When I was in my second year of high school, the DVD package was sent to school by surface mail. I forgot what was in the package, but the discs of this movie have been kept, in my mind, in my collection. The school is fully boarding, and there are only two weekends every two weeks. A few days before the holiday, I unconsciously figure out what to do when I go home in class. During the two-day vacation, watching "Savage Sister" was my top priority. It's finally the weekend. Because my parents are doing business outside, I am the only one when I return home. I can’t wait to turn on the computer, put the DVD into the optical drive, and start the most memorable memory of unrelated learning in my student days.
From the beginning of the film, I corresponded to the plots that appeared in the one-to-one program. When I saw the combination of the beginning, the inheritance and the turn, I suddenly realized that this was the case, and then continued.
Sister's brutality comes from her temperament, from her experience, from her profession. She is a policewoman who is vigorous and resolute. She seems to be a little bit clumsy, so she has a ridiculous encounter with the male protagonist. She likes to play the piano and is simple and kind, so she goes to school to warn bad students not to look at the teacher Mingyu who belongs to her only. She is sentimental and righteous, so she feels guilty for her dead sister to fulfill her wish and become a policeman, so she abides by her oath, and the movie begins to commit suicide by falling from a building.
The female protagonist is a policeman. She met the male protagonist by mistake as a thief until she later became a boyfriend and girlfriend. The whole film took nearly 120 minutes, and this episode took up half of the episode, during which all kinds of jokes continued in one go without a sense of rigidity. . The director also cleverly interspersed love content in it, reminding everyone that "I am still talking about love anymore." So he arranged for the male lead to give away a book with an animated footer to the female lead, arranged for them to dance arrogantly in the rain, and arranged for her to tell him "little thumbs." "Lago" story, but when he pouted and was about to kiss, she burned him with a flame, and I laughed again.
I was thinking, love is amazing. Is the love described by the director just like an objective love? At the age of 17, I think so. This kind of love is not boring, it is a happy love for two people at any time.
In the second half of the film, the plot takes a big turn. It is still out of love. The male protagonist senses that the female protagonist is in danger, and regardless of her dissuasion, once again ran towards the female protagonist who was performing the task. But when the gunshots sounded, happiness seemed to come to an abrupt end.
The male protagonist is gone, and the female protagonist tried all kinds of ways to keep the oath and follow him. She no longer fears the gunshots of the gangsters, and regards death as home. Therefore, she has repeatedly made battles, but hopes to meet him when she encounters a long-lost piercing bullet. After finally killing the suspect who killed the male protagonist, the director borrowed the legend of folk resurrection to let the male and female protagonists meet dreamily. He wants her to live well. He said he would turn into the wind to see him, and she said that when the wind blew, she knew he was coming to see her.
The female protagonist looked at the photos of the middle school outing again, only to find that the male protagonist was also in the photo. The fate in the dark has long been doomed.
The director raised the mystery of fate to the highest level. They had adventures and they wandered on the edge of life and death together. They were so happy together. When the laughter stopped, the love was still there, and it was even greater. When the heroine died, I didn't hold back and burst into tears with the heroine. And keep this state until the laugh point appears tens of minutes later.
In order to connect with the savage girlfriend in the upper part, the director mechanically hooked the ending with Cha Tae-hyun, which is no longer important to me. I love "Senior Sister Savage".
The love between Sister Sister and Sister-in-law is trivial, but ordinary and simple, but not everyone has it. This kind of love requires a senior sister with a height of 170 and a figure comparable to a stewardess, as well as an upright, simple and versatile senior sister-in-law.
The elder sister told me that love must be overwhelming and sad, laugh to make the whole world envy, and cry to let the whole world know, and it must be thorough.
The sister told me to love it.
It is love to cry, love is even more to laugh.
Senior sister is not savage actually.
Except for the parting of life and death in the film, aren't you looking for such a heroine? Isn't such a male protagonist what you are looking for?
I will tell you, did I ever write the fragments of them dancing in the rain in the composition?
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