In fact, the more stars you watch, the more comedies you watch, and the more Hong Kong movies you watch, you will become more aware of the precious spirit contained in the life in "The King of Comedy". The reason why Xing Ye's "The King of Comedy" is his greatest work, and the reason why it has almost reached the highest level of comedy movies, is very simple, because he filmed himself. In many cases, it doesn't cost much to move the audience, and to move people with sincerity. Excellent literary works can often be summed up in this sentence-it comes from life and is higher than life. Excellent movies are no exception.
I think at the beginning, I saw that Yin Tianqiu, a perpetrator, couldn't die no matter what. He was tumbling and wasting film behind Sister Juan, and I didn't understand what kind of story it came from. It wasn't until a few years later that Master Xing descended to the National People's Congress and talked about his unbearable past in front of 800 people, that I suddenly realized. Back then, when he was filming and shooting sculptures, he played a small dragon set caught by Mei Chaofeng's nine-yin-white bone claws. He asked the director whether he could stop him and die. The director refused without hesitation. So, "I kept giving suggestions happily, and then I was rejected happily."
Many people look at Star Master from the big story, or some people start from Su Qier, some people start from Tang Bohu, but after seeing his works almost, most people will choose "The King of Comedy" As their most treasured movie. Among the many nonsensical, crazy, and spoofing works of Master Xingye, such a drama with a strong tragic color was suddenly inserted. No one could accept it at the time, but behind the noise, the glitz was exhausted, and you would find that, The real classics can stand the test of time.
The power that touches people's hearts is the sincerity of Master Xing. When a person writes about himself, he must be the most sincere. So from the very beginning, we can see the back figure wearing inferior suits and shouting "struggle hard" in the face of the waves. In this movie, Star Master gave his best character performance. On the set every day, he only asked for a trot to have a lunch box but seized the opportunity to have fun in front of the camera. This kind of opening is always nonsense, but it is also true.
I have read the Cantonese version many times and the Mandarin version countless times. By comparison, although the dubbing of the grouper is brilliant, the original original tune of the star master is more moving. This is actually in line with the realistic style of the movie itself: the voice of the grouper is obviously much more exaggerated than the star himself. So till now, I still recite a lot of Cantonese lines.
In the gloomy days of college, "The King of Comedy" touched me over and over again, encouraged me, showed me the good side of unyielding in the adversity of life, and also told me to easily settle my grievances and grievances. . Sometimes everyone finished watching it together and ran to the balcony and shouted a few times to the air: "Work hard! Struggle!" The self-inspiration of the little man is a life wealth that must be cherished.
It is like the star master, walking out of the neighbourhood, grabbing the children's play table tennis in the neighbourhood activity room to read the book, the three lines will also cling to the script, no one will look at it and still put the ketchup to play the thunderstorm. Even if the person you are in love with is an escort girl, as long as the two are together, you don't need to mind anything.
The most touching thing for many people is that Yin Tianchou rushed out of the house and yelled "I raise you!" to Liu Piaopiao. At this moment, I often think of the girl she and I mentioned. She loves him as much as he does. "The King of Comedy." Before the first kiss, she asked him cunningly: "Would you like to put on some lipstick?"
The characters Xing Ye portrayed in the past have more or less petty, lustful, and greedy characters. Another major feature is exaggeration and even a little nervousness. However, it is rarely seen in the character of Yin Tianqiu. One of the outstanding character traits of this character is persistence, simplicity and kindness. For example, he is only an extra, but he always holds a copy of "The Self-cultivation of an Actor", fighting for the opportunity to appear, failing again and again, and even being humiliated again and again. In the end, he still insists on what he did. Phrase: "Actually, I am an actor."
He is simple, but in fact simplicity is always accompanied by persistence. Complex people must have a lot of thinking and naturally have a lot of worries. Think about it, how many young people yearning for the path of performing arts nowadays, how many are just because they love acting? Nowadays, there are far more people who are admitted to the middle of the show, the show, and the Beijing Film Festival than in the past, except for the improvement of material conditions for the candidates. In addition to support, another motivation comes from the beauty and glory of celebrities that everyone can see in the overwhelming entertainment information, and the temptation of the financial benefits that can be obtained by becoming a celebrity. Therefore, now I want to become a celebrity Many people want to be actors.
