The story shows Till Schweiger’s traditional sacred, liberalism, but hits a wall everywhere. His screenwriter’s repertoire was slashed, and he couldn’t pay the rent and fines, but he was still unrestrained (please add a little here) , Picking up girls in Germany doesn’t have to be a rich second-generation). But this time, he added a lot of love to children like "Rabbit Without Ears". It seems that he has been insisting on shaping the image of a lover and a good person. This time he was struggling with his love debts, and he had to take care of his 8-year-old biological daughter who came suddenly. It can be seen how chaotic it is for a man who has become accustomed to freedom. The girl who fell down the audience in the play was originally Till Schweiger’s biological daughter Emma Schweiger. Her interpretation of Magdalena has become the focus of the audience from the beginning with a small schoolbag on her back, and then she wore her father. The not-so-decent little pajamas that had been remodeled by himself were alive and kicking, and it almost made the young men and women fall to the ground. The hapless father once again left the child alone at home. This horrified the audience. She actually turned on the gas and put it on the fire. Then she started to fry the eggs, and the flames went up. Wow, don’t be afraid, listen to it next. What arrived was the voice of her daughter on the other side of the phone, and the firefighters had already acted as her "background wall". The new father really needs to reflect on it, so he started breakfast, and even brought his unique "chicken stewed in red wine" to the table. The dishes that ordered the question only appeared for a while, but the daughter complained--"Are you crazy? How can I drink alcohol? Alcohol is poison to children!" Up. The lovely Magdalena made her biological father more and more pure and loving, and also regained the confidence of her mother and adoptive father in life. At this point, you don’t need to guess that the story is coming to a happy ending as you make mistakes and repairs. It’s in line with Teal. · Any film story format starring or directed by Schweiger in recent years.
Till Schweiger’s early excellent works can represent the German society and the status quo of the film industry, including "The Rabbit Without Ears", "The Pain of Fantasy" and so on. But excluding his frequent participation in some Hollywood blockbusters or small roles in Hong Kong-produced movies, and his frequent directing and starring in a large number of commercial films in recent years, he is definitely an arrogant and self-produced star. His movies are always the protagonists of the love-sage school with many females, and they also show love to children, which is simply based on the image of the lover in the hearts of German women. It's a pity that the style is mostly the same, and the audience is scolded from time to time. "Barefoot Love" is an example. It seems that the selling point of this "Chicken in Red Wine" is just that the father and daughter join forces to interpret the relationship between the father and daughter. Here is a summary. The movies and literature consumed by the masses are like red wine. They are big sellers, but they are boring to drink. The real excellence is complicated and difficult to understand, and it is not understanding. After all, I chose to go home and opened a bottle of Barolo, who was so happy!
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