This film is too young and too happy. After watching Soon Ziwen's previous N movies, I know that "Why is Hell Bad" is just a masterpiece. This kind of bloody scene of the elementary wellhead rising is really suitable for getting started in Yuanzi Wen Cult world.
Just after watching this movie, I felt a little disappointed. Where did the Yuanzi Wen go? Yuanziwen's ambitions seemed to have begun to shrink a little, narrowing to only playing with this kind of nonsensical black humor and blood. What about the "Circular Suicide" that was about human nature in those years? "Kiko's Food Table" and "Mysterious Circus" about family prohibition? What about the bloody and painful "Icy Tropical Fish"? What about "Mediocre", which explores the decadence of youth in social issues? And I most admire "The Real Life", which is the pursuit of desire for sex and life.
But then I discovered that the name of the movie was not what Yuan Ziwen wanted to express. It was a rhetorical sentence—is hell bad? Yuan Ziwen filmed the well-known pure love movie "Love Exposure" that is in line with the popular trend, as well as this youthful farce "Why Hell is Bad". "Earth" puts feelings, courage, inspiration and professionalism in line with the spirit of the Japanese nation into this movie. The protagonist Hirata’s pursuit of movies from childhood to adulthood has infected everyone. By making a wish to the god of desire, he finally borrowed the heroine’s mother’s dream to gradually make a movie close to hell. In fact, Yuan Ziwen wants to tell everyone that his movie world is not bad, and there are many different beautiful scenery. Just like when Koji saw Mizuko beheaded, he cut out a colorful rainbow. It implies that Yuan Ziwen's movie world has only heinous social problems. He can also make more positive movies.
Yuan Ziwen had also participated in TV series such as "The Time Limit Police", but unfortunately, the most representative works were the masterpieces about family disputes. Yuan Ziwen's name already represents a movie style. He combined the most powerful weapons-blood, family, and darkness, and used them to the extreme. This is the Yuanzi Wen I admire most, and the most beautiful movie hell paradise.
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