View more about Big Fish & Begonia reviews
Who is to blame for the domestic animation to Rujin? Is the audience too tolerant or the team too perfunctory
Colten 2022-01-23 08:05:01
I just went to watch the premiere and I don’t know how to say it, because now as long as it is a slightly hot domestic film, as long as you don’t support it but tell the truth, someone will definitely come out and say you can do it. , But I don’t want to give this movie a star. First of all, the script is simply messy, telling an inexplicable joke that doesn't need to happen at all. From beginning to end, the heroine made it herself. Forcibly sentimental, only Spare Qiu and Mouse Girl are more successful. Besides, the painter is useless except for the background. The faces of the characters are divided into four categories: old, middle-aged, young, and children who change their hair and clothes at will is another person, regardless of gender, and Da Yu’s sister is a cameo from Totoro. The mouth shape of the characters and the dubbing in the later stage do not match up. Apart from crying, they only have facial paralysis. Speaking of dubbing, this kind of unsentimental dubbing has been dubbed for two years? Then there is the problem of plagiarism. My friend said that any animation starts from imitation. I am an animation professional. I don’t deny this sentence. However, what we want to imitate, you can imitate other people’s shooting methods and splitting methods. Art style, but what counts if you copy the characters directly? Why don’t you learn from the master’s attitude towards the work? How comfortable is the two-dimensional animation that is purely hand-painted in every frame, but the two-dimensional and three-dimensional combination of Big Fish and Begonia is rigid. IMHO, isn't it because the scene is too tiring to hand-paint? The Tulou in the film uses modeling stickers to copy and paste the material quickly. Where is the conscience?
Extended Reading
Top cast
-
Lingpo: What brings you to the Island of Souls?
Chun: There's a soul I'm looking for: the soul of a human boy
Lingpo: What time was it he died?
Chun: It was two days before the wheat harvest.
Lingpo: You need to be sure of the date. Otherwise you're searching for a needle in a haystack. So many die every day.
Chun: I'm sure. It was my birthday.
Lingpo: I know what you're trying to do, girl, and it goes against the laws of nature!
Chun: I don't care. I've got to save him!
Lingpo: The punishment is harsh for those who defy nature, no matter who you are, so you *should* care.
Chun: But I owe him, for saving my life.
Lingpo: How very touching. I've been stuck here for 800 years, and I'm still not done paying penance for my sin!
Chun: But you didn't...!
Lingpo: Don't interrupt! Let me tell you what real tragedy is. Meeting someone you care about so much you forget yourself and make a mistake. So then you go back and try to fix it and make things right again, and then you learn that fixing it's impossible.
[chuckles]
Lingpo: We can never undo the wrongs we've done. This I know.
Chun: You're saying you won't help me?
Lingpo: I'm saying I pity you. Besides, resurrecting someone from the dead doesn't come cheap.
Chun: What would it cost?
Lingpo: No less than a lovely girl's loveliest features: your eyes.
Chun: [winces]
Lingpo: [laughing] Now she's scared.
[chuckles]
Lingpo: Don't want to give up your pretty eyes, eh? All right, I'll take half your life instead.
Chun: If that'll save him, take it.