Bergman's film notes "Sarabond": Seeing the wind and rain in your old body

1. Once I was angry and joking like a clown, once I was sharp in experimentation like a blade, once I was peaceful and quiet like a grassland, now I am eighty-four years old, this time I try to be naked again, there is only one person in each scene Talk to another person directly, face-to-face, using words and actions, changing roles in a duet dance, or interacting with each other. Try to see if they have the ability to solve their own problems and cut down unnecessary branches as much as possible. With a little trick. A good director should be simple and straightforward, and he should also concentrate.

,2, Anna is the hub that sustains these three generations, grandfather's indifference to her father, father's restraint of daughter, father's hatred of grandfather, after Anna's death, the relationship that could function normally was suddenly disrupted and entangled. Sparks flew in the harsh friction sound. Death only exists in the heart of the living, and what is dead is kindness and love.
Occasionally, someone was overwhelmed by the fear of death, jumping up and down like a monkey in the room, stomping on the floor violently, and screaming in their throats.
Are you afraid? I'm not afraid.

,3, Mariana and John, Mariana and Karin, Karin and Henrik, Henrik and John, Henrik and Mariana, John and Karin, Karin and Mariana Ah, Karin and Henrik, Mariana and John, Henrik and Mariana, Mariana and Marta, except for the last one, there are at least two or more contradictions. The last Mariana and Marta are like a tail, like a person in a mirror stepping out of the mirror, before they dared to cry.

,4, Anna's letter appeared in the seventh scene, so the situation was reversed. This is a hurdle.

,5, During the meeting between Henrik and John, the two were verbally stabbing each other, the lamp fell to the ground, the light gradually turned off, suddenly turned on, and suddenly turned off. I fucking liked what Bergman used. This little trick is done, and similar to this is the iron barrel that rolls down from the roof in "Anna's Passion".

,6, There is an interview with Liv Ullman by a Japanese reporter in the backstory of EE's disc. She talks endlessly about him and his movie, and the emotional excitement can be heard in her voice. , Like a bride who is remembering her first night.

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