Before the film was released, there was a piece of news that made people remember that, after watching "Return", a well-known international director held Zhang Yimou's hand tightly and said, "Oh, this movie is so exciting, I cried all the time. One hour." At that time, everyone was speculating about what kind of terrifying and horrifying plot could make the well-informed Hollywood director cry into tears. After watching the movie, I came to my own answer. The director must have never been influenced by Korean movies. Isn't "Return" a well-known Korean movie that has been mixed with water? Watching "Return" can cry for an hour, then watching "The Eraser in My Mind" you must be able to cry for a full 144 minutes. Leaving aside the original "Lu Yanzhi", "Return" is an old, literary, and uninteresting version of "The Eraser in My Mind". I can’t understand it, just because you didn’t read the original "Lu Shaoyanzhi", don’t be kidding, except for names and amnesia similar to the symptoms of Alzheimer’s, "Return" is basically far from the original. After the screening, the audience once asked such a question, that is-this film basically ignores the various encounters and pasts that Lu Yanshi has experienced in decades, and almost ignores the presentation and explanation of the entire original novel. , The audience is not easy to understand. Zhang Yimou responded: "You see him greedily eating a raw sweet potato on the way to escape, and you understand it all, everything is silent." To the same problem, film critic Zhou Liming said: "The film is old. Great wine, but it’s not the kind of spirits that will get you drunk in one bite. You need to taste it slowly. The critics say it is too plain. That’s because you see the part of the iceberg above the water, and the rest must be experienced with your heart. . I like the film because it is mellow and not strong." Zhang Yimou and Zhou Liming actually answered the question about invisible and incomprehensible very well, and that is-the film you see is actually only part of it. If you don’t understand, your appreciation level needs to be improved. The subtext is that the audience should read the original book first, and then watch the movie. Only in this way can you appreciate the intensity and mellowness of the movie, penetrate the meaning of the raw sweet potato, and see the main body of the iceberg hidden under the water. Although "Return" is adapted from "Luke Yanzhi", it is even more improved and sublimated. The reason why there is so much white space is because the novel has already laid out everything. Those who understand will naturally understand. I agree with this statement. Before watching "Return", you should really read "Lu Yanzhi". Only in this way, the emotional relationship between Lu Yanzhi and Feng Wanyu in the film will appear more profound and moving. But the tangled point is that, as long as those who have read the original work, there is basically no way to calmly appreciate the promotion of "The Return". Made by Huazhi. Just because the gap between the novel and the movie is too big, the plot and the cause and effect of the brain supplement in the movie are completely broken. In the novel, the characters tempered in the turbulent years are all distorted in the movie, and the influence of the times and the environment on the characters is basically zero. The lively characters, the entangled human feelings, and the feelings and ties that want to talk about in "Luke Yanzhi" are all crushed in "Return" and become a pool of snot that only exists for expressing emotions. And tears. After reading the original work, it’s better not to look at Zhang Yimou’s three-handed axe. The first cut off the bloody wind and the warmth of the human relationship in the original story, the second cut off the complicated and tangled relationship between the characters, and the third cut off. The suppression and distortion of human nature in special times. In the end, the only thing left in the movie "Return" is "all in words" and "blank" as Zhang Yimou said, as well as the tip of the pale iceberg as Zhou Liming said. Obviously it is distilled white water, some people even call it a strong but not strong aged wine. There are only two possibilities for such a statement. Either drinking too much wine burns out the taste, or you are used to drinking the white water that you forgot to mix with wine, and you take it for granted that this is the best wine. If you are neither, then you can only tell lies with your eyes open. Therefore, the first rule for watching "Return" is not to read "Lu Yu Yanzhi", otherwise you can only sigh or be lethargic in the movie theater. Just as the director said, think of "Return" as a pure love story. When there is too much white space in the video, you can be in a daze to see if anyone around has already burst into tears. The most touching plot in this movie is that Lu Yanshi sits in the room and reads letters to Wan Yu, who has amnesia, one by one. There is neither complaint nor bloody wind in the letter. Love and longing are impossible. Written on paper, so I can only talk about Yangchun Baixue. The content of the letter is basically similar to the commentary of "Tongue 2". Guo Shi, this time I am playing in Han Faner's original work. Almost all the intense emotions and emotions have been tempered by the special era into bowing and forbearing. In that era, excessive expression of emotion is almost equivalent to digging a grave. However, Zhang Yimou created an extremely comfortable background and social environment for the characters in "Return". Emotions can be vented and overflowed at will, so the characters often burst into tears, and any emotion can be directly expressed. There is no forbearance, entanglement and pull, this family is so stubborn and innocent to love each other, without antecedents and consequences, just because of love, so love, because of love, never leave. So this story reveals a simple, lovely, and silly temperament from beginning to end. Perhaps it is precisely because of this that the internationally renowned director gave a thumbs up Said to Zhang Yimou: "Oh my god, it's like a different you!" Indeed, this time the national teacher Zhang Yimou went with "Han Faner"! "Return" reveals a breath of Korean drama in its bones, simple love, endless tears, incurable heroines, and unforgettable heroes who are inextricably in love with the elder heroes, who exchange love for salvation and forgiveness. Sacrificing life's happiness