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Obviously suspected of fried cold rice
Axel 2022-02-23 08:02:24
The most painful thing in life is to witness and experience the departure of a loved one with his own eyes. Nanni Moretti has restrained and emotionally demonstrated this theme in the 2000 Palme d’Or masterpiece "Son’s Room". This year's new work "My Mother" still uses a restrained approach to narrate the whole process of an elderly mother being tortured by disease to her death. However, the director has placed another plot for a female director to make a movie. The two parallel development lines do not see any complementarity or conflict. To put it bluntly, they only reflect the bitterness of being a film practitioner, such as a director, while taking into account the film set. On the other hand, he has to worry about his old mother on the sickbed day and night. I think it is perfectly possible to change the career of the heroine in the film to something else. The reason why Nanni Moretti chose to shoot the story of the career of director is easy to guess that it has something to do with his own experience. From this perspective, the film is inevitably branded as a "private film", which is simply Nanni Moretti's unchanging author style over the years. In fact, as early as 2007 in "Caiman", he had tried a technique similar to that in a play, and the film was handled more interestingly. This new work is obviously suspected. The only thing that satisfies me is the blending of dream and reality scenes, which is quite traditional in Italian cinema. Woody Allen, who is far away across the ocean, has also used this humorous style to construct his own works, like the classic "Anne Hall" ".
Extended Reading
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Peter 2022-04-23 07:04:26
The mother was lying in the ward, and her condition did not improve. Margarita had hallucinations. Either her mother died suddenly, or her mother was still alive. The set was a mess, especially the difficult foreign actor, whose lines always broke down, work and family. One after another is not smooth, in which, no one will be emotionally out of control, like a time bomb, blasting the surrounding deafening, about the mother, the ink is less.
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Eula 2022-03-16 09:01:08
The absurdity of the drama in the horrible drama interspersed with the mother's hospice care and the steady and heavy feelings. The rhythm is slow but the switching is as neat as a knife. The irregularity of the narrative gives the film more room for interpretation, and the mother's step-by-step death process has become more difficult. At the beginning, the demonstrations turned to transient scenes to grab eyeballs, and the spread of water on the ground could not be wiped off, which was even more discouraging. The simple and practical documentary style is really good for Cannes, but it is a little bit strange.
