However, these are two complete stories. In my usual taste, I naturally like Hayao Miyazaki more, but this can't obliterate the fact that MOMO is a good cartoon.
What does a good cartoon need? Full of childishness, good-looking and capable of moving people's hearts. "Letter to Peach" did it all. A little girl who lost her father followed her mother to live in a strange town, because the unhappiness before her father left always made her a little depressed. Those monsters who didn't know how to describe appeared, broke her peaceful and depressed life, brought her fear, helplessness, and confusion, but also made him unconsciously reopen his heart. By the way, the main business of these unruly and unprincipled monsters is really not here to sell cute? Needless to say, Yuanzi's appearance of the alien, his two companions who look like the top ten evil men, all kinds of arrogant and all kinds of rascals, as well as all kinds of poses where they contact with the upper part and return to life. . . . . . . The children who have encountered misfortune have greatly enriched their life experience by meeting three monsters, and also made all the judges feel moved.
At the end of the film, I think most of the audience will feel a warm feeling in their hearts. Tao Zijiang truly understands her mother and settles with her own heart knot. On the other hand, domestic cartoons, not to mention the wild imagination of all kinds of monsters, I think the biggest problem is that the creative team seems to have never considered who to impress, maybe even they themselves are not impressed. It seems that the children of our country only need to be promoted the values of hard work, bravery and integrity. What kind of feelings and sadness, children do not need these, cartoons only need to be able to make children laugh, spread mainstream moral values, and the best It can also puzzle, and these are enough.
Think back to the cartoons I watched when I was a kid, what are the nine-color deer and the snow child (hey, what seems to be exposed...), not only the style is very beautiful, but the latter one even made many children cry. But the beauty and simplicity of the current domestic cartoons has disappeared.
Ning Caishen seems to have said that if a comedy wants to make the audience laugh, first of all, the screenwriter cannot treat the audience as a fool. If you want to make a good cartoon, you can't think of a child as a fool.
PS: I like the little boy's sister, she is a cute girl, haha. Why can she see those monsters and be so calm?
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