And Yin Tianchou, do you remember those two scenes? The second time he went to the associate director Sunny, and he talked about anything, no money, as long as there was a lunch box; in the other scene, Jie Juan told him to let him As the actor, he asked him if he had any questions. He said, "Is there a lunch box to eat every day?"
What a simple idea, what a persistent belief: as long as you have a bite of food, you must stick to your ideals. .
When the star became popular, most star fans were still on their way to school. At that time, the star fans looked at the star master, more to see how he was rebellious, maverick, how he played with power, tradition, dogma, and old-fashioned thinking. The leaves are free and easy. Laughing to Huazhi trembling.
Now, these post-80s have entered the society and are faced with various life and work problems. When ideals collide with reality, when flowers and applause do not arrive as expected, when you are bored, tired, painful and want to give up, do you still remember the one who brought you happiness when you were young And the mentor of the smile?
He is not just a funny master of nonsense, and he is not a clown who is sensationalized by some people.
If you have really struggled in reality and ideals, and have had an ordinary life experience of joy, anger, sorrow, and joy, please look back and look at Master Xing. If you look at "The King of Comedy", you will find Master Xing. Between laughter and scolding, there is the truth in life, which encourages every ordinary person to embrace ideals and pursue their ideals through their own efforts. Stick to yourself and never give up.
You may still laugh, but it's not the trembling of the flowers, but the inner cow's face.
Regarding his kindness, there may not be many performances in the play. There is a plot where the subordinate of Hong Ye (played by Tian Ji) was stepped on by Yin Tianqiu, and Hong Ye took him to an old lady to ask for money. , The old lady's only one hundred yuan was taken away by him, and Yin Tianqiu who saw this scene walked over, threw one hundred yuan on the ground, and said that the old lady had lost your money. This detail can be seen, the kindness of this character.
In this way, Yin Tianqiu does have many advantages in this character, but he is still a small person, and he is still humble. He loves acting, but he has never had a chance. He has a poor life. He wanted to get a lunch box but was thrown to the dog by the actor (played by Wu Mengda). And he still yearns for respect. The most obvious scene is when he meets Liu Piaopiao for the first time, the other party keeps calling him "deadly", but he smiles and seems to inadvertently emphasize: "Actually , I’m an actor.” A
seemingly inattentive sentence actually shows that Yin Tianqiu’s heart desires to be respected by others. Under this appearance, what moved me even more is that, behind the hardships and setbacks, his respect for his ideals, no matter what kind of bad situation he faces, he will not shake his respect for his ideals.
Also, after Liu Piaopiao left, Yin Tianchou went to find Wu Mengda’s dramatist alone, and said to him: No matter how much you can look down on me, I look down on me, I am an actor, you still owe me three lunch boxes, I want to take it return.
Liu Piaopiao's refusal made Yin Tianchou feel that life has driven him to a dead end, his career is slim, and love is out of reach.
If a person has reached a dead end, he has two choices, one is to accept reality and to be malaise; the other is to fight back and regroup.
And Yin Tianchou chose the second one, so he decided to change, starting from changing his heart and starting with the three lunch boxes that the drama owed him.
What he went to get was not a box lunch, but his dignity.
Facing the fierce face of the drama, facing the murderous saw blade, Yin Tianchou looked solemn and cautiously but very firmly held up three bentos, holding up his dignity as a human being.
After being ridiculed by Piao Piao many times, he also had his emotions. He said: "Actually, you sell them out. If you know how to respect others, then others..." Of course, he was not finished. Giao interrupted. In fact, this is the case for the little people. They are eager to gain the respect of others. When their self-esteem is hurt, they often choose to seek a balance in their mentality by hurting others. The phrase "sell it out" is a response to Piao Piao's "death to death". Of course, Yin Tianchou is always good, when fluttering angry stood up and said: "? What did you say", he once said: "I'm sorry."
I remember Wong Kar-wai's "Ashes of Time" was played by Leslie West Poison has such an opening remark: "Many years later, I will have a nickname in the arena, called Xi Du. In fact, everyone can become very poisonous, as long as you have tried what is called jealousy. I don’t care what others think of me, I I just don't want to see others happier than me." This is where the distortion of personality begins.
