one is a cold and serious female chief, the other is a clumsy-talking staff member, the other is single to middle-aged, and the other is alone with two children. It was these two people, who seemed to never have too much relationship, but came together in the end. This is the realistic comedy "The Story of the Office".
The film begins with an introduction to the basic situation of the Statistics Bureau, a place that sticks to conventions and operates in accordance with conventions and regulations. If it weren't for the arrival of his classmate Yuri Grigoryevich, everything seems to continue to develop in the original way. However, Yuri Grigoryevich let "all stories start."
Encouraged by Yuri Gregoryevich, Navasherichev began to take the initiative to associate with Statistics Lloyd Nila Bologofievna Galugina, and university classmate Olia once again Gasped the love for Eureka. From this, the story began to unfold with two clues: love and the relationship between Olia and Eureka. Interspersed in the middle are secretaries who keep talking on the phone, directors of the food industry industry who peeks at female colleagues passing by, and overzealous members of the public, adding a lot of comedic effects due to repeated techniques during the unfolding of the story.
At the arrival celebration party at Eureka’s home, the drunk drunk in front of Lloyd Nila Bologofievna Garugina, venting his own emotions but venting Lloyd Ni. La Bologoffievna Garugina walked away in anger. In the eyes of the audience, the contradiction between the two began. At the same time, Olia started to have an old love for Eureka, and we also look forward to what the next story will happen to the two.
Next, with the theme song "My Heart Can't Be Peaceful" and the bustling scene of Moscow's early morning, the main characters in the play went to work one after another, and the story began to develop further. Olia began to take the initiative to ask Eureka, and Eureka cleverly avoided. And Lloyd Nila Borogofievna Garugina began to pay attention to the situation of Nava Sherichev. When Navasherichev went to Lloyd Nila Borogofina Garugina's office to apologize to her once again because of his stupid mouth, his tongue made his appearance cold and heart fragile. Logofievna Gallugina wept bitterly. She confided her inner world to Navasheri Cheev, and the two began to understand each other for the first time. The drama conflict that the audience originally expected was resolved in such an unexpected way, and the dialogue between the two protagonists quietly conveyed the comic effect.
Suna is still handling the money, and Monakov is still annoyed by involuntarily peeking at the beautiful legs passing by. It seems that everything is continuing the original trajectory, but when Navaserichev said, "She is not an old woman." , When Llodenila Bologofievna Garugina secretly took out the mirror to see what she looked like. We know that something must have begun to happen. Then after get off work, Navasherichev exchanged positions and identities with Lloyd Nila Bologofievna Garugina. Ingenious dialogue, Lloyd Nila Bologofievna Garugina Lugina began to understand Nava Sherichev, and Nava Sherichev also began to regard Lloyd Nila Borogofievna Garugina as a woman. At this time, the music sounded with rhythm, and the beauty of Moscow after the snow was fascinating, and it seemed that it was also conveying such an emotion to the audience, and the love began so quietly.
After learning about the staff’s opinion of herself from Navasherichev, Lordenila Bologofievna Garugina became determined to change her image. She asked the female secretary for advice on what she was wearing. The scene allows us to see the complete change of this female Lorraine Bologofievna Galugina.
Navaserichev is also changing. He is more confident and knows that he has begun to like this "cold-blooded animal" that has made him daunted in the past. In the office, Lorde Nila Bologofievna Garugina asked Nava Sherichef to admit that it was a flower from him, but Navasherichef was timid to admit and was clumsy again Tongue made an excuse. The two conflicted again in the conversation between the two, but in the end, the scene where Nava Sheri Cheev sandwiched the flower in the door completely exposed his mind. Here is a special mention of lens conversion. A close-up of the husband’s angry Lordenila Bologofievna Garugina’s face, followed by red and white flowers, followed by Lordenila Bologofievna Garugina. Lu Jina cleans up at home. We think of her saying that she has never had any motivation for life at home, so everything is completely understood, and the two are officially in love.
At this time, the second clue of the story converges with the first clue. For the sake of his own reputation, Eureka disregarded Olia's fame and emotions and handed the love letter written by Olia to him to the trade union in charge. At this time, Lloyd Nila Bologofievna Garugina and Nava Sheri Cheev stood in the same position, and Nava Sheri Cheev yelled at Eureka for Olia’s sake. Jean Lloyd Nila Bologofievna Garugina looked at him with admiration, and realized that Navasherichev was a man with a gentle appearance and a heart like a hard walnut. "It seems that I should discipline you a lot." "Yes, I beg your discipline." The implicit dialogue between a pair of lovers is thus presented.
Navasherichev came to Lordenila Bologofievna Galugina’s house, Lloyd Nila Bologofievna Galugina made careful preparations, two People are too nervous and eager to learn the other's inner thoughts. In this section, we see a different Lloyd Nila Bologofievna Garugina. The emotions of the two people have reached a climax. , We think that the two lonely hearts finally come together completely.
At this moment, when the camera turns, we see Olia’s suffering after being humiliated, but with the whistling theme, we can still feel the unavoidable helplessness in life, and for most middle-aged people This kind of plot is so close to human life. When youth is gone, and the love of the middle-aged marriage is gone, the nostalgia for the lover of the past will surely fill people's hearts. Not only will the audience here not hate Olia, but instead will have a recognition and understanding of her regaining love. Olia and Eureka met completely, and the two completely put aside everything in the past. At this time, we can't help thinking that the original enemy has become a lover, but the original lover can only become a passerby. This is drama, and this also happens in life.
