Morgan Freeman movies are of this kind. A professional—maybe a writer, a painter, or a scientist, communicates with a little girl, understands life and expresses love. Brings out Freeman's past, his weakness, and this weakness is by no means a defect of his personal character, but a cruelty to him by life or society. It's like Jesus lived on a small farm with a single mother after his old man was resurrected, and then talked to the little girl about the story of his crucifixion.
Such stories are sweet and greasy. Such sentiments are full of irrefutable justice, but such movies are tiresome. Mass production of such a movie seems to be soft fries given by KFC.
It's New York again... It is certain that New York filmmakers have always wanted to make it the Paris of the United States. He is full of the romantic fusion of various cultures and the chaotic market. Highlighting the international tolerance and yuppie's high-end artistic taste, they always spare no effort to promote the greatness of this city. But in my opinion, the best description of New York is "Louis is not easy". This is not about who is lying or exaggerating, but just from a different point of view. Just like Hong Huang said about Beijing’s hutongs, she said, Beijing’s quadrangular courtyards, The goldfish rockery, the grape frame, and the fragrance of birds and flowers have created a culturally pure land in the city. How can it be demolished? The courtyard where I live has a small kitchen all day long, there is no separate toilet, and a fuse that is more likely to be broken in thunderstorms.
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