whole film has passed the test in terms of the quality of the picture and the design of the action.
But a good movie must first have a good story.
An action movie can be simple, straightforward, and violent in logic. But you must have a clear thinking, and it must not be contrary to common sense and make people feel unsubstantiated.
The inner logic of this film is actually very messy. Everyone talks to themselves and acts in a drama with a feeling of bitter and hatred.
Just a few words:
1. Between brothers, you are born and I die, but you can't see a trace of hesitation and hesitation. On the
one hand, Ren Dahua is an old policeman, but his mind is as simple as a teenager, trying to save by riding a thousand miles alone. nephew.
On the one hand, Gu Tianle grew up in the underworld, knowing the depth of society and the importance of his family, but he desperately killed his younger brother.
In this film, the Hong Kong police often robbed the key witnesses in the hospital for a relative, and the Hong Kong police
ran to a private prison in Thailand to rescue people without headphones or back-up.
At every turn, dozens of police officers with guns are wiped out with a small knife. The
clues, stories, and emotional cores of the characters are all just jokes.
2. The whole film is connected in series by coincidence.
It's such a coincidence that my brother's heart is so unique that it can only be given by my brother.
It's a coincidence that Lori's bone marrow can only be donated by the twenty or five policemen who were abducted to Thailand.
It was a coincidence that the three of them fled and fled, and finally fled to Loli's hospital, standing face to face and talking on the phone.
It so happened that the two prison guards worked for a long time under this kind of underworld environment and the boss who didn't blink an eye. It would be better to see that the Maozi girl is killed and her daughter has no cure, but also to save Wu Jing's protagonist halo.
Under this vulgar structure, it can be said that the logic of the story is completely sloppy.
The key emotional clues that connect the whole story: "Brotherhood and Enmity", "Desperate Revenge", "Desperate Revenge", there are no good pictures and lines to embellish them.
On the contrary, the prison riots are a bit trivial. The old play bone Ren Dahua's judgment, determination, and desperate performance in saving his undercover nephew is impressive.
But I'm sorry, judging
from the whole story, this is not the key plot that the director focuses on.
So is it because the actors’ performance gap is too great, or is the director’s control over the theme of the whole film out of control?
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