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Among all the movies I have watched, "Ancient Princess" is my favorite one. The protagonist of the movie is a pair of criminals who have attempted to commit a crime. In order to deceive the last princess of Tsarist Russia, Anastasia's huge inheritance, they carefully set up a gorgeous and sensational situation. The performance of the liar was so successful that it not only blinded the eyes of the world, but also miraculously won the trust of the experienced and lonely empress dowager. Tens of thousands of inheritances are at your fingertips.
However, on the night of the coronation and engagement with the handsome prince, the heroine and the hero both retired from the rivers and lakes, giving up money status and all the vanity of the colorful world, and chose to be a pair of nameless gods and goddesses. Some people may think that in the whole movie, the emotional connection between the two is not natural enough, and the shock and heart-to-heart at the last moment seem to come a bit abruptly. Indeed, with regard to the traces of the heroes and heroines being in love, the director did not give many romantic and moving presentations and renderings, and everything seemed to be in silence. And my opinion is-the theme of this movie should not be love, but the warmth between people.
Love belongs to handsome men and beautiful women, and warmth belongs to everyone. Ingrid Bergman is certainly an absolute beauty, but when she appears on the stage, her look is by no means a gorgeous princess, but just a lost, haggard and sloppy wandering woman, with a confused and sad look, and she does not expect to be The prince riding a white horse comes to rescue. She is a woman who has been traumatized by war and abandoned by a cruel life. She is a little nervous and sick. And when the handsome guy Yul Brynner first appeared on the stage, he was by no means a handsome prince holding a red apple to show his courtesy to the princess. On the contrary, he was a gloomy face, a gloomy temperament, and a former exiled from the military and expelled to a foreign land. The officer, trapped in a difficult economic situation, with a crazy and unspeakable conspiracy, secretly approached the heroine. So, at the beginning of the meeting, everything looked really bad.
But the warm love came quietly and inconceivably to this seemingly "impossible" couple. It not only breeds in the day and night of the two, but also breeds in sympathy and mutual assistance. Under his guidance, she not only gradually recovered her radiant face, but also showed elegant intelligence and extraordinary intelligence; in her tolerance, he slowly relaxed the lines of the face and released the tenderness of the heart. The human temperament is also clear and fresh. It turns out that although she may not be a real princess, she must also have a good family background and good cultivation; it turns out that he is not only a terrible criminal, but also a charming man with iron bones and tenderness, who can sing and dance. They are like two pieces of jade that match each other's brilliance. Although surrounded by the distrust of many strangers, the economic situation is almost on the verge of collapse, and her and his understanding, tolerance and support for each other make everything in the body around me feel soft and happy. Of the halo. Because these two people are both traumatized people-because they have been hurt, because they have been hurt, so they understand.
This movie is neither a love movie nor a crime movie, but it can be said to be a spiritual healing movie of post-war trauma. Therefore, the film did not focus heavily on the romantic part of the two, but left plenty of film for the fascinating dialogue between the heroine and the empress dowager. This is a small climax of the whole film. Because these are also two injured people, they get mutual comfort by licking each other's wounds. Correspondingly, this is an explicit segment that is more expressive and symbolic for the moment of warmth germination, while the germination of warm love between the male and female protagonists is correspondingly a "love knows nowhere and goes deeper." The more obscure hidden process. One reveals and one hides, highlighting the "healing" color of the film. War, like a war that destroys people’s lives and spiritual homes like the devil, brings so much sadness and sadness to people. It changes everyone’s face and heart from the inside to the outside, but it is ultimately between people. Victory by his warmth. Warmth is family affection and love, and it is the foundation of all human emotions. In this sense, the final acquaintance between the hero and the heroine is not so difficult to understand and abrupt.
Standing in this glorious and prosperous age of clothes, temples, singing and dancing, there is only the fateful encounter that arises in the last minute.
At this time, you are handsome and I am beautiful; at that time, you are nameless, and I am down. Even though noble titles, eye-catching wealth, and the infinite envy of the worldly people, it is easy for me-and I am only in love with the moment when you and I warm each other with warmth.
Wish to get one person's heart, and the white head will not be separated. Compared with the chaotic and charming world of flowers, in fact, warm hearts are the necessities of survival that we all need.
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