Such comments seem to be completely different from everyone's impressions. Such comments are not deep, and can even be said to be extremely stupid. No, how can I not talk about music? But can I just say that I like the music in the film? Do you just like it? So I want to say that it is the best music in the movies I have ever seen. (I just watched "Rooftop Love" the day before yesterday. I originally thought that Jay Chou's ability to incorporate his music creation into the movie was an idea of great significance to his life, so I watched "The Persian Cat No One Knows". ). But this description is simply superb! so, what would i say, i say fucking perfect! In short, it is an indescribable affection. If one day I find that I will not watch movies anymore, I will watch him for the last time...
As you can see, the entire film walks in the light of the floating shadows of the music. Whenever the music plays, the screen sweeps through Iran’s day and night, and the city’s appearance is in these ukiyo-e paintings. Establish. Dare to ask anyone in China who dare to photograph the face of our country? In order to save the endless music, Yuanchang had to sacrifice the leading actor. The death of the actor is indeed scary in retrospect, because I think the part of eating stew seems to imply that for the film to end, it must be done in a violent and tragic way, otherwise it will be difficult to complete the merits. The free fall of life slipped like a baton in the hands of a musician, with a snap, the music stopped abruptly, and the pursuit of freedom came to an end temporarily. I have to admit that this approach makes the blood more romantic and makes the end of life more gorgeous. The splendor of death, how is it called the splendor of death? Is this an appeal for pursuing freedom and dreams worthy of life? This should be discussed with the director. I think the director just wants to express his noble spirit of not being obstructed in pursuit of dream freedom.
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