Text/Yu Ming style——The materialistic Versailles, compared with the French court under Sophia Coppola's guide tube, which is breezy and drenched and surrounded by clouds, this version of the beautiful craftsmanship looks a bit shabby, and the palace is up to the top The royal ministers, down to the guards and court ladies, are all daring to scare away the panic. The nobles who have the pass and the way to escape with their families, the news is blocked and the slaves who have nothing to rely on are hiding privately, and the building will fall. This is the decadent emperor before the outbreak of the Great Revolution. A true portrayal of Ting, not the usual drunken squad like "Queen of Peerless Beauty". Of course, people will belittle Sophia’s talents because of her great father. Needless to say, "Being Elsewhere", the story of "The Peerless Queen" can be considered a different way, but it seems that there is nothing left behind. The characters and The story is not as impressive as those gorgeous costumes and costumes. In this film, you can toss the scenery and costumes of blooming red willows, and portray a few court women without any distractions, and the inner drama is very full. But after reading it, it feels weird, a feeling of lack of stamina. After being reminded, it is because the protagonist is placed in the position of the bystander and cannot promote the development of the plot. "She is a bully, passive, she is inferior to the maid who eloped with the Swiss soldiers with the long-awaited Admiralty. Based on such character settings, the audience's sense of engagement is naturally greatly reduced. Such a great drama of court women depicting the French Revolution and the private life of Queen Mary has the temperament of a literary film. It really pity the court, scandals, riots and sadomasochism and other commercial elements. I have to sigh that the director is too heavy. Characters-Queen Mary is not the heroine, she has not much pen and ink, but she is the soul of the movie. The success of her image directly determines the success or failure of the film. Diane Kruger’s performance is very breakthrough, especially the inertia of the royal family. His head trembles and his performance is in place. The German supermodel who often plays Hollywood movies speaks French very sloppily. There is a good detail about the queen: the storyteller is itchy and unbearable (saying I see her scratching like obsessive-compulsive disorder, I can’t help but want to hand her a bottle of Longliqi mosquitoes that do not bite), if she meets a person with a perverse personality and intolerance The offended master must be punished for a disrespectful crime without dying. But Sidoni not only enjoyed rosewood essential oil, but the wound was rubbed by Queen Mary herself. Qing is kind, and he has entered the wrong wealthy family, but it is also the details that make people believe that such a queen can really say sorry to the executioner who was trampled on the execution ground. The female protagonist has facial paralysis, as it has always been, whether it is the cold-faced female killer at the beginning of "Mission Impossible 4" or the girl who sells paintings in "Midnight Paris"... But Sidoni is a person with a fiery heart but aloof on the surface. The empress is such a lofty object of admiration that facial paralysis is the best way for actors to express "love is hard to express". Léa Seydoux's expression is not enough, but she is in good shape. The camera always scans her proud chest intentionally or unintentionally, especially in the last paragraph where she is forced to take off her clothes. The imperial regime was precarious, and Sidoni could run away outside the palace with two valuable things just like her companions, but she was full of "I want to accompany the queen." At the last meeting, when she realized that she was abandoned, Sidoni finally began to resist in words, "You want me to be the bait?" The queen's hypocritical face began to appear: "Such ugly words shouldn't come from your beautiful mouth. Speak out." "You do it because you are qualified." The royal family who is used to being aloof can not change the personality of manipulating the fate of others when disaster is imminent. Seeing that paragraph, I suddenly remembered the desperate words in "Jiuzhou • Huaxu Yin" when Rong Yuan was "abandoned" in the thirteenth month: How can aristocrats like you understand the value of people's hearts? Loving someone can really be humbled into the dust, so I am willing to be sacrificed by the cherished goddess as a living target, just to protect the temptress who was hated by the mob but loved by the queen. Sidoni is like the dahlia that she embroiders at night with a bright brilliance. It can't grow in the soil, but it is trapped in brocade, "full of emotion", but its origin is not known to the other party. "If there is no queen, I will become nothing." "I am the queen's storyteller. I obey the queen's orders. Soon, I will leave Versailles. Soon, I will be nothing." Farewell, My Queen. Where can I understand the value of people's hearts? Loving someone can really be humbled into the dust, so I am willing to be sacrificed by the cherished goddess as a living target, just to protect the temptress who was hated by the mob but loved by the queen. Sidoni is like the dahlia that she embroiders at night with a bright brilliance. It can't grow in the soil, but it is trapped in brocade, "full of emotion", but its origin is not known to the other party. "If there is no queen, I will become nothing." "I am the queen's storyteller. I obey the queen's orders. Soon, I will leave Versailles. Soon, I will be nothing." Farewell, My Queen. Where can I understand the value of people's hearts? Loving someone can really be humbled into the dust, so I am willing to be sacrificed by the cherished goddess as a living target, just to protect the temptress who was hated by the mob but loved by the queen. Sidoni is like the dahlia that she embroiders at night with a bright brilliance. It can't grow in the soil, but it is trapped in brocade, "full of emotion", but its origin is not known to the other party. "If there is no queen, I will become nothing." "I am the queen's storyteller. I obey the queen's orders. Soon, I will leave Versailles. Soon, I will be nothing." Farewell, My Queen.
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