This time Zheng Yusheng's watcher had heard of it a long time ago. I didn't feel anxious to watch it until I found out that it was actually a Korean version of tracking, which is a real remake, so today, I review the Galaxy version and watch the film again.
The Korean version's tracking, the context of the story and the important plot are basically the same as the Galaxy version. The similarity is over 85%, close to 90%.
Changes: The character Zhang Zhaohui was removed, the traffic police who died in an accident was arranged as a member of the team, the kidnapping case in the original version was deleted, and the arrest process of Zheng Yusheng (Leung Ka Fai) was changed at the end. Professional jewelry thieves have become professional thieves. The role of the middleman has increased.
In the first 90 minutes of the story, the Korean version is more professional in tracking methods than the Galaxy version. Some details have also been improved. For example, why did that fat man swipe his card. In the Galaxy version, I think this place is a loophole. Because I feel that the fat man will not take the initiative to swipe his card so carelessly and leave a record. The changes in the Korean version are more reasonable.
In addition, after the first action almost went wrong, in the Korean version of the villain, Zheng Yusheng's fierce behavior is quite frightening. Personally, I think Korean action movies in recent years have been quite good. This time, the Korean version portrays Zheng Yusheng's character into a cautious, cold-blooded, and vicious look, which is quite a bit to behold. Especially the scenes of his murder and those scenes with the middleman are pretty cool. So I think the Korean version is really better for viewing than the Galaxy version. The tracking of the Galaxy version is actually pretty flat. There is really no special climax ahead. It is the shaping of the personalities of some characters, especially the dog head sir, pig girl, and madam. The role of Leung Ka Fai seems to be loyal + cautious. He didn't see his viciousness until he killed the traffic policeman. In fact, from this perspective, this character is more daunting than Zheng Yusheng's version. Because you can't see that he is that kind of person at all.
But the scene half an hour later in the film disappointed me frankly. During the death of a colleague who pretended to be a traffic policeman, I think the Korean version has a short period of time. Madam's scolding scene was gone, and the tension and urgency that followed along the way was gone. I still prefer the Galaxy version. Although I think Xu Zishan kept saving people in that scene, it was a bit incomprehensible. Then, because of the changes in the relationship between the characters, the arrest of Zheng Yusheng has become a bit more personal entanglement. Instead, a new case has been added to the Galaxy version. Then naturally transition back to this case, which just made me like it. It is also in line with the case of Ren Dahua (Xue Jingqiu) at the beginning of the film that there is no way to track the mountains and rivers, and the willows and the flowers are in another village. Moreover, this arrangement makes the content of pig girl (Xu Zishan) constantly making mistakes but growing constantly richer. The Korean version is actually very badass, very style of Korean drama. Staying at home and retreating, and then getting on the subway, suddenly things came to mind before. I don't like it at all.
But what I don't like is the revision of the story after Xue Jingqiu (Ren Dahua) was assassinated. It's too Hollywood. I want the action scene so much. So the essence of the original version is gone. A cold joke about yourself. I really like Ren Dahua's cold joke, his strength at the most desperate time. This sense of humor is the romance of the Milky Way image. During this period, Xu Zishan (Han Xiaozhu) found someone in the rain and was heartbroken. Suddenly, the rain stopped suddenly, the sun showed up, and the suspect appeared. What a beautiful scene.
But the Korean version. . Then I do not talk about it. Too commercial. No surprises, nothing touched. Before watching the film, I still don’t know if Du Sir will watch the Korean version. After I watch it, I know I will definitely not watch it.
The Korean version upgraded the tracking and turned it into a commercial film with a good viewing experience. But in terms of the level of the film, Galaxy is even better. But whether you have watched the Galaxy version of the tracker or not, the Korean version of the listener is still worth watching.
Comment on actors:
Xue Jingqiu is a Korean actor that I like very much. His performance in Oasis and Skyscrapers impressed me deeply, and his role modeling this time is also very good. He is a very good actor. However, I like Ren Dahua's version a little bit better. The taste is so hard to describe. It’s also a mentor, but it feels like a father
Compared with Xu Zishan, Han Xiaozhu is not a newcomer because she is no longer a newcomer, so she doesn't have the tenderness of a newbie in the movie. Xu Zishan's tenderness is as good as her role. Some potential but immature, need experience to cultivate well. And Han Hyo-joo is a powerful rookie, a little bit self-assertive and needs management. The positioning is different, everyone is doing well. I think it’s pretty in Han Hyo-joo’s movie.
Zheng Yusheng has the most incomparable to Liang Jiahui. Basically, the settings of the characters have changed. Liang Jiahui is the kind of boss who is old but has the rules of the world and his own rules. He only kills people in extraordinary circumstances, and safety is the most important thing. And Zheng Yusheng is a surly leader, he has his own rules, he will cruelly warn anyone who violates it, and he can use numb to describe his murder. You want to kill if you don't keep the future troubles, and you will die even if you abandon me. He is more like a killer than a leader. In fact, Zheng Yusheng was quite stylish in the play, but I was not fascinated by it. Because there are many villains of this character, it is not attractive to me.
ps: Actually, when I look at the tracking, I can't write anything downside down. On the contrary, after watching this movie, I have become so much to talk about.
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