I really like my sister’s smile. I can understand the intimacy and the children’s touch. I have to say that many subjective shots of the director are too real. When my sister kissed him on his forehead, the elderly Toto quickly turned around. I felt that this scene was too familiar at the time. I also turned around so quickly every time I could feel unbearable memories and uncontrollably rushed towards my face, trying to avoid this kind of reluctance.
In addition, there is no more, this film is very happy, not painful, even when it is dead. When he sat in the car and saw the front compartment opened, and his father and sister played the piano and played the trumpet again to sing, he got it. What impressed me the most was that he was so happy and eager to find his lifelong enemy, knocked on the window and opened the door, and did not hesitate to dress up and imprison him. His joy came from his heart. Since the death of his sister, his life has been horrified and dull. He didn't know what to do, how to solve the reality caused by him, and it was an upside-down, exchanged life. How can he continue? No sister will come to kiss his forehead or set a fire to take him out of this nasty world, he is the only one.
He smiled happily toward death, and he said to the stranger in the photo, Dad, I'm here. He was holding candy and flowers, and he finally knew what he was going to do. You don't have to be alive anymore. So when his ashes flew down in the air, he laughed so loudly.
The first time I saw a movie, I also took a long subjective shot for the ashes. In the lens, people, woods, grasses, cows, dogs, horses, flowers, and sunlight all looked at the ashes dumbly and curiously. This is the last gaze of life. Isn't it the real beginning of life? And the laughter that echoed in the air for a long time, so hearty, he had never had it in his life.
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