I started to slander about the first 5 minutes of the movie: If you throw away the love element, it can be made into a psychological horror movie. If every time I wake up, God will give me a new body and a strange face. , I have to find a way to get out of the fringe of madness first, survival needs and safety needs must be placed first, followed by love and respect. The soul-swap farce "Min Wang" that was just aired and many other turn-off comedies with similar themes have made me feel this kind of alienation. However, the result is extremely scary and I can't think further. Let alone a life with a thousand faces, the heroine in Kim Kidd's "Time" has only changed one face, and she has collapsed in the paradox of love and betrayal. In "Inner Beauty", the discussion on which appearance and soul fit are more important in love is too commercial and pure love label, and the exploration of the characters from the deep level is only on the surface.
True love is not invincible. Compared with how the other person in love accepts the different torture of oneself every day, as a strange person, how to stand in the other side's perspective to be considerate and caring for the ordinary is the big test. This must be based on self-identification. . However, this is a fantasy pure love movie after all, so the above complaints can be completely ignored.
Moreover, the director elaborately created a handmade wooden furniture designer for the male protagonist Yu Zhen, a setting that is reasonable in the social environment even if he lives alone. The protagonist’s quiet and introverted temperament and lovable attitude. Looking at the protagonist’s house, do you seem to find a taste of visiting MUJI? Therefore, the first impression of the whole movie in terms of atmosphere is "a movie exuding the aroma of logs". If the movie has color, it must be wood-colored. This setting not only reduces the potential for complaints, wooden furniture is also organically integrated into the story as the support and witness of this relationship, such as a chair tailored to the heroine’s size, which is inspired by the heroine’s inspiration. Invented and invented a dining table with a cell phone slot that allows wood to "sing", and LOFT, a soul place for cultivating feelings and solemnly confessing. Scavenging the creative points of daily transformation, the romantic stalk of wood alone is enough to make a Korean-style innocent movie called "Wooden Love". Although it is said to be the movie with the most male protagonists, as long as you invest in the plot, you will find that there is actually no sense of disobedience. On the one hand, Yu Zhen at every stage has expressed his self at the moment, whether it is borrowed from handsome He confessed, he still promised to eat breakfast together, but he overslept on the subway and became a bald and wretched uncle. He squatted in the station with low self-esteem and owed him and watched Li Xiu silently. He was still chased to the Czech Republic. , Who was incognito but opened the door to see his lover with red eye circles; on the other hand, maybe because I am blind to Korean actors, no one's face will be too bad. The director also cleverly adopted an actor who fits well with the heroine Han Hyo Joo in the key points of advancing the story, so the overall feeling is not abrupt.
However, all the material accumulation of happiness is to pave the way for misfortune. The more stable the relationship, the more crisis-ridden. For a woman, after the heartbeat of love at first sight, she relies more on the sense of security brought about by familiarity with each other. And this is exactly what Yu Zhen, the transfiguration master, cannot give. Li Xiu is anxious to death in the crowd because she can't find her lover. The film portrays it very real because she doesn't know what her lover looks like today. The promise of Li Xiu’s physical appearance is only based on the promise given by a leather pouch called Yu Zhen who has only met for 3 days. It makes sense to judge that when a normal person meets a stranger, the first impression is always the physical appearance rather than the inner appearance. nice. All inner beauty is based on not hating this appearance. So Li Xiu started to take drugs for mental illness in the later period because she was struggling to maintain her own hallucinations, which stemmed from her confusion and discomfort with this relationship. This kind of crux is usually done in "Fruit Basket" by forcibly eliminating memories.
The most healing but also the most disappointing thing in the film is precisely the intention of the ending. The creative theme is ultimately reduced to an opium that completely pleases the soul of women. The excessively lengthy development in the second half of the period makes Han Ying once again return to the mother-in-law of Korean dramas. . It seems that by letting the heroine wake up and bear the psychological pressure, the two can save each other. And when every different Yu Zhen stepped forward to meet her kiss at the step of finally becoming married, I could not see a three-dimensional image, his thoughts were suddenly bright and not afraid of the dangers of the future, what I saw was just putting the Buddha An idealized male wooden doll in the story of Mary Su. Female audiences are not concerned about it. I can accept you whatever you become; all they want is that no matter what you become, still love me 360° without dead ends.
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