The first is that the competition system does not please the old and American audiences (combinations...combinations can win in the British version, but they will be kicked out in a few rounds in the US version. The combination group is basically a waste of places in the US version.), followed by The editing is not satisfactory (or that sentence, the British taste is too strong. PS, since you are mixing in the United States, why do you always play music like westlife in the background?), the third is that there is nothing new in catching horses (you really have Catch a horse? Are you catching a horse? Not professional at all ==!), the fourth is that the aura conflict between the judges is unusually uncomfortable (I don’t know it is Mao, Paula and San Ye JQ also dissipated... Then look at the hairy?). As a result, it looks like a well-made show with huge investment and good expectations, and the ratings are still tragedy.
Having said that, whether the old Americans like it, I don't care. But San Ye definitely cares. He has been exploring the American market and has never given up. Before the broadcast, the audience expectation of over 20 million was naturally not met. The program was also called British Invasion by some old American netizens, and the situation was severe and tight. However, Sanye will not make any decisions unexpectedly. Whether he still rises or falls, he has become an indelible figure in TV history.
After the show is over, let’s talk about the players who have made me unforgettable this season:
First, Drew is
not pretty. From the outside, it is in line with the so-called local inspirational plot that the United States likes very much. It's a pity that she was killed (or are the female judges really out of justice and conscience for music? However, who caused the female judges to be black? Isn't San Ye yourself?). Step by step, her cover of Billy Jean is really impressive. I never thought that MJ's song would be so vivid and moving by a girl.
Second,
the temperament of this uncle Josh is really not suitable for the game. But his songs are always so touching. For some reason, listening to him singing really can only "listen", and I always feel awkward to see him standing on the stage. It's too formal.
Three, I got you
The champion girl is very strong. In the past, I never liked this kind of powerful girl. But since she said "This is real Melanie, blablabla..." after that singing, my affection for her has greatly increased. In addition, there are too many golden songs, and it is well deserved.
Fourth, CHRIS
always felt that he was just like Marcus, light and nonsensical. Later, it gradually became a bit starry. The reason is the package. The original song is great, but the chorus in the finals is really weak.
Five, Rachel's
original innocent and pure little angel. The future of development is unlimited. (Another child who was miserably killed by the third master. So, don't find the third master as a mentor in the future.) Having
said that, XF US is not weak as the first season. I only hope that San Ye can find a good judge for the next season (preferably more reliable). Some improvements are being made in editing and the like. XF US will certainly not become another AI, but at any rate it will not be a copy of XF UK. The new season is coming, will XF US have a new starting point? So, we can only wait and see.
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