The old zombie in the trailer, jumping up and down in the night, with fluttering sleeves and faint smoke, has jumped from "Mr. Zombie" in the 1980s to the 21st century. In Hong Kong, this small place, after Shaw's martial arts and Liu's gangsters, Take a ghost film trail that dazzles the world, leading to the far-reaching and profound place of Chinese culture. Standing in the dark when not jumping, he also wears a new antique copper coin mask on his head, which is comparable to the Ling Luo veil of Indian girls. It is looming and vivid, but it is not a good figure to cover it, but Wu Yaohan’s mouth. Two fangs yearning for blood, I jump, so I am.
That "Ghost Bride", sung 30 years ago, is still lingering in the night. This song has been selected as one of the top ten best songs in Hong Kong for nearly a thousand years. It is not an exaggeration. The chorus of children's voice like a ghost and a child, the weird and evil tune, The desperate and pressing lyrics, if it weren't for a ghostly talent, how could they have written such a great work?
It's a pity that Zombie Jump and Ghost Bride do not apply for the World Intangible Cultural Heritage.
Mai Junlong and Shimizu Chong told us that zombie movies are not just a vulgar pastime after dinner, but zombie movies also have dignity. A good zombie film is like the Dongpo meat in the upstairs of Hangzhou. It is stewed in a delicate cup with a simmering fire. The inside is a delicious dish that is fat but not greasy, melts in the mouth, and is mellow.
For ghost movies, the so-called fat but not greasy means stimulating but not frightening. This simple truth is the threshold that many directors who have made ghost films for a lifetime cannot cross, especially those of European and American ghost films. Fright is an unbearable lightness that audiences who like to enjoy ghost films in the cinema. More than a dozen surround sound systems suddenly go from silent to loud within a tenth of a second, making the whole person bounce with fright. After more than a dozen times, neither equipment nor human organs can accept such a toss. Some people say that watching a ghost movie consumes 2,000 calories, and it is worthless to kill tens of thousands of nerve cells in such a fright.
Many directors are still enthusiastic about scaring. They don't realize that the audience really needs eye stimulation, unreal world encounters and logical relationships, and why do we need ghost movies? Because some real-world grievances and grievances require unrealistic karma other than legal favors to vent, use a more extreme way to show the natural principle that evil and good are rewarded, and watching this extreme process brings excitement. , Not just an auditory shock. In fact, they didn't realize this kind of clumsy methods. It's like finding a woman to cry from beginning to end when filming a tragedy, or finding a woman to shout to death when filming a pornography. It's vulgar. It is precisely that there are so many simple scare films that shut out most potential ghost film fans and indirectly affects the rapid development of such films.
Here you can tell fans who have not watched but are ready to watch, "Zombie" is not scary, only exciting, you can relax and watch the movie comfortably.
Mai Junlong and Shimizu Chong also told us that people who make ghost films should not be presumptuous, and ghost films can also be very temperamental. Shimizu Chong is the Wang Jiawei in ghost films.
Looking at the whole movie of zombies, taking any screenshot of a screen, most of them can be made into a unique style poster. After 2442 opened the door, a piece of red was hanging and two lying down. In the narrow corridor, four hell messengers were patrolling with umbrellas, and the bundle was full. The closet on the red line and the iron chain, the ghost sisters who exude blood and walk on the four walls, Hui Yinghong, after losing her beloved son, has a death knell in one hand and a mace looking for revenge in the ghost's eyes..., some random memories can be passed on for a long time. Classic picture. This film will even become an Asian ghost film textbook like "Lord of the Rings 3". It has been copied and copied by old and new directors in terms of shooting techniques and angles. The worst is just a recognized award.
The victim is sometimes more brilliant than the ghost itself. In "Zombies", one trick and one play, one old and one mother watching the watch, these six old Hong Kong dramas vividly interpret the bottom of society, and the storytellers can only be the people who are persecuted by ghosts. Mai Junlong chose the right person and made the script of "Zombie", Shimizu created cool ghosts, and made the visual effect of "Zombie".
Before watching the movie, I was very worried about a question, that is, will the first-time juno be overwhelmed by his veteran Shimizu Takashi, obliterating the unique selling point of Hong Kong zombie movies? After watching the movie, I felt relieved. In addition to the innovation of the female ghost upper body zombie, there are also a lot of glutinous rice wooden sword compass ink fountains, which are the original classics of the 80s and the movie fans relish. In fact, there is not only the rule of law in the world-there are laws in the treatment of ghosts, so that ghost films can show their glory in the lower reaches of the rules of magic. It starts with excitement and finally explains that it is the core value of Hong Kong ghost films that have always been ahead of foreign ghost films. Only rules have an end. There are rules and explanations. After watching the movie, the mood of the viewers will have a beginning and an end. Unlike most foreign ghost movies, they come from nowhere, come and go without a trace, like watching Wesley's novels. The better the beginning, the more unhappy the ending. Juno did not give up this point, but carried it forward, and reactivated Qian Xiaohao, Chen You, and Wu Yaohan, who made people sigh at first sight and reminiscence at first sight. Very good, very good.
Regrettably, the climax is too short, and the PK between humans and ghosts is too superficial. Originally there are two sides of good and evil, one is sister ghost + Chinese zombie + crazy old woman, and the other is bereavement aunt + ghost catching old Taoist + kung fu performer. If this 4V3 situation is not an individual knockout but a team battle, what would it be? Exciting situation. The mode of confrontation is the siege mode. The evil side must conquer 2442 and seize the corpse breeding grounds, while the front side must do everything possible to guard the three levels of stairs, corridors, and wooden doors. Deputy, the Kung Fu actor has a short-lived immortality, so he naturally acts as a physical shield to accept attacks, catching ghosts and casting spells, arranging formations, sealing enchantments, replenishing blood, and acting as a mage. ) Tooth, and then come out. The first thing is that Bao Qijing's crazy old lady smashes blood to help the zombies. The second thing is that the two female ghosts are possessed by zombies. They increase wall climbing and swift strike skills. Finally, Qian Xiaohao uses the old way of catching ghosts to "all over the sky" "Nuo Miyu" is a great plus + the red line of the invincible ink fountain in the east is flat, returning to the true nature of the Hong Kong zombie film, with a sense of touch.
The screen has temperament, the plot has tension, and the acting skills are guaranteed. In addition to teachers, students, and corrupt girls, "Zombie" can also be favored by literary talents, industry insiders, and social elites. It can be said that regardless of identity, the audience told his friends, colleagues, and female companions that he saw that he liked Mai Junlong's "Zombie", he was not ashamed, he had taste. It is reported that investors are already interested in filming a sequel. If we can add European and American vampires and werewolves, Chinese zombies, Japanese female ghosts and co-produce a battle story of the world's four famous ghosts, it will really be a prosperous era of Chinese ghost movies.
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