Lloyd Nila Borogofina Galugina, who was nourished by love, dressed up and went to work, which attracted everyone's surprise and envy. It turned out that she was so beautiful.
At this point in the story, both clues seem to have completed their development, and the audience obviously does not know what plot to end with next. But at this time, Eureka told Lloyd Nila Bologofievna Garugina in order to retaliate against Navaserichev. All this was because Navaserichev wanted to use her to promote her. Job. The performance can be described as accurate, but within a minute, the mentality from joy to surprise to disappointment to pain is fully displayed on the face.
And when she dictated the decision to appoint Navasherichev as the head of the light industry department and only used "he" but not the name, when she made the secretary confused, we could see Lord Nila Borogofiev What kind of complicated feelings is in Na Galugina's heart.
Navasherichef came to the office and invited Lloyd Nila Bologofievna Garugina to the circus. At this time, the bombs that had been ambushing between the two as early as the beginning of the movie broke out completely. The audience was suddenly entangled in their hearts. But comedy is comedy, and the clever Navaserichev pretends to write a letter of resignation to prove his innocence. So, at the end of the story, the two had a thorough and cheerful quarrel in the office, throwing paper balls at each other, and Nava Sheri Cheev was beaten and joked and finally fought back. The music played again and the contradiction was resolved. Finally, the two hit the car and kissed each other. The embarrassed driver asked them where they were going. The two said, whatever. The car went away, and the story of a couple ended with the sound of music.
This film is the second part of Russian film master Ryazanov's "Love•Music•Comedy Trilogy". It maintains its consistent realistic comedy style. The film does not have grand scenes or overly complicated plot arrangements. More There is no popular extra bed scene with handsome men and beautiful women. However, the film is memorable through nuanced emotional changes, vivid and humorous dialogues, and untouched satire of the era in which the Soviet Union was at that time. The story is quite similar to the narration of Lev Tolstein’s "Anna Karenina". It is also the two main lines of the story. It also uses scenes of character activities to show the life and mental state of a specific group of people in the entire era. It also sets sadness. Hi combined plot. We even feel that Yuri Gregoryevich in the film is like Oblonsky, so slick and sophisticated but a bit hypocritical, only concerned about his own future and reputation. Of course, in addition to the main character, the selection of the secondary character is also very clever. Su Na, a Chinese aunt-like character who is too enthusiastic about the public, is always so meddling and "does not do business." The lascivious director of light industry Monakov has no intention of working and she is too busy, and the fashionable female secretary Willezike always uses the public office. Talking on the phone, Eureka, who returned from Switzerland, talked about his experience abroad. From this, we saw the bureaucratic atmosphere and the attitude of admiring foreigners and foreigners before the collapse of the Soviet Union. The film presents the problems in reality to the audience through the repeated appearance of several characters, allowing us to feel and reflect on our own. In fact, in Chinese society, which has the same roots as the Soviet Union, these issues are still worthy of criticism today, and they also make Chinese audiences feel more cordial.
The second major feature of the film is undoubtedly its excellent dialogue, and for Chinese audiences, its translation and dubbing are particularly classic. The voice actors Zhang Yunming and Feng Xianzhen of the heroes and heroines are both outstanding film translators who have been active behind the scenes. For today's father-level people, their dubbing mechanism is flexible and permeates the enthusiasm of life is unforgettable. For the younger generation, their voices are not unfamiliar. Zhang Yunming's representative works include Tang Seng in the old version of "Journey to the West" and Pu Yi in the movie "The Last Emperor". Feng Xianzhen even voiced the Elf Queen Claire in "The Lord of the Rings", and her voice is also in "Jang Jang Geum". It can be said that their voices have accompanied the growth of two generations, which is naturally a digression.
Although there are only a few characters and scenes in the movie, it always shows the charm of language art. There is no lack of humor from life in the film. These dialogues seem to be easy to come by but are just right, making people laugh either knowingly or hilariously. For example irony Suna blind zeal, when people ask, "is a boy or girl," she hastily replied "not yet clear, the boy is not a girl."
In the performance of Nava Sherry Cai husband When he was nervous, his line was "I have two children, one is a boy, the other is a boy".
Facing Eureka, Olia’s admiration is unstoppable. Her line is "I know you There are only advantages. In the next letter, I intend to put this meaning into full play."
Out of irony bureaucratic considerations, the female director suddenly heard the news of Monakov's death and habitually said, "Monakov is dead? Why is it dead? I have not given instructions yet."
Of course, the movie is the most impressive. There is no deep belly laughter than the part where two happy friends quarrel in the office. "You always fumble!" "I didn't fumble." "I can't figure out what kind of person you are!"
"Why touch me... don't touch me..." "You Say I am hard-hearted!" "In that case, tofu-hearted." "I'm cold and frosty!" "No, you are enthusiastic and unrestrained." "I don't have a heart!" "You are so bold." "I'm dry!" No, you are wet..."
In short, the film has been labeled as a classic in people's memory. Yes, relying on humorous language and reasonable plot, Ryazanov tells us what a real comedy is. By comparing it with the Chinese comedy movies that are flooding in postmodern times, we can understand the huge difference between comedy and farce.
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