness and death, love and separation, long-lasting grievances, five yin prosperous, and can't ask for it. Every death, parting is the time when the plot advances. But anyway, this is an animation. Therefore, it can be said that only grandpa is the only person who really died in the film, and the soul of grandpa will return to Rushenglou. Death, maybe this is another kind of life. Zhuangzi and Dayu and the main creative forwarding post bar author lgly1937's statement on the relationship between Dayu Begonia and the main creative, personally like it very much. (A story and a big fish) The story I'm telling is exactly the "Xiaoyaoyou" in "Zhuangzi". Everyone has heard of the story. I scored 74 points in the Zhuangzi guide class this semester, so I dare not add to it. To comment on the main theme, only some of Cheng Yi’s views are summarized: "Zhuangzi’s true skills and great pursuits in his life are all in the three words "free travel." The lofty freedom based on the "rich accumulation" of kung fu, no one has nothing to do, the real freedom of unlimited travel by Zhengyu." In a word, the theme of "Xiaoyaoyou" is the pursuit of freedom. Freedom is also the core idea of "Zhuangzi" throughout. Big fish, it seems that Chun cherishes something very much. Chun is willing to consume his life for him, even willing to fight against the gods for the fish, and he does not listen to the obstruction of the villagers. People don't understand fish, and their mother even throws them away at will. Suddenly I wanted to tell a story about myself. Once I was making an animation in the room, my mother came in and said, "Don't do these things that have nothing to do with learning all day long." Here is an interview with the bastard Liang Xuan from The Paper: "Dream is after dropping out of school. I did. I dropped out because I yearn for freedom." "After you went to Tsinghua University, you found that no one cares about you. You can choose the path you want to take. 70% of Tsinghua students will go abroad, and I do. I thought about going to Stanford, but that means you will have to learn a lot of things that you will never use in your life. I think of my experience of living in a forest when I was 3 to 4 years old, that kind of free state. , That is what I have always wanted." "At that time, there were two paths in front of me, one was what others expected you to be, and the other was what you were in your heart. But most people didn't find the way they yearned. If I find out, then I don’t want to waste time elsewhere." (A champion) I checked the resume of the bastard Liang Xuan. In 2000, Liucheng County No. 1 was the only student admitted to Tsinghua University in the county in the past 10 years. Here is another excerpt from the surging network's interview with the bastard Liang Xuan: "My dad often tells me that if you get a Tsinghua diploma, it will be better for them. The diploma is the guarantee of a better life. I am We were the champion of the small county in the past. It took ten years for the small county to have one who went to Tsinghua University. Therefore, my parents hope that you will study hard, get a diploma, and find a high-paying job. This is the most ideal, but for me to start a business I am very happy, and I can see where the hope is on this road." Suddenly thought of the name just now, Wang Tenglong. (The name of the male protagonist Kun in the book of life and death) It is stated here that I am a student of Tsinghua University and also come from the same high school as the bastard Liang Xuan, but I have never met him in person. (The following is a compelling element) Tsinghua Park is mysterious in the eyes of most people. Tsinghua’s students are the children of "other people" as adults often call them. Most of Tsinghua’s students are at least strong or exaggerated "Supernatural powers are vast." As for the high school alma mater, the state in the local high school is also the same. However, Tsinghua's education and student orientation have always been criticized (here can be transferred to the question "What are the problems with Tsinghua's education?" "What is the experience of being a scumbag at Tsinghua?" From my personal experience, Tsinghua’s ethos generally values credit scores. At least the state that Tsinghua has shown is that I give you a lot of opportunities, but I hope you have high credit scores and encourage you to do scientific research. However, excellent students in arts and social work At least in our department, there is no reward for undergraduate studies. Tsinghua really despises undergraduates who go to work directly. Most students pursue high scores and direct Ph Is it what I want? Some people thought about it, but they couldn’t get out of this garden after all. I have some friends who don’t like their profession. Some of them write poems, some play piano, and some dance. "Pain" and "perplexed", but in this atmosphere they still choose to bury their heads in reading and get together in the laboratory. There is a saying that Tsinghua has said that it is very characteristic, and the people taught are exactly the same. (Returning to the world and dropping out) In 2005, the bastard Liang Xuan dropped out of Tsinghua University in order to realize his dream of freedom. I don’t believe that this is not a huge "disaster" for his family. He did not set off the stormy waves in his family. I don’t believe that no one will scold him for being selfish. , No one wants to kill him. And this year, the other side of the sky came to the world. Suddenly remembered that the human world in the animation is in the "Beyond Sky". By the way, in order to get a first-hand experience of the family situation at the time, you can ask your mother: "If I drop out of Tsinghua to draw animation, will you kill me?" "Some viewers will feel that they can't understand why Chun insists on doing this, but you It’s not difficult to understand what choice you would make if you were in it yourself.” I heard that someone wanted to slaughter Tsubaki, and wanted to slap her up, feeling she was a bitch and disgusting. It's normal. The bastard Liang Xuanzeng's own department is the boiler department. I guess he loves and hates Tsinghua, but Tsinghua has left a mark on him after all. (An animation) To tell the truth, I only learned about this animation last year. Of course, in order to pretend to force me, I usually say that I waited for 12 years. What is this animation about? It is a story of pursuing dreams and pursuing freedom: the bastard Liang Xuan who was born in Li Chunri turned into a tree. He has a dream in his heart to make animation and pursue freedom, but this dream is because he accepted the hope of his parents. Tamron's idea was stifled by himself, but this dream was turned into a small fish and connected with his life. "Some fish will surely fly to the sky." "I hope you are bigger than a bed, and the whole house can't hold you." It was Tsubaki's words to Yu'er, and it was also what the bastard Liang Xuan said to his dreams. However, once distracted in the garden of Tsinghua University, it is easy to drop out of school. This is a huge disaster for the clan. The family wanted to kill Da Yu and restore peace to everything, but Chun did not hesitate to protect Da Yu. "I won't let you hurt him." When you guard your dreams, have you ever said something like this? There is a saying in "Xiaoyaoyou" that "the world will not be discouraged without being discouraged... it depends on the inside and outside." If people want to pursue freedom, they must not be depressed when the whole world thinks you are wrong, at least according to Zhuangzi. Meaning, right or wrong is someone else's business. Finally, with the help of Qiu from Zhang Chunhua who was born on March 3, Chun came to the other side of the sky and sent the big fish back to the world. And his dream has become this animation into the world. "I have to make this animation anyway." "Are you cold?" "Aren't you cold" "Let's sleep." When Zhang Chun and bastard Liang Xuan were in the hardest time, the company had only two of them, this sentence The dialogue is just the two brothers supporting each other in the most difficult time. "You're so nice, like a big brother." Confession. "In ancient times there was a big Chun, eight thousand years old is spring, eight thousand years old is autumn." Chunqiu, Chunqiu homophonic, the lives of Chun and Qiu penetrate each other, you are in me and you are in me, and they blend together, so why not The relationship between these two brothers. "Every big fish will meet." "People and people are different. Before I met Liang Xuan, I didn't believe that there are such people in the world. Just like the feelings in our film, some people are Disdain or think it's very pretentious, but this kind of person exists. What kind of person does what kind of film, because this is his film, and many of his personalities are reflected in this film." After 12 years, there are only two. I have waited for 12 years, and the two brothers told them the promise that paid you for 12 years. "In the beginning, this story was a story of a big fish constantly breaking through the shackles, searching for freedom, looking for a broader sky to fly freely. It is more like the mentality of a young age. Later, more attention was paid to the emotions of Chun and Kun. They In the whole process of getting along, slowly nurture a feeling, grow together with each other, and finally face separation. This kind of emotion has family affection and is a kind of guardian. Qiu is guardian to Chun, and Lingpo is guardian to those souls." This is not a romance film. The theme will definitely be emotion, but we will not define this emotion as love, but more salvation."
