When the media is getting tired of "My Love from the Star", I revisited "Bai Lan". Romance classics such as "Girlfriend", "The Eraser in My Mind", and "August Photo Gallery" are in the same period. Its fame is just like its title, faint and neglected. Perhaps it was not popular at the time to match loli with uncles. This is one of the reasons. The biggest reason is that this movie only uses love scenes as gimmicks. What it really wants to express is the cruel social reality of Korea at the time, which makes those who like to watch poignantly beautiful. Love eating and drinking men and women lost their appetites and failed to satisfy their daydreams about love. Such a realistic movie is obviously not their food. I remember that on the DVD poster that was released, Cui Minzhi and Cecilia Cheung were sitting in a row of chairs with a large suitcase in the middle. Think about it, such a poster, it feels like a pure love story between a fallen uncle and an innocent girl. I believe that many people will watch movies with my mood, but in the end they both see There is no rivalry. Although the same goes for "The Untouchable Lovers", Korean fans regard "Touch" as a pure love classic, and leave "Bai Lan" in the cold. The actor who can cause this situation is definitely not Cecilia Cheung, let alone Choi Min-sik. For me, it is the director Song Hae-sung. The Korean social issues he discussed in the film obviously detracted from the scenery of a certain movie-watching group. It seems that this is anachronistic. Director Song Hae Sung is very talented. In the film "Bai Lan", he used the theme of love to make a blind eye, and explained the life of two marginal people (local mixed and illegal migrant workers) in South Korea. It's transparent. As long as everyone puts down the movie-watching mentality of love and daydreaming, and watch this movie openly and calmly, you can get the same movie-watching experience as mine. At the beginning of the movie, there is an old bastard. He is timid and cowardly. He who puts kindness in his heart is destined not to be a cruel boss like Yuya. He is squeezed out everywhere in his life, has no place in the gang, and he can't handle even small things. . But this setting is still very consistent with the usual plot setting of Korean romance movies. After all, everyone wants to see how this old bastard finally got together with the innocent girl, but the following plot setting obviously did not follow this routine. At the beginning of the film, Li Jiangqi’s line was handled very realistically, his life and the ugliness of human nature were magnified in front of the camera little by little, and the screen was handled with a "dirty" feeling, and the scheduling was not lost. Pretty, the shot is quite simple. Slowly, 30 minutes before the movie passed, we were gradually emotionally affected by holding and watching love fairy tales. We have returned to the same reality as our own life, and with the bad news that the police brought to Li Jiangqi, our fantasy has reached a freezing point, and the only glimmer of hope has been shattered, but it is also at this moment that the movie begins More and more sentimental, the screen began to fly as Li Jiangqi arrived in the countryside. In dealing with Bai Lan's line, the director's expression technique is warm and ironic. Bai Lan always naively thinks that South Korea is a very beautiful country. The people here are kind. In fact, everyone except the old woman has something to do with her. The beauty she yearns for is just an illusion of self-deception. Her gratitude did not get a response. She looked at Li Jiangqi's photos every day, using her as her spiritual pillar, and fantasizing that he was the kindest person. In fact, Li Jiangqi is just a gangster who sells small movies to teenagers. Such details abound. But what's interesting is that this line is not meaningless. It allows Li Jiangqi to regain his dignity and the courage to face life through the questioning of Bailan's death, and let him discover that he can only express depression in the countryside. After a long cry, he discovered that the countryside was the vast world he was going to. But sadly, the director and screenwriter did not give this character any chance. Li Jiangqi’s last death was mixed with Bailan’s ashes scattered around. At this time, the two parallel fate of the hero and heroine only merged after death. chance. The sense of consternation and regret that has been lingering throughout the film at the final moment has completely turned into cold despair. Just think about it and you can understand why this "Bai Lan" was beaten into the fate of the cold palace by fans who like to watch pure love movies. Up. He discovered that the countryside was the vast world he was going to. But sadly, the director and screenwriter did not give this character any chance. Li Jiangqi’s last death was mixed with Bailan’s ashes scattered around. At this time, the two parallel fate of the hero and the heroine merged after death. chance. The sense of consternation and regret that have been lingering throughout the film at the last moment has completely turned into cold despair. Just think about it and you can understand why this "Bai Lan" was beaten into the fate of the cold palace by fans who like to watch pure love movies. Up. He discovered that the countryside was the vast world he was going to. But sadly, the director and screenwriter did not give this character any chance. Li Jiangqi’s last death was mixed with Bailan’s ashes scattered around. At this time, the two parallel fate of the hero and the heroine merged after death. chance. The sense of consternation and regret that have been lingering throughout the film at the last moment has completely turned into cold despair. Just think about it and you can understand why this "Bai Lan" was beaten into the fate of the cold palace by fans who like to watch pure love movies. Up.
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