"The Fright" and "The Ecstasy" (Dear Chinese translators, can you understand how difficult it is for those who do not understand English to distinguish Xi Pang's various "memory"!) It is always worthy of greatness Book special book. When I was just an adult, I was sitting in a large general education classroom with hundreds of people listening to the sound of summer fans. Teacher Gong said that the obsessive appearance during a scene in the bathroom is vividly vivid... I was about to cry, what turned the scene in movie history, what was the most classic misleading in history, Scorsese caught up with the release of "The Cry" that year, he secretly enjoyed the audience in the dark movie theater Screaming, not like "Ahhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhh! The earth was shocked—I had never watched this movie on the big screen, and I could still feel the creeps at that moment. That was the golden age of movies. At that time, the director tried his best to understand the meaning of the movie. He speculated on the audience's reaction. He pondered the audience's psychology. What he enjoyed most was to lead the audience into the dreamland he deliberately created-like Kerry. The special labyrinth is generally rugged, and the bull monster may appear in the next corner. If it does not appear, the situation may be worse. Ironically, this commercial film master who has provoked audiences for generations is still the pinnacle of textbook images. I don’t know where these famous directors who "make movies with their backs to the audience" and those small audiences who are so pretentious that they will die, they are confident that they want to oppose art and commerce. It seems that they will never be praised. (The reverse is also true and it is considered natural). Are you determined to draw a clear line between film art and the general public? Although this seems a bit close to the hysteria of the anti-intellectual "Left" faction. However, I am not the kind of person who walks into the theater on a boring weekend because there is nothing to do, chooses the most popular movie on the spot, and eats, drinks, and plays socially while watching the movie. I am true to movies and read well. Knowing the language of the camera can also draw out a bunch of symbols. This does not prevent me from favoring Hollywood genre narratives, and does not affect my willingness to be led by a wise masterpiece. There is no need to analyze frame by frame or analyze the script. In just two hours, I indulged myself in a wonderful story. Because film is the closest form of dreams in all art, just like they repeat in this short documentary over and over again, the film is everyone’s daydream day after day-unreasonable but dazzling, every An obsession with light and shadow in a dark place seems to have gone through several lifetimes. The old man talked about " The unreasonable kissing scene in "Beauty Tactics" (come again!)-the hero and the heroine kissed into the room from the balcony, the camera went so far away from them, they kissed for so long, and the phone connection did not stop... "I What needs to be satisfied is the audience's fantasy of having sex with Gary Grant and Ingrid Bergman at the same time-this should be a pretty wonderful 3P..." He said that what he cares most about is the audience's reaction. His films are not made for the critical critics in front of the screen. His films must have an audience of thousands of people per scene—and he is passionate about it. He uses more than 50 works handed down to give the aesthetics of light and shadow. Entertainment belongs to everyone. God, let me be grateful for this arbitrary old man.
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