After two years of hard planning, he finally managed to escape after suffering and traveled thousands of kilometers to return to Shanghai. However, in order not to continue to hurt her and her children, she only tolerated, watched, and followed quietly in the distance, and finally surrendered to Xining Lu Yan. Shi became a sloppy Lu Yanshi who was hiding under the bridge just to see his wife without thinking about their safety.
On the phone, he used English to persuade his father to "care about" his family, and when his elder brother lost his temper to his mother and forced her to agree to a divorce, Feng Danjue, who did not allow him to do so, became Dan who had no affection for his father in order to become the protagonist and turned to report and expose. Dan, although Dan Jue and Ziye were spliced together, he looked very much like a young man with facial makeup at that time, but he slowly recovered a trace of favor after many years.
The memory is gradually blurred, the dear one is around but ignorant, everything is condensed into old-fashioned piano music, the excellent background lighting arranged, the conflict that follows, and the subsequent get along, until the end Waiting on the platform, Yan Shi seems to have completely become a servant who is responsible for everything around her, losing everything that euphemistically can see in him that once attracted her masculinity, and the memories of the past; Yan Zhi brain All the love stories and all the stories written blindly in the cigarette case have become the sometimes fresh and sometimes far and magnificent northwest scenery on the cigarette shell, as if the time there has become better with the passage of time, making people forget the Jiabiangou; Dai, member of the Standing Committee of the Municipal Party Committee Comrade, became the master Fang of the Revolutionary Committee, using incomparable metaphors to outline a few edges and corners; he participated in the early years after the liberation of the bandit party, and died during the Cultural Revolution, who died in a lot of discordance with Yan in his life. He became A simple symbol: Intellectuals who can withstand the humiliation of the people.
Although the time scale of the movie is not suitable for depicting Yan Zhi's entire life that was perplexed by freedom and finally realized, it ultimately portrayed it as a tender and touching twilight love, not even a love, because she has no feelings for the person next to her. He didn’t even project the thoughts and memories of Yanzhi onto the man beside him. Except for the moment in front of the piano, he had become a kind-hearted old man who still accompanied her to wait for Yanzhi to come back many years later. He didn’t endure like feelings. Everything. The film strives to use everything to symbolize that era, to symbolize the story of that era, and to symbolize the people who cannot pass that era. The description of all this Lei Chi dare not go further, and it is difficult to draw a love story out of the cocoon. Use the audience's idols and use all the bridges you can think of to earn tears. It has been 30 years, and it is just crying and crying. This is enough for the master of the country.
Not all the nostalgia and hard allusions of that era are worthy of respect, especially putting a warm coat on suffering, closing the mouths of those critics, and gaining the last bit of political capital. What Chinese people love to do is to try to find a little bit of beauty from the worst. It is like sucking maggot protein from a pit to paralyze yourself. As long as it is past years, it is always plated with gold. .
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