For the royal family who fled and lived out, the power and glory of the past are all annihilated and no longer exist. Only wealth is left to see and touch. For this wealth, the desperate woman who has just escaped from the mental hospital will be pretended to be a princess to receive the bounty; for this wealth, the scammers racked their brains to instill every detail of the princess’s life in her, training day and night. , Completely disregarded her health; for this wealth, the czar’s widows and children were able to regain their former authority and superiority, scrutinizing and appraising her but despising her. She couldn't stand the test without dignity. She said that "the poor have only one advantage-they know how to love themselves." Finally, the grandmother and queen dowager, who needs to be more comfortable with Denmark, came forward to check her authenticity. The scene of "Recognition" is the climax of the whole play. This is a well-known "baggage"-everyone knows that the Queen Mother will eventually accept Anna, but we cannot predict when, what occasion, what opportunity, and how she will accept her granddaughter; everyone knows the director To whet our appetite, but we are willing to act as a bait fish. What does Anna use to prove herself? appearance? There is no shortage of similar people in the world. Speech and behavior? Can be trained to imitate. The details of the royal family's life? You can search for information on UBM Qiangji. The secrets unknown? There are few secrets in the world that cannot be detected, let alone the secrets of royal family members. Not accepting is not accepting, any explanation is hypocritical and shameless. Fortunately, Anna saw through the fragile heart under the frosty appearance of her grandmother. Her stubborn, tough and affectionate narration finally melted the ice, and the rounds of rejection almost made us lose hope and patience. At that time, the film showed a turning point just right.
In fact, in history, the life and death of the princess has always been a mystery, and no one can tell where the princess's soul belongs. In this story, the empress dowager believes in the true identity of the princess, and she let the princess go out of kindness, hoping that she will be truly happy. And the princess and Bunin, they both gave up the glory and wealth that they were about to get for true love. Before this, these glory and wealth were the motivation for Bunin to find a princess for the royal family. This is why this movie has become a classic. s reason. The image of the empress dowager portrayed by the veteran actor Helen Hayes is quite brilliant, showing her isolation, loneliness, stubbornness, sternness and love to the fullest. When she hugged Bergman and said that if she is a fake, please don't tell herself, that kind of troubles and losses is sad. She is a grandmother full of emotions, but there is no lack of the majesty and wiseness of the queen dowager. She knows that she is surrounded by a group of jesters who cope with all changes without humble or arrogance. She said to her granddaughter: "No one can blame me for living with the undead, but you should enjoy the same happiness as a woman. Li Wenbao said that the dance hall is a reappearance of the scenery of the year. She is really ignorant and the times are advancing. , We have to keep up with the times, otherwise we will be with the bugs of the past. I represent the past, I like it, the past is beautiful, and now is full of indifference and alienation. In the future? ... Fortunately, I don’t have to worry. But you are different, You have to control your own future." Yul Brynner played General Bunin as Bergman portrayed in the play: like vodka, fast, tough, and sharp. I didn't like his bald appearance at first, but when I think about it, it was the closest to the feeling of a Tsarist survivor. It’s just that I don’t like Anna’s final destination: it is natural for Bunin to fall in love with Anna-she is a beautiful and charming woman, but Bunin did not show deep affection for Anna from beginning to end, and I don’t see it either. The reason why Anna fell in love with him. Although love does not need a reason. Indeed, he finally gave up the wealth he was about to acquire, but I couldn't see whether it was because of love or conscience. The film seemed to arrange such an ending only for the princess to have a prince with him. However, in such a warm and simple story, who would criticize it?
In addition, the Queen Mother’s maid, the Baroness Li Wenbao, is also very good, and the actor brings this lovely old maiden to life. The most worth mentioning is that the script of the film is out of the ordinary: it proves through many details that the fallen woman is Princess Ann, but it sets up a lot of suspense to overthrow this fact. There is a sentence in the subtitles before the beginning of the film: "If she is really not dead, only she will know the true or false of the story." At the end, when Anna and Bunin both disappeared, they needed to give an explanation to the press. The queen mother said humorously that she wanted to tell reporters, "The play is over, let's go home!" This is so witty that the hinted audience smiled.
From "The Earl of Menke Bridge" to "Casablanca", from "Under the Gas Lamp" to "Doctor Edward", from "Beauty" to "Joan of Arc", from "The Real Princess" to "Murder on the Orient Express" , Until the final "Autumn Sonata", just as "Clean and Pure" was specially designed for Audrey Hepburn, the adjective "Noble" is also not Ingrid Bergman. In Bergman, two qualities are wonderfully combined: on the one hand, she is graceful, noble, plump, elegant, and unspeakable, like a queen of the world; on the other hand, she is frank, simple, cordial, honest, lively and free, completely Nordic peasant women. Facts have proved Bergman himself is an extremely reckless person. She has had three marriages and four children. She pursued love and was completely guided by her feelings. She didn't care about the discussions around her, and didn't care whether the choice was correct, and for this she paid the price of being plagued by scandals and almost ruining her future. However, when talking about his life, Bergman said: "I am a lucky person, for which I am very grateful. I want to be an actor, and I can easily become an actor and always get good roles. I have never been hungry, I have no other extravagant hopes, so I am very happy!"
The story of Russian Princess Anna is one of the greatest mysteries of the 20th century. During the Russian Revolution, the Romanov family was collectively shot to death. Whether the six-year-old Anna died at the same time as her family, or was rescued (or escaped). More than ten years later, a woman who looked like Anna walked out of the Paris lunatic asylum. The former military officer from Russia wanted her to impersonate Anna in order to inherit a huge fortune. But she seemed to be the real Anna. Ingrid Bergman believes that "The Real Princess" is his most outstanding acting film. At the beginning of the creation of "Princesses", director Litvak once envisaged that Princess Anna persuaded General Bonin to stay for the celebration ball. At the ball, the Queen Mother announced that the princess would be engaged to General Bonin, so the princess and Bonin The general stayed in Copenhagen to accompany the Queen Mother to lead a happy and reunion life. Obviously, this originally conceived ending is more happy than the real ending on the screen. Later, Litvak watched the audition of Helen Hayes and realized that the queen dowager was a symbol of the old age and would not suddenly be enlightened to publicly announce the princess and General Bonin’s engagement, so he changed the ending to the princess and the general’s default in the queen dowager. Ran away, and the Queen Mother announced to many nobles attending the ball, "The play is over, all go home." This pun immediately became a classic line in film history.
View more about Anastasia reviews
