Among the film works of Shige Hirokazu, the style of "Miracle" is undoubtedly the closest to "Non-stop". Its narrative method of hiding needles in the cotton, the theme of sorrow and not hurt, the lyrical strategy of inducing but not expressing, the art of director with winding paths, The two can be said to be in the same line. To be more specific, from the cast to the method of perspective, from the arrangement of music to the setting of props, the commonalities of the two films are reflected in detail. It is particularly worth mentioning that in the emotional entrance, it is Zhi Yuhe who always keeps her forbearance. He even likes to deliberately create a kind of "expectation gap" to lead this emotional torrent to a trickle and even nothingness.
For example, at the end of "Miracle", the little grandson returns with a wish and meets the grandfather who sits at the door, and the two have the following dialogue:
I'm back.
Welcome home.
Does my mother know?
Ah, I didn't wear a gang.
I gave my brother the light soup you made.
What is his opinion? (The old man refreshes, with a little eagerness)
That guy is still young. (Because the younger brother's evaluation is not high, he said it is a bit weak)
Haha, that's true .
Then the grandson walked in to say hello to his mother, and the camera continued to focus on the grandpa outside the house. He was thoughtful and smiled faintly again.
All due to this faint smile. We know that the family members actually know about the grandson's wish, but they are tacitly aware, as if nothing had happened. Therefore, the little secrets continue to be treasured, the little calculations continue to be calculated, each is cunning, each is satisfied, and both parties take what they need and enjoy themselves. The same is true for my younger brother and Huimei. There is no screaming, no clamoring education, and the miraculous journey of a few little guys. Just like this, it is faded and dispelled by the adults’ peace and quiet. Everything is like nothing happened, and what is it It all happened.
Nothing happened and everything happened. In the film, it can be understood that life points to the two ends of mundane meaning and poetic level. On the one hand, the volcano did not explode, the puppy did not wake up, and Qinggen did not praise, on the other hand. , The painter’s dream can be turned around, the actor’s dream is vaguely come true, and my father has a new work coming out, life is always as difficult as one wants, but the world is wonderful and wonderful. Making a wish is only a momentary act, but innocence runs through all the details of this process. The train of youth rumbling in, in the loud shouts, in the interlacing of the two cars, everyone left the mark of their own growth and even the meaning of life, including the silence of the brother. And each naive and simple wish is also shining brightly because of this persistence and seriousness.
In the same way, the end of "Non-Stop Walking" is so wonderful. It’s still a grave-sweeping, which corresponds to the memorial service of my elder brother with my mother. On the way down the mountain, a few butterflies evoked a lot of topics, almost unconsciously, he told his daughter the story of the butterfly winter that his mother told him that year. The film ended with a simple dialogue between the father and the daughter. .
The daughter asked, who told you?
Father replied, I was wondering who it was.
I am thinking about who it is, who I am thinking of, who I think of when I think of who, and who I think of when I think of who. Regret is not necessarily without love, and lack is always affection. I suddenly look back in a trance, but at the time I was in a daze. It is always difficult to find complete family affection at different speeds, just so calm, if there is no place, it is tactful, passed, continuous, and inherited.
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