Of course, most of Wong Kar Wai's movies depict the darker side of human nature. Liu Piaopiao in "The King of Comedy" has this mentality. She is a prostitute, it can be said that she is the bottom of the society. They are humble and humble. The reason why Piao Piao keeps calling Yin Tianqiu a "death to death" is precisely because she is humble and does not want to see others noble than her. What studies the performing arts, what teaches others to act, isn't it just a "dead trick"? Why should we treat you as a teacher with respect?
She herself does not get the respect of others, not only does not get respect, no one treats prostitutes as human beings, so she also seeks a mental balance by hurting others. However, this is what makes her different from other prostitutes. I remember Mr. Lu Xun's "Hometown", which contains three characters: I, Runtu and Yang Ersao. Me, tossing and turning; Run soil, numb; Yang Ersao, hard and affectionate. If Yin Tianchou is a hard-working person, those prostitutes are hard-working and numb and fluttering, of course it is not hard-working. People who have worked hard and sentimental must also be numb, while Piao Piao is a person who has not yet become numb.
Therefore, when Yin Tianchou said the phrase "sell it out", Piao Piao was angry, but the other prostitutes did not. One of the prostitutes even caught the angry Piao Piao and said: "Don't be like this, we are. "Yes, Piao Piao is not reconciled. She doesn't want to be a prostitute for a lifetime. She still yearns for respect and loves.
And too much suffering made her twisted. When she finally found a true love, she still had her fear. Therefore, when Yin Tianchou said: "I will support you.", she refused: "You should take care of yourself first."
But she was moved, and after turning around, she sat on the Taxi and finally couldn't help herself, crying completely. .
When I am an adult, I will be more moved and sad when I look at this segment, because people will always become more rational and mature as they grow up, so do I have the courage to do something that I think is worthwhile? What about the decision of non-inertial thinking?
Next, for the sake of this truth, the beaten Piao Piao resolutely said: "No!" He would rather be beaten to death than to be a prostitute. When she came to Yin Tianchou again, she still didn't tell her purpose immediately.
That sentence: "Hey, was it true that you said you wanted to raise me last time?" When she saw the cuckoo next to Tianqiu, she had gathered much courage to open her mouth.
In the last scene, Yin Tianqiu returned late, and the fluttering series of scolding also reflected her humbleness and fear. "Where have you been, come back so late, can you not cook your food! How to dress like this, you are not the protagonist, tell you, whether you are the protagonist or the protagonist, you have to support me for the rest of my life." In fact, she was terrified and afraid of being abandoned again, but her words seemed to be intimidating. This is the characteristic of Piaopiao and the way of expression of Piaopiao.
And she really loved Yin Tianchou, knitting a scarf for him, and sitting at the door waiting for him to return home. Later, she saw the blood on Yin Tianchou’s neckline and thought it was a lipstick mark, and said, "Red, lipstick mark? Are you going to fool around? I will let you go this time, but not next time." In fact, any woman is seeing this. This situation would have turned upside down, but Piao Piao said, "I will let you go this time, and I won't allow you next time." The
same reason is that she is humble, and she dare not demand too much from the other party. After all, she was a prostitute. And then added a sentence: "Why, not convinced, hit me?" It is also a fluttering expression.
She is humble and doesn't want to be noticed.
On the two main lines of this play-ideal and love.
ideal. Yin Tianchou's ideal is to become an actor, which is also the ideal of Xing Ye. It is said that this film has a biographical character. Biography often describes a successful person from obscurity to blockbuster, but this film only describes obscurity, and at the end it feels like a stubborn dog. But I don't think this is a failure of the film. On the contrary, it is this kind of ending that makes the film great.
Everyone can see the glory of success, but a few people know the course of struggle. Life often has such an ending because of such a choice. No one can make a choice by looking at the ending. If today's Lord Star is not Lord Star, but still this Yin Tianchou, will he stick to it? Or, in other words, did the Star Master of the year foresee that he would only stick to it today?
Let's talk about love. The love in "A Westward Journey" is indeed shocking and classic, but it is a castle in the air after all. But "The King of Comedy" tells a story that can actually happen by your side. And the greatness of this love lies in its purity. Yin Tianchou's simplicity has built this purity, and the fluttering hope for life that has not yet been extinguished has built this purity.
I still remember that when Yin Tianchou finally got the chance to be the leading actor, she was beaten all over, and she yelled to the car that was going away: "Hey, did you say that you want to raise me last time?" "How did Yin Tianchou answer: "Yes." Piao Piao: "You won't lie to me?" Yin Tianchou: "Of course not, I'm waiting for you."
