1. The scene selection is still slightly disappointing.
Take a hacked scene as an example, another dream after Griffith fell into the water: Casca took care of Griffith who was disabled in his later years & a child named Gus appeared outside the house. If the scene of the previous devastation in the prison outlines the despair of the White Eagle falling, then this poetic dream of his later years has pointed out a certain way to a different future for Griffith. Jianfeng is indeed a work with many gaps and strong contrasts, in which there is a constant alternation of powerlessness and hard work. There is a gap between the glory of the past and the dream of sacrifice by the Eagles, and there is also a contrast between the prison torture and the dream of living in old age. Is the destiny of mankind really controlled by the hand of God? Does Griffith necessarily become the devil? Is Gus destined to be swallowed by the apostles? The original work gave two dream-like options in front of Griffith, but Gus succeeded in resisting fate and continued to struggle. I admire the insertion of this late-life dream in the original work, but the theater version cuts off one of them directly, and the connotation of the contrast is lacking... Then the scene where Griffith is announced to the Eagles: the theater version is a dialogue within the group In the original work, Griffith was naked in public by a black dog, and the impact was not on the same level. It is a pity that the above scenes that serve the mood of Eclipse have been abandoned.
2. Misuse
of 3D characters. The 3D characters in the first two films mainly appeared in the big battlefield or action scenes, and the shots were far away; while in this one, the 3D characters appeared on the close-up scenes of the characters, which appeared to be clumsy. Maybe it was the expense. Insufficient? www
3. Handling of H scene
In the first paragraph, Gus had no problem with Casscar, and the scene and shot switching were beautiful. The second scene of Griffith and Cascais is unacceptable. One is the weird BGM. Perhaps Shiro Sagisu and the music supervisor wanted to emphasize the sense of disharmony from reality, but my mood of watching the movie was not influenced by the music. This BGM is incompatible with the background of enjoying the sacrifices. It should have been achieved. The negative emotions at the apex are stuck in a subtle place; the second is the way of expression of animation. This old TV version adopts the method of slowing down the time. The extremely slow torture and the almost still picture feeling match the climax of the music, successfully The hatred and anger between Gus and Griffith are expressed in a literary way. On the other hand, the theater version adopts normal time flow and realistic sexual intercourse. The mystery of the newborn Monfitte is lacking, and the impression is not so much. Is the new demon king, it is better to say that it is the AV actor (==!).
4. The
theater version written at the end of the article is well-made, such as the battle between the prince and Gus, the scene of the eagle group being tortured, and the details of the secluded world may be wonderful or delicate. However, the frantic atmosphere of the Eagle Group when it was trapped in the secluded world was rendered unsatisfactorily, and some scenes that could enhance the theater version were abruptly cut off. The
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