for love...Left and art are basically equivalent to "fooling". Evaluation of "Return" can be described in terms of art, deep, introverted, and even strong but not strong. The practical and more straightforward way of saying it is Zhang Yimou In the most economical way, "Lu Yan Yan Zhi" was adapted. According to my personal opinion, two words are enough, that is-fool! The big ones become small, the thick ones become light, the more ones become less, and the controversial ones are deleted directly, and the words "in a few years" are used to replace the time carving of the characters. Just shoot as simple, harmonious, and explainable. Turning the complex into simple is definitely the masterpiece of the national teacher Zhang Yimou. The vernacular story and the Red Detachment of Women are done, and the money is in hand. Zhennai is a master, master, master. PS. When explaining the story, Director Zhang Yimou has been using white space and non-verbal words to explain why he chose to adapt the story in this way. In fact, I really doubt whether Director Zhang Yimou has the time and time to read "Lu Yu Yan Zhi" seriously. Of course this is just a personal opinion. It's too complicated, and it's really not suitable for Zhang Yimou now. Let the national teacher continue to leave blanks and be silent. It is much more comfortable than holding a nose to shoot a bad film like "Three Shots". In addition, I always feel that investors have more confidence to dare to bet on such a movie, which shows that in their eyes, the name of the national teacher is a sign of making money, and the quality of the movie can only be ranked second. 1. About the original work: After reading the original work first, the movie is basically impossible to watch, and the gap is too big. The solution is to watch the movie first, then read the original, and then watch the movie again, so that the movie may be more flavorful. 2. Regarding the adaptation: The reason for the above suggestion is that two core issues were left blank by the director in the film. First, Lu Yan knows why he ran back at the risk of killing himself and the whole family. Second, Lu Yan knows why he loves euphemism instead of other women. Euphemistically, why waited so hard for Lu Yan to know instead of drawing a clear line, graciousness and righteousness. Only if there is no objection to the logic of these two issues, can this movie have meaning to watch. 3: About love: The original novel is basically a touching love story. So Zhang Yimou also put the movie's focus on love. In the novel, Lu Yanshi's love for euphemism is a process from no love to love. The length of this process is almost the same as that of Lu Yanshi's entire life. And Wan Yu had worshipped Lu Yanshi for almost her entire life, and she didn't want to believe that the man in front of her was the perfect Lu Yanshi she loved until she died. Regardless of the original work, as a purely romantic movie, the return is pale. Not even the most basic ups and downs. There is no unreasonable love in this world, so the first element of a love movie is to understand how this love comes from, why they love each other instead of others. Secondly, what kind of hardships this love has gone through, why are the heroes and heroines willing to stick to this love, even if they give everything, they must stay together. Without the baptism of years and tribulations, how can love be precious, let alone empathize with others. The little things Zhang Guoshi talked about has been experienced by the grandfathers and aunts in almost every community, and none of them is worse than this movie. It's really not guilty of adapting Luan Yanzhi, taking a special era as a gimmick! 4: Regarding reconciliation: The offender is unwilling to face the problem, but the victim goes to the door and says, I forgive you. What is the logic. The prerequisite of any reconciliation should be that the offender actively bows his head and apologizes, restores the truth, and comforts the dead! (All contents are prohibited from being reproduced without permission) Regardless of the original work, as a purely romantic movie, the return is pale. Not even the most basic ups and downs. There is no unreasonable love in this world, so the first element of a love movie is to understand how this love comes from, why they love each other instead of others. Secondly, what kind of hardships this love has gone through, why are the heroes and heroines willing to stick to this love, even if they give everything, they must stay together. Without the baptism of years and tribulations, how can love be precious, let alone empathize with others. The little things Zhang Guoshi talked about has been experienced by the grandfathers and aunts in almost every community, and none of them is worse than this movie. It's really not guilty of adapting Luan Yanzhi, taking a special era as a gimmick! 4: Regarding reconciliation: The offender is unwilling to face the problem, but the victim goes to the door and says, I forgive you. What is the logic. The prerequisite of any reconciliation should be that the offender actively bows his head and apologizes, restores the truth, and comforts the dead! (All contents are prohibited from being reproduced without permission) Regardless of the original work, as a purely romantic movie, the return is pale. Not even the most basic ups and downs. There is no unreasonable love in this world, so the first element of a love movie is to understand how this love comes from, why they love each other instead of others. Secondly, what kind of hardships this love has gone through, why are the heroes and heroines willing to stick to this love, even if they give everything, they must stay together. Without the baptism of years and tribulations, how can love be precious, let alone empathize with others. The little things Zhang Guoshi talked about has been experienced by the grandfathers and aunts in almost every community, and none of them is worse than this movie. It's really not guilty of adapting Luan Yanzhi, taking a special era as a gimmick! 4: Regarding reconciliation: The offender is unwilling to face the problem, but the victim goes to the door and says, I forgive you. What is the logic. The prerequisite of any reconciliation should be that the offender actively bows his head and apologizes, restores the truth, and comforts the dead! (All contents are prohibited from being reproduced without permission)
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