The plot of the story is simplified to the atomization state between people, it seems that they are no longer related to each other, and the characters basically cannot see the personality characteristics. Everyone is dedicated to dealing with monsters; while calm, they embellish the tribal customs of Africa, and the arms are dripping. You can say that this is the highlight of the film, or it can be said to be the bad point of the film.
In the film, there is no emotional communication between the enemy and ours, and there is no dramatic conflict between the enemy and ours. This makes a big battle without the characteristics of the soul, and there is no tragedy and tears. It is simply simple. Crude indescribable.
Director Tang is probably a simple and bright person, Maybe. In fact, what I want to say most is that the monsters in the film are a bit like the Japanese Honda Battalion in the early anti-Japanese dramas. They have obvious tragic roles. They are simple enough to protect the blood. This symbol of religious belief has caused me. Resonance, I believe the friends who have seen it will also feel the same. This kind of desperate and persistent taste seemed to warn something when the plasma splashed over the faces of the spectators when the last egg was destroyed.
What the film didn't tell us is for you to guess.
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