Personally, I feel that the heroine is still quite tasteful after her transformation, not glamorous, but also a bit unique in European beauty. My favorite is Charlotte, which is absolutely classic. What does the big boss say, it feels terribly thin (probably not full of blood) and has become old (transformed too late).
One of the plots that moved me more is that Charlotte committed suicide after bidding farewell to her aging daughter. At the moment of saying goodbye, the naked age gap between them was presented to the audience, and we seemed to instantly understand the suffering brought about by the long years.
The other is a relationship between Nora and the little guard. Nora's liking for him makes me think that it is very frank that little girls like the likes of little boys, but because it is a real like, Nora has always refrained from staying with him. Because being together means harm, but Nora has always been the one who lacks the most restraint, and in the end she did hurt him. You can get everyone except the one you really love.
In fact, the film has many elements of mystery, the narration at the beginning, the so-called pursuit of the big boss, and all kinds of lesbian elements that are expressly implied. However, it does not prevent us from discovering its meaning.
I remembered the phrase "I miss the sun" said by the heroine, because it was something she couldn't get. Just like why centuries have passed, we still love the subject of vampires, because we can't get them to become them.
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