In fact, everyone knows, Yin Why does Tianqiu have such an opportunity? And his "yes" will ruin his future. But he blurted it out without even thinking about it, and then went to see Sister Juan enthusiastically. In fact, he didn't even think about it. Between true love and career, he can only make a choice between two choices.
If people do not have ideals, what is the difference between them and salted fish. Yin Tianchou only knew that he would realize his dream through his own efforts, and he only believed in this right way. He didn't even think about other channels. And Piaopiao, she followed Yin Tianchou, is it really just that someone can support her? To be honest, being a prostitute must be a lot more generous than living with this "deadly". But what she wants is this respect and this true love. I still remember the phrase "Whether you are the protagonist or the protagonist, you have to support me for the rest of my life." Piao Piao is not a woman who admires vanity. She follows Yin Tianchou. Whether he is successful or not, she will follow him.
This love is pure, and this love is also precious.
The morning after Piaopiao and Yin Tianchou spent the night, Yin Tianchou called and asked Hong Ye what price the lady outside was spending the night, and then gave all his savings to Piao Piao. Including a watch he used to support the facade.
Why he would do this stems from the humbleness of his little man. A person who has problems even eating, how can he believe that he can have love?
When Piao Piao saw the money, his reaction was: "Thanks, boss." He turned and left. .
What a self-defeating words! What a heartbreaking turn!
But at the moment before, fluttering sitting on the windowsill, without powder, is so pure and beautiful.
Those banknotes made her realize that she was still just a prostitute, so why should she have a love? Love, in her eyes, is so noble and out of reach.
When I saw "The King of Comedy", it was when "Meteor Garden" was on the air. The strange thing was that I watched that drama, except that the boys are good-looking, but I didn't feel it. The theme to be expressed-love. They are all too wealthy. For them, love is an issue that needs to be considered after dinner; they are too socially standing and have the right to speak noble, and of course they also have the right to have noble love.
And Liu Piaopiao and Yin Tianchou, in terms of their living conditions and social status, can they still believe in love, is it even more moving?
Think about it, a person who owns Jinshan who is willing to share his Jinshan with you is more moved than a man who has only one bun but is willing to give you half of it. At least for me it is the latter. Therefore, in fairy tales, I have always disliked "Cinderella", but only love "The Little Match Girl". I often wonder why the prince should marry Cinderella instead of helping the Little Match Girl.
Very happy, Yin Tianchou still plucked up the courage and shouted: "I'm raising you?"
And Piao Piao also shouted loudly: "Did it really be true that you said you want to raise me last time?"
They finally broke through. Self, did not give up hope, did not give up the pursuit of love. No matter how cruel the reality is.
This love is really great.
There is also a scene in the play that I laughed the first time I watched it, and then cried when I watched it the second time and the third time. Yin Tianchou and Du Juaner try out the show. He burst into tears, and his nose quickly flowed into her mouth, as if decades of depression were released and exploded in a moment. I believe that at that time, he was not acting, but talking about himself.
He said: Juan'er, I have suffered too many setbacks in my life, and I am so tired. If you lose even you, I really can't support it anymore.
This passage is actually Yin Tianchou talking about himself and also talking to Piao Piao. After Piao Piao rejected him, there were no scenes or lines to explain what Yin Tianchou felt inside, but he gave the most appropriate explanation when Yin Tianchou and Du Juaner tried the show. At that moment, he no longer separated the scenes, so all of us were moved.
Two key words about this play-humble and great.
"Shit, I am a pool of feces. Life is cheaper than ants. You sit on a Mercedes Benz and I dig my nose, knowing that death is hard to move."
When I heard this song, I was really sad, especially the phrase "I know I die no matter how hard it is to move." There are so many people in the world, how many successful and great are there? People's lives are so short, and some people are just a puddle of shit to death. There is a TV series called "Brothers Difficulties", I feel that Li Qi and Xie Yuan in it are a bit like the Star Master and Tony Leung in life. Of course, Star Master is not as unlucky as Li Qi. In our case, "Brothers Difficulties" only played 20 episodes. It is said that in the back, Li Qi, who is notorious and has a ruined future, became a taxi driver. I still remember Li’s Stubbs in "Fire Ambition". Just because his father could not write outstanding Cui words, he only called Stubbs, and his life is the same. "Yes, he didn't spell success until he died. Their life is so humble. This is exactly what Yin Tianchou did. But he is great again. His persistence and perseverance to ideals, and his persistence and cherishment of love have made him great.
