- "Seediq Bale" felt
as I understand it, Seediq Bale should be the aboriginal language meaning warrior. This film is said to show the brave warriors of the aboriginal tribes fighting against the Japanese colonizers, but I have a bad habit of watching movies. I always like to go to Google to download relevant background information after watching the movie. As a result, I carefully checked the Wushe incident and the anti-Japanese bosses. Mona Ludao had mixed feelings after his resume, and he had to spit it out. If there is any fallacy, please Haihan.
It must be admitted that the scenes of large-scale fighting in this film are intensely realistic. That's right, fighting. Don't think that using rifles, machine guns and mortars is not a fighting. The nature of the Wushe incident is a fighting. The winner is Japan, which has colonized Taiwan for 30 years, and the loser is the aborigines of the Taiwanese tribe who adhere to the ancestral culture of the ancestors. The motive of the Japanese is not to be mentioned, it is the lice on the monk's head, which is obvious-swallowing Taiwan completely into the belly of the Yamato nation and digesting it as one. The establishment of village offices, police stations, schools, post and telecommunications offices, and grocery stores to educate those "uncivilized" students in a multi-pronged manner, but the sense of superiority that can't help but the superiority, coupled with the extremely ugly eating habits, laid the foundation for the subsequent catastrophe Foreshadowing. Of course, this is not the unique weakness of the Japanese. The British Empire, which swept across the world in the past, and the United States today are all like this. If you push it further, the historical empires of the Celestial Empire and the Roman Empire also have this virtue. It also confirms a long-standing view of my own: race has no noble or bad, and there is no limit to brain damage. Having said that, even if the seemingly feminine stuff like Kojima is in the film, there is a heart of conquest to win over the group of students. No audience will deny this, right?
Okay, let's look at the other side, especially the leader of the Machpo Society, and its leader (leader) Mona Rudao. The community is the grassroots organization of the Gaoshan tribe, which is equivalent to the tribe we often call. In October 1930, Mona Rudao instigated the six communities of Maherpo, Hege, Poyalen, Scu, Rodov, and Tarot Bay to take the opportunity of the Sacrificial Games to launch a raid against the Japanese police stationed in the Wushe area. In all 13 locations, a total of 134 Japanese including women and children were killed. After a successful blow, Mona Rudao led his troops to retreat to the two-line guerrilla operations at Mahepo and Tarot Bay. After 40 days of hard fighting, they finally lost their troops. Japanese reinforcements, which are all equipped with an advantage. According to Japanese historical records, 364 indigenous people died in battle, 225 committed suicide, 265 were captured, and 500 surrendered. In addition to the 134 people who were harvested indiscriminately on the Japanese side, only 28 people were killed and 26 were injured by armed personnel after the start of the war. Aboriginal warriors who coordinated with the Japanese army died and 19 were injured. These figures confirm that the Japanese combat effectiveness at that time was indeed not blown out, and the actual casualties were by no means a blockbuster fall casually like in the movie. Many details about the battle are actually covered in the movie, so I won’t repeat them here, but the whole movie is not clear from the beginning to the end. Why did Mona Rudao attack and kill the Japanese colonists? He was born with a long-cherished wish to save the people and the country? Or is he the reincarnation of the anti-Japanese chivalrous man? There is no explanation at the beginning and no explanation at the end. There are only some vague and fragmentary clues, which gives people a hazy feeling of wanting to talk. In the words of my friend, it means just watching the fight well, not knowing why. Of course, for many viewers who are eager to see the Japanese die, this has never been a problem. The plot introduction eloquently introduced that under the cultural invasion of the Japanese colonists, the aborigines were forced to lose their faith, men had to perform hard labor and not hunting, women could only be maids and could not weave, etc. for glorious reasons. So, why did the aboriginal people led by Mona Rudao rebel?
There are three real reasons: First, the Japanese colonists are ugly. As far as they are concerned, they are taught by civilized means. Their own connotation is far from enough. In fact, they are all similar mortals. There is an inexplicable sense of superiority. The Japanese colonists were rude and arrogant towards the aboriginals, they seduced and forced women into chaos and abandoned them. In the movie, the Japanese refugee husband slapped and followed the fierce face of the fleeing aboriginal wife. Maybe he was sleeping on a bed last night. The other party is regarded as an enemy country. The audience all saw the side of this man committing a crime, but didn't notice the other side of his righteousness: after the disaster was approaching, he still knew that he took his mother-in-law and baby into the refuge. Of course, women are weak and tolerant, but men are not so easy to talk, or they are tough mountain people.
