Let whoever die, let who live, the screenwriter is the god of the role. What is the logic of the screenwriter.
1. You can't bully The
first dead Chris of my friend , hitting classmates is wrong, insulting other people’s male dignity and pushing others into GAY... even more wrong
2. You can’t betray your friends, especially the former boyfriend, the
big beauty seems to be innocent, but sincere At that point, she said that she suspected that the postcard was sent by Chris. Chris didn’t admit it before. Paul also said that he can’t rely on him if there is no evidence. As a former girlfriend (someone still has a deep affection for her), she should believe in the other person's personality
3. No Planting
Luke is a pretty classic type. It’s not planted to the point of evil. This is a damn thing. He sent the postcard. At first you didn’t admit that you were an accomplice, but the pervert started to kill people. When you use sulfuric acid to force a confession, he should Stand up and admit that he will die anyway, so as not to drag everyone (Chris wants to take him for a hundred). Behind is getting more and more confused, what a good chance the moment when the perverted eyes were sprayed, he raised his hands and stood beside him, scared, In the end, I even hit my own person with a gun. I want to frustrate him. My
brother is also in this category. Given that he has been living under the perverted power of his brother, it seems to be forgiven for'no seed'...
4. Perverted.
This brother is too arrogant. In the final analysis, his brother's suicide is due to his own weakness. Those classmates are not guilty of death. He set up this bureau to find a reason to vent his cruelty. The most unforgivable thing in this film is this innateness. The criminals.
Why didn't the remaining two die?
Paul has never betrayed his friends, and the thing that has been doing the right thing is looking for opportunities to save himself and others, there is nothing to say.
As for the heroine, it's the Bitch that everyone has always called. She is the initiator. She called Wan's Truth or Dare. She tempted Phyllis to shoot Paul XX and shoot another video to threaten Phyllis. Why did she not die?
I think The screenwriter loves or admires this kind of viable woman in her heart. She did that bad thing to save herself and find a way to save her father from bankruptcy. During the kidnapping process, she has always been the most active self-help and no mercy. Another thing is to treat her own man. Not bad. That's it
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