She is a black cat, with eyebrows like stars and hoofs like snow, wandering outside Luocheng Gate every night, and the generals who were swallowing thousands of miles like a tiger with a golden horse and iron horse died in front of her. He is a hero. When he returned triumphantly from the battlefield in armor, the carved columns and jade blocks were no longer there.
The emperor said, General, there is a black cat in the mountains that harms people every night. I will send you to surrender it. If you can really surrender it, you can choose the beauty around me. He glanced at it, finished a glass of wine, and took the job.
Who knows that when the golden wind and jade dew meet, they will win but countless people. From then on, he lingered by her side every night, and she knew that the love between the monsters had violated the agreement of the evil god, but she was still befriending him every night like moths fighting the fire, even ignoring her mother's advice and obstruction, until she disappeared. He couldn't find her, and he realized that she had become a demon just like his mother. In grief, he also had a task in his hands. After surrendering to the cat demon queen who had lost his mind, he called out the name of his lover, unable to find it. Poor Wuding Riverside Bone is still a spring boudoir dream. In the end he died in his dream, but it's a pity that Red Medicine by the river was born every year for whom.
It is not so much a horror film, as it is a literary romance film, which makes people can't help but think of the classic plot of China's Liao Zhai. The black and white simple setting perfectly supports the quiet and spooky but beautiful atmosphere, coupled with classical music and dance, makes this movie look like a stage play. The processing of light and shadow corresponds to the setting of the bamboo forest, which perfectly combines the atmosphere and environment with the story. Unlike most horror movies, it has no bloody shots and no complicated storylines. It uses shots, lights, music, etc. to create a typical Japanese classical horror atmosphere. Each character has his own story. The samurai who returns home, the wife who loves desperately, the mother who has tears in the corners of her grievances. Although there are few characters, they are all refined. I especially like the way my mother and wife walk, especially the light steps when my wife crosses the pond at the beginning, jumping like cats, but without losing the etiquette of traditional Japanese women, light, elegant, sexy, and resistant. Aftertaste. On the other hand, the horror films in China now blindly pursue the bloody violence or suspensefulness of Europe and the United States, but ignore that sometimes returning to the root is the most beautiful place.
The film is still art as it stands. The black-and-white shots, montages, and stage setting light and shadow change are a realm that modern horror films cannot surpass. Even if this is a clichéd Liao Zhai story, it is also a beautiful picture-like story.
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