Second, Mona Rudao's rebellion contained a lot of personal grievances. His sister was abandoned after being played by the Japanese police. In historical facts, the Japanese Chen Shimei's surname is Kondo, and in all likelihood is the Kondo police officer who first led the team to the Wushe search and suppression in the movie. The real Mona Ludo is not a fuel-efficient lamp. He was also an accomplice of the Japanese before the attack. He helped the Japanese army chop off the heads of many aboriginal compatriots. He was invited to travel to Japan because of his merit. go sightseeing. At that time, the Japanese had a lot of bad fate in Taiwan, but not all Japanese officials turned a blind eye to it. If the woman's family were powerful, they would usually be properly settled. Several female members of Mona Rudao’s friends’ homes all enjoyed this "prestige." They were all properly settled and compensated, but nobody cares about his sister's affairs, and even was deliberately ignored. Misfortunes never come singly. Mona Rudau’s son Darao got married. He kindly invited the passing Japanese policeman Yoshimura to drink and celebrate. Unexpectedly, the policeman committed a second crime, waved his cane and slapped his face, and took someone to arrest the bridegroom officer the next day. . The hot face was posted on the cold ass and he was sprayed with shit. At any rate, Mona Ruduna, who is also a big brother, could bear this breath. That month, the Wushe incident that shocked the whole island was launched.
Third, the Japanese's eagerness for quick success and instant gain is clearly reflected in the long and arduous task of educating the islanders. In the film, the aborigines often hear men as the guardians of the hunting grounds. Please pay attention to the other things they often mentioned. One word: out of grass. What is grass? It is a tribe of warriors swarming out to attack the settlements of the hostile tribes. They can chop off as many heads as they can. The more they chop, the greater the glory. The aborigines are hunters who worship the forest and kill, and grass production is even the default adult ceremony for their young children. After the Japanese ruled Taiwan, it was strictly forbidden to grow grass. This made the aboriginals suffocate their strength and couldn’t find a place to vent. As the children grew up day by day, the mother wouldn’t let them grow up, and it would be considered a high school if they didn’t cut two heads. Did you graduate? In fact, the author's policy towards the Japanese is also very strange. According to logic, it is the best choice to let the grass grow. Anyway, the Japanese colonists just forbid everyone to go to other people's homes to chop their heads. The reason is that they are uncivilized. It seems that whoever has the big fist, the standard will work. In the end, the Wushe incident broke out, finally letting the aborigines become addicted to beheading.
The so-called public for private, or the so-called hatred of the country and the family, the anti-Japanese hero Mona Ludao was born. He killed the Japanese, he also killed the aborigines, and finally, he killed himself.
After the history is over, let's talk about the movie. In addition to the powerful battle scenes, this film has another advantage: objectiveness. At least it is objective on the surface, even if it is infinitely close to pretending to be an objectivity, in fact we all know that according to Schrödinger's theorem, there is no real objectivity in this world. However, we can see that the Japanese and the aborigines in the film are full of brave and faithful people. Their performance is basically in line with the true logic and their respective cultural backgrounds. Although they are defeated, they die well. Although defeat is honorable, there are many warriors. The wind, sensational, passionate and full of firepower, these perfect details almost succeeded in covering up the messy and vague main storyline. In addition to the exaggeration of the number of Japanese soldiers who fell in the battle, and the excessively clean and neat appearance of the soldiers on both sides, this is really a battlefield blockbuster that can withstand textual research. In contrast, the battlefield depiction of domestic film and television works is simply not enough for copycats. The enemy on the battlefield is always as stupid as a pig, shot and killed for nothing, and the enemy on the spy field is always sinister and cunning but ugly. The live treasures are full of endless joy and inspirational connotations. For so many years since the founding of the People’s Republic of China, the characterization skills of war films have not progressed and improved, and the more they shoot, the more they are degraded. Members of the audience must bear in mind that to insult your enemy is to insult all sacrificed ancestors and comrades-in-arms. Your enemies are all idiots, and your ancestors and comrades in arms were beaten up by a bunch of idiots, and they were so miserably done, then it’s hard to say...they gather together, and you are definitely not a high-IQ stuff. , How about thinking about spending money to shoot movies and scolding yourself all the time? Perfect contradiction, right?
This film implies another sensitive topic: when two completely different civilizations meet, the final outcome must be war. This is a war between races. This is a war of survival. Either you die or I die. It has never been justice or axiom. The Japanese came to Taiwan to colonize, with the arrogance of a civilized exploding household, and their ambition to establish a greater East Asian co-prosperity circle, doing something no more ethical than the aborigines. The aborigines are short-sighted and indifferent, and they are constantly fighting with each other. Even if there is no Japanese to get a leg, to see the uncontrolled bloodthirsty desire sooner or later, they will have to kill an extinct family. The brutality and bravery like a mad dog are not only their strengths, but also them. Shortcomings. Some critics attribute this to the fact that the aborigines do not have a national concept, so there is no so-called cohesion and centripetal force. In terms of ranking, the state is not as high-level and profound as the tribe. Since human beings have a social organization structure, regardless of the tribe or the state, they are all groups that are united for the benefit of survival. The name of this type of gang has never been important. The important thing is the rules, which is what we often call gameplay now. On the long road to Darwin, different ethnic groups will sing me on stage. Some are struggling to advance, some are retreating, some are lingering, some are extinct, and some have not yet been born. And you and I can only take this film to sit on both sides of the river, and sigh: The dead are like a swan.
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