After reading this article about the story between Zhuangzi and the creator, I remembered the expectations and feelings that I had invested in Bi Antian. The first thing I saw was the FLASH of Big Fish and Begonia. The feeling of hitting the soul is still fresh in my memory. It turns out that even if it is a rough FLASH picture, the expression without lines can strike the soul. Later, I paid attention to the BOBO&TOTO series, and since then he has a natural yearning for Bi'an Tian. Even after graduation, I went to an animation company for an interview. Of course, knowing that it is impossible to enter this industry, how can just an amateur painting enthusiast easily enter the industry? ? It's just that I don't have the courage to choose to learn animation again. This initial dream made me have great tolerance and kindness towards domestic animation. Part of the original intention of this film review is to tell Big Fish, whose reputation is deteriorating, what he wants to say and what he can do. The other part is thinking and worrying about reality. Although many rebuttals have been summoned, and there have been disputes in the middle, I firmly believe that presentation is a kind of value. I still hope that I can sting some people, face some problems directly, and trigger some thinking. Or let me understand that communication is a long way to go.
The main creator is really a deadly arrogant! ! ! ! ! In the interview, he said that many plot clues are deliberately left blank because it is very interesting to think about the riddles. It's like playing a puzzle. So this movie is really not for everyone. If you don't have the patience to play puzzles, crossword puzzles and so on, really don't abuse yourself! ! ! -------------------------------------------------- ----------- Some of the disputes of Big Fish finally turned into black and black, and continued to be biased in order to insist on his own point of view. You can't deny that although it is not perfect, it has done a few things, made an attempt to incorporate local culture and was relatively successful, at least foreigners recognize it. I believe that many people will want to understand our country's culture because of the magnificent settings in the film. This is an improvement. In addition, a healthy development of the animation market needs commercial success and encouragement to generate market prosperity and give birth to more diversified cinema products. It is not always the typical industrialized plot model of Hollywood. Of course, it's not that you can't point out the shortcomings. Of course you need to point out if you are not good enough, but your own child, you need him to improve, do you encourage him to correct him at the same time, or use very harsh words to attack him, and even count on a dutiful son under the stick? ? Think about the way our parents are educated. We need dissent, we need different, we need diversity, and only by tolerating these can the market come out of singularity and take a path of its own. ------------------------------------ I watched the story behind the scenes of the Big Fish team at station B last night, Really feel the hardship of the whole team. It's really a miracle that this film can come out. Many people dislike selling feelings, and personally think that the kitsch vocabulary of feelings is an unfair term for the whole team. After so many years of the whole film, Bi'an Sky Company used to make games in order to save money to make movies, but unfortunately the company went bankrupt at a loss. The employees of the company have gone through a wave of relays, doing this together regardless of remuneration, and some people have given everything they can because of this. In fact, I believe that many of us have dreams, but the hardships and difficulties of life make most people’s hearts slowly become cold and hardened, sealing themselves in your own world, you no longer believe in dreams, no longer believe in sacrifices What interests can do. Because everything is not important for survival, the difficulties of life make you only pay attention to your own joy, everything can please you The ones are good. But there are really such a group of people, or two idealists, who are willing to give their everything to make an animation. If such a fairly dreamy and conviction film is vilified by countless people because of your dislike, Guoman will only produce a bunch of works aimed at pleasing the audience. Such works can also be said to be good works, but they lack their own soul and attitude. Isn't even the last dream-making place of anime not as pure and free as ever? ? ? Today I saw a film review about Pet Story. There is a sentence in it. As long as a commercial film has a bright spot, it is enough to make it successful. In comparison, as long as the big fish is worth spraying, is it destined to be sprayed for nothing? ? How obvious is the difference in treatment! ! ! If you are interested, you can look at the behind-the-scenes story of Big Fish at Station B http://www.bilibili.com/video/av5433329/ Damn, there was a sunspot who sent a private message saying that the navy was dead and his family. Some people commented on where to put the party constitution. . . . Almost scared to pee PS. If you leave a message, please refute the point of view of the article. Simple spray will not be entertained.
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