First of all, this is a story about fantasy.
It is similar to Inception, but the theme of Inception is dream, and the theme of blind is fantasy.
It is a bit similar to entering a room, but the means of entering a room to advance the narrative is words, and the means of advancing blind is the narration of the heroine's own fantasy.
The protagonist’s confession tells us that this is a story about imagination.
"It's a bit difficult to imagine a large space, except in places I am familiar with without my eyesight and money."
Imagination comes from experience.
"But what you see is not a real memory. No one can memorize all the details of a building."
Imagine Unlike memory, it has room for extension.
Ingrid needs to constantly practice her imagination to broaden the world after her blindness.
So she created a man Einar.
She needs to do constant work of imagination after blindness. So Einar in her imagination is keen on all kinds of sex movies. SM, underwater, masturbation, black silk, high heels, black people, fat girls...Einar knows women's bodies well, wearing, looks, body, and hair dancing. Einar's needs are also Ingrid's needs.
Sex, the most essential desire in human nature, this characteristic of Einar, like a cauldron boiling with instinct and desire, is the embodiment of Ingrid's desire and her self.
Einar started to spy on Elin, the neighbor on the opposite side. He imitated Elin's actions, watched TV A watched, and imagined everything Elin did. This scene is both illusory and realistic. Einar is Ingrid's imagination, so he also relies on imagination to imagine Elin. The theme is clearer.
Elin is also a figure in Ingrid's imagination, which implies Ingrid's anxiety about marriage. It's her self.
Imagination comes from experience, and Elin begins to experience blindness, just like Ingrid itself.
While fantasizing the story of Elin and Einar, Ingrid is also fantasizing about her own life. She fantasizes about her husband flirting with herself. She fantasizes that her husband is paying attention to her every move. She has this desire and desires to be satisfied. .
The fantasy in the story and the fantasy in life constitute the dual theme of this movie.
At this time, there is a scene where Einar meets Ingrid's husband Morten. Morten teaches Einar to make appointments online.
The fantasy in the story blended with the fantasy in reality for the first time.
There are transitions in this scene. (This Nima is really like a red pepper!!!) I think the meaning of this transition is similar to the collapse of the dream in "Inception". It heralded the chaos of Ingrid's fantasy, laying the groundwork for the subsequent collapse of the fantasy.
After this scene, Ingrid's creation encountered obstacles, and her story began to become illogical.
There is a fantasy scene of Ingrid's reality, Morten escapes her groping. This scene is very lustful. In my opinion, there is a kind of pornographic meaning that people can't stop, and everyone understands it.
In bed, her husband started working on the computer, and Ingrid began to have uneasy fantasies again. She fancied that her husband Morten was chatting with Elin erotically, and the story fantasies and reality fantasies began to contact.
The physical defect made her uneasy begin to magnify, and she began to be jealous and suspicious. She began to lose the distinction between fantasy and reality.
She is eager to go out, she can no longer stay in the house, she needs to be released, to release all desires.
In her story, the 722 Norwegian bombing and shooting incident appeared, and fantasy and reality were once again entangled.
She imagined that Morten started dating Elin, but Elin was blind. Imagination comes from experience, and Elin becomes the externalization of Ingrid's anxiety.
She began to forget that Elin was just a fictional character created by herself, Elin was her, she was Elin. Life experience began to enter text creation, and real memories were interspersed with fictional stories.
Ingrid's creation began to get out of control.
At this time, Einar spied on Morten and Elin having sex. Einar and Ingrid appeared in the same space. Fantasy and reality blend, and the "dream" has collapsed.
Ingrid began to feel pregnant. Elin was found pregnant. Reality and imagination were intertwined. With the right soundtrack, two montages of parallel time and space began to intersect and entered the climax scene.
Due to blindness, Elin wore an ugly dress to find Morten at the party. Morten was holding a sex party and he hoped that Elin would kill the child.
Elin asked Morten,
"Why did I marry you in the first place, what did I think?"
"What's your nerve, do you think I like to play this kind of role-playing?"
"No, because you are a boring person.
" I'm boring? Because I don't take drugs? I don't mess with others..."
"What mess?"
"How do I know what it is? This is the story you wrote? What childish things are you writing? "
This is where the camera turned to where Elin should have been, but Ingrid's face appeared in the same ugly dress.
Everything is Ingrid's fantasy!
When we thought the illusion was broken and the truth appeared, we ushered in another transition.
This time, in addition to Morten and Ingrid wearing an ugly skirt, there is also Ingrid wearing underwear at home.
Fantasy is mixed with fantasy, text is nested in text!
A play in a fantasy! Play in play! Play in play!
The collapse of this fantasy ended with Einar helping Elin. The id reconciles with the self.
It turns out that the fantasy of the scene in this play is just a manifestation of Ingrid's anxiety. She is really pregnant.
"Do you want this child?" The source of Ingrid's anxiety was originally here.
Morten smiled back.
I finally relieved from the tense plot. Looking outside, it was already dark. This is the first time I have encountered such an arresting movie this year.
"Everything will be fine, as long as he has more sense of humor."
Everything will be fine, as long as you have more sense of humor.
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