Due to the background of conspiracy, people in the play deceive and deceive, the expression flow is far better than the discourse statement, except for the heroine, most of the actors perform well. Some rare and unconventional plots (for example, Sam couldn't bear to go straight to the Faroux suite at the hotel), although not many, at least support the main axis of the plot. The emotional part is exhausted, and the overall effect is better. Although Sam is charming, he is not doubtful about whether he can sweep the audience, so emotions always emerge through conflict.
Faroux threatened Sam, gritted his teeth and said that he often thought that Sam was undercover and he shouldn't be all acting beside him. Faroux wanted revenge madly. This scene showed that he was incapable of his body and had to regain power through weapons. In Stephen's flirting period, the relationship between the two parties was catalyzed not only because Sam cared about Stephen's childishness, but also because Sam was at the peak of his entanglement with the past and Aidan.
At the end of the play, Aidan seems to be "late" as Sam said (compared to the "on time" in the first episode, which is very embarrassing). Although Sam no longer rejects Aidan, he hesitates about the key because it is Aidan's that opens. The past will also be the future of the two. How should it end up? The baby in Sam's arms seems to announce that Sam and Aidan have never ended, but they can't start again.
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