You are shooting with a camera, and others are shooting you with a camera. This is a story conceived by a director. There is still God in the dark. You point the camera at yourself, the lens is watching you, and I am reflecting on myself. At this time, the director has the supreme wisdom bestowed by God. The God in the eyes of the Americans is the Persian scroll, the God in the eyes of the Chinese is chanting Amitabha, and in the eyes of Iranians, it is extremely majestic. In the eyes of the Jews, he only cares for himself. In fact, this is my nonsense. Eyes, the hideous face of God in Hao San's eyes. Phase is born from the heart. Since it is born from the heart, then it is from life. People are not sages and who can have no fault. Is there a truth that controls all living beings? Or, I'm thinking, is it a futile effort? Or, why are you so concerned about imposing so-called adultery on others? When Kieslowski saw through all of this, he stopped filming, because he was a pessimistic good-hearted man. This is a fatal horror. If you are only pessimistic, if you are only kind, then it’s not. Horrible, this reminds me of a story about my own lust. In fact, when I evaluate Kijeslovsky, I am also talking nonsense. What I see is the product of my own obscenity. What is the truth? horrible!
It was the Cretaceous period, and the earth gradually became warmer. At that time, the trees grew very tall, and the earth had its own laws, and every kind of food happened to be enough for every kind of dinosaur. In the beginning, it was the tallest "big white poplar" that did not adapt to the environment and was eliminated. Every dinosaur is a kind-hearted pessimist. When the big white poplars die, they are in the value tendency of a kind-hearted pessimist. The highest diplodocus is thinking, if I eat the leaves of the little white poplars which are much shorter than the big white poplars. , Then my cousin, the hadrosaur had nothing to eat, so he carried forward the fine revolutionary tradition-hunger strike. The earth is getting warmer, and so on, all the pessimistic goodists are on hunger strike, and the carnivorous dinosaurs have gone extinct because they have no food. If you are only kind, but not optimistic, you would think that there must be a way to the front of the mountain. If you are only pessimistic and not good enough, I will eat it anyway and take care of myself. This solution will also change.
When Philip saw that his movie had badly changed the lives of many people, he was puzzled and turned the camera at himself. If, I wanted to see his inner monologue on the matter. Will that be a string of questions? What is a movie? Why do you want to make a movie? What is truth? What is obsession? What's more, what does he think about people? What is society? What is family style? who am I? If Philip is only pessimistic and not kind, anyway, because of my own love, I will care about you, I will just take care of the material and make a good movie. After all, is it all for art? If he is only kind and not pessimistic, perhaps because of all this, the nature of the real social phenomenon will be completely changed. Those workers who blindly disassemble and reassemble the floor will not lose their jobs and are not stupid.
If you agree with what I said, then I will be a peeping in the dark. If you disagree, it is my own obscenity, and I am a person who likes obscenity. I think there is one aspect of the movie that is slightly weaker. After all, the movie not only brings so many problems, but he also captures those moving things while he enjoys the movie.
2.
The route of Keith's film has gone through a route from documentary to documentary film to metaphysical consciousness film. Poland is a country transitioning from socialism to capitalism. Poland is geographically dependent on Western Europe and Russia. Such a complicated situation makes it possible to integrate things. The core of Keith's film is existentialism, and the technique has traces of the Soviet montage school. In a socialist country, it is a wonderful thing to engage in metaphysical thinking.
I think that everyone who is a real movie maker must be integrated, not obsessed with a certain value concept, moved by the diversity of the world, and enjoy the joy of thinking.
3. What I
personally like about this movie is that the main and subordinate clues are clear and connected. Keith has always had his grasp of details. Time is limited, so much lust.
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