Greatness does not differ from the cause you are engaged in. Sun Yat-sen is great, and Yin Tianchou is as great. Everyone who insists on his ideals and strives unremittingly is great. Every "gentleman loves money and takes the right way" and insists on righteousness. People who realize their ideals are equally great.
The reason why I say "The King of Comedy" is the best work of Xing Ye, because it gives more meaning to life and conveys a kind of enthusiasm to the general public living at the bottom of society. It is a memorable and A rewarding movie.
Although there is not much music in the movie, I keep the melody in my heart. When Liu Piaopiao played for the first time, when Yin Tianchou made a lifetime promise to Liu Piaopiao, when he and Karen Mok danced gracefully, I have not forgotten those musical tunes. I remember that when I first watched Big Talk and Tang Bohu, I worshipped Zhou Xingxing with a child's heart, but since the king of comedy, I couldn't help but stand in awe of this perpetrator.
After watching it so many times, it is no longer like seeing a crying nose when I first looked at it the first few times, but seeing any part of the bridge that has been moved, and every time I think of those eyes and expressions afterwards, I am still moved with sorrow. The part that saddens me the most is that after Yin Tianchou and Liu Piaopiao lingered all night, they woke up in the morning and called Lord Hong to ask about the quotation of the current lady, and then respectfully flattened all the paper tickets and coins and placed them in On the fluttering clothes, put another watch on it by the way.
The embarrassment and dignity of this man is so sad.
Although Star Master's performance in the movie seems very funny, but after watching it, it can always give people a feeling of tears after a smile. Leaving aside Yin Tianchou's various embarrassing performances in the play, his inner sense of honor and dedication to the profession of "actor" is very shocking. When Yin Tianchou was valued by Sister Juan’s eyes, he was called into a small room by the director, hoping that he could shoot a movie with Sister Juan. When the director asked him if he had any other questions, he only said: "Is there a lunch box to eat every day?" Every time he felt a kind of pain and a kind of happiness in his heart. The pain was what he experienced in order to achieve the dream in his heart. The embarrassment and suffering, and the happiness is that he finally got close to his ideal: bid farewell to the days of stubborn things and become a real actor.
In fact, "The King of Comedy" is a tragedy, and it is the "King of Tragedy".
Xing Ye is known as the king of comedy, but if you look closely at his films, you can often see a sad plot, from the westward journey to zero release, to this "king of comedy", it is always an inconspicuous The little character of "The King of Comedy" is always the epitome of the struggle history of Star Master, and we have reasons I believe that Master Xing must have tampered with the script, and processed some of his personal experience and rubbed it into it. What we see is a cowardly, love money like fate, but in the end give up everything for love. History of struggle. I also saw the shadows of some people in this society, including us. Feeling that
"The King of Comedy" describes the bitterness of a small person who has repeatedly failed his wishes. The movie uses "shit" to insinuate the protagonist "Yin Tianchou" in the film who belongs to the lower class. "Shit" appears in the film many times. Next to the comic is a line of text "I am a shit" (the original text is in Cantonese). The episode in the movie "I am a shit" is one of the most famous episodes in all movies by Stephen Chow. This episode uses a deep voice and The sad tune sang the bitterness of a small person whose wishes often failed. This episode quickly became popular in Hong Kong at that time, because he sang the voice of the lower class in Hong Kong and those small people whose wishes have failed and resonated. The original song of this episode was sung in Cantonese, and the lyrics are translated into Mandarin as follows:
Shit, I am a pile of shit. Since I was born, you eat bananas and I make stinky shit. It is destined to be hard to change shit. I am a pile of shit. My life is cheaper than ants. Stay overnight in the night and in the shit pit, do you know that life is shorter and happy is shorter. When we fight for happiness, we know each other and we have the same joy, even though everything is too pathetic. Misunderstandings are more insults and more insults. I’m cheap in the deepest place, like mud. You kick me and scold my mother for stinky shit. Don’t climb up. I only hope that one day I can go to the countryside and walk to the garden. I will accompany the flowers and lie under the flowers to see the tender leaves. I only hope that one day rotten feces becomes a fruitful field into Chunni I send flowers filled the quadrangle sunset
classic lines
1) Tianchou Yin Liu fluttering: actually, I'm an actor.
