Actually never left

Dortha 2022-01-24 17:48:34

This is a movie that describes the injuries that WG brings to people and the healing of people's wounds after it is over. After watching it, I can't calm down for a long time. The screams of Yanzhi and Wanyu hit the tears, just to meet the lover. A couple of decades, close at hand but separated by the end of the world, a half-life, unforgettable return to others, a part of life and death, leaving behind a unique love. Some people say that the real return is never leaving.
The director described a love story in sorrow and helplessness. The reason for this story is that era of helplessness, but you can't say about that era, can't reflect, can't complain, can't ridicule. So in the end, there was helplessness left. The peace in the last scene is really not peace of mind, but helpless acceptance of the status quo. But I have to say that the vast majority of Chinese people are living in this way, floating in their own destiny with the waves, not fighting or reflecting, just floating like this, instead of being quiet after reflection and hard work.
I feel that the most outstanding feature of this movie is the acting skills of the actors, especially Chen Daoming, who changed his impassioned imperial role in the past, with the gentle talents of a literati, the calmness and restraint of being a husband and father, and a rare sight of his wife and children. Gong Li’s character is not very ups and downs on the surface, but his heart is turbulent, and every look, every movement, every line is just right, which makes people feel empathetic. The two have particularly good grasp of the details, and they have seen the number of times. The more it tastes, the more it tastes.

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