There are not many characters and scenes in the film. All the stories take place in a hut by the sea. The hut full of romance and warmth is an intersection of time and space, leaving the two owners of the hut separated by a full two years. The love that happened quietly flows slowly in every exquisite detail. The scene where the boy and girl next to the mailbox send letters to get letters is the repeated images of the film, the fresh music, the pure and beautiful images, plus the inexhaustible fairy tale color, constitute a moving film prose poem, superimposed, flashing Back, revolving, can't help but reverberate with childhood fantasies, that kind of youthful feelings of infinite yearning. Ren Leyin flies, Ren's strong feelings are washed away, the seaside cabins and mailboxes seem to never give people a visually bored feeling.
The film is saturated with bright images, smooth and beautiful pictures, like a piece of fresh green stretched out in the warm spring sun, and every fragment and detail is full of vivid spirituality. And the love that is detached from real life, detached from sensuality, completely existing in the beautiful spiritual space and time, makes the audience's heart seem to completely settle down after a long floating, and lean on a quiet beach.
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