2) Yin Tianchou to Liu Piaopiao: If you insist on telling me to be a fool, can you not add the word "dead" in front?
3) Yin Tianchou to Du Juaner: Because the director did not call "card".
4) Yin Tianchou to Liu Piaopiao: If it weren't for the chair to block my legs, I wouldn't be able to beat you.
5) Yin Tianchou: Hey!
Liu Piaopiao: What are you doing?
Yin Tianchou: gone?
Liu Piaopiao: Yes.
Yin Tianchou: Where are you going?
Liu Piaopiao: Go home.
Yin Tianchou: Then what?
Liu Piaopiao: Go to work.
Yin Tianchou: Can you not go to work?
Liu Piaopiao: You raise me if you don't go to work?
Yin Tianchou: Hey!
Liu Piaopiao: What's wrong?
Yin Tianchou: I raise you!
Liu Piaopiao: You raise yourself first, fool.
6) Liu Piaopiao to Yin Tianchou: Thanks to the boss.
7) Yin Tianchou to Liu Piaopiao: Congratulations, you will surely become a very good lady sitting on the stage.
Liu Piaopiao said to Yin Tianchou: You will definitely become a very good one.
8) Liu Piaopiao to Yin Tianchou: Hey! Your lips are cracked. Do you need a lip balm?
9) Yin Tianchou to Aunt Xia: Aunt Xia, is there anything you can't see at all?
10) Wu Mengda's confrontation with Yin Tianchou: Shit, you are a pool of shit, and your life is cheaper than ants. I sit on a Mercedes (Simplified Chinese also say "I drink a Mercedes"), you pick your nose, and you know it's hard to move.
11) Yin Tianchou: Extras are also actors!
12) Yin Tianchou: Regardless of whether you can look down on me, I am an actor.
12) Yin Tianchou to the four-eyed boy: Give me a light!
13) Liu Piaopiao to Yin Tianchou: What kind of shit do you suck on a pacifier?
Liu Piaopiao to Yin Tianchou: What kind of shit WASABI do you eat?
Liu Piaopiao said to Yin Tianchou: Do you have a shit and tears in your eyes?
Liu Piaopiao said to Yin Tianchou: What kind of shit do you have?
14) Yin Tianchou to Liu Piaopiao: Of course, for some like-minded and interested friends, you can also sit down and study together.
15) Yin Tianchou to the director: Because my role is a bit more naughty, the underlying line in my heart is-I don't want to die.
Director to Yin Tianchou: I rely on it! You have to die if you don't want to die!
16) Yin Tianchou: I'm sorry! I'm an undercover agent!
17) Yin Tianchou to the director: There are lunch boxes to eat every day, right?
18) The one played by Yin Tianchou to Wu Mengda: No matter if you look down on me and look down on me, I will get back three lunch boxes that belong to me.
19) Yin Tianchou: Tomato Egg Rice 25 and a half. Thank you!
20) SUNNY to Yin Tianchou: If two years ago, I would have stabbed you to death!
21) Liu Piaopiao to Long Shao: virgin, what's the point, it's cheaper.
22) The gangster to Yin Tianchou: Well, "Thunderstorm" is about loyalty!
23) Yin Tianchou to the director: Actually, if you wait a little longer, I will die, and I will die.
24) Little bullies vs. Yin Tianchou: The most important thing we do when we come out is to talk about loyalty.
25) Liu Piaopiao: You don't know how to punch. Have you ever studied?
26) (Piaopiao is weaving a scarf at the door) Yin Tianchou: Piaopiao.
Liu Piaopiao: What are you doing? It was getting dark, and the phone call didn't come. Do you want to cook your meal?
Yin Tianchou: I just...
Liu Piaopiao: Why do you dress like this, aren't you playing the leading role? I don't care whether you are the protagonist or you are a fan, you have to support me for the rest of my life.
(Take the bib) Come, try it, it fits.
(Seeing Yin's face) Wow, the red one is a lipstick mark, are you going to fool around?
I'll give you a way out this time, and next time I won't give you food, go. What are you looking at? Not convinced? Hit me you idiot.
Yin Tianchou: Piaopiao, I love you.
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