For the most part of the story, in the dialogue between the heroine Ge Chu and his predecessor, current and lover, there is a seemingly entangled relationship between Ge Chu and his lover. The predecessor wants to rehabilitate the old because he was busy with work and played down love, while the lover is Because Ge Chu wants to go far and fly together and he does not want to be "supported" by him, and the current minister is too busy to be a minister and his feelings have long been overwhelmed. However, Karl Theodore Delaire is neither expressing the love and freedom of feminism, nor is it limited to it. Telling this story is like a mirror that appears many times in the film. What you see is a very clear mirror image of Ge Chu, but not itself. At the end of the film, the dialogue between Ge Chu and his ex, who is already a friend, shows that Ge Chu believes in love throughout her life. "Love is everything" will be her epitaph, and there is nothing in her life except love. Ge Chu lives for love, being loyal to herself and not compromising with reality. She honestly and persistently guards her belief in love.
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