So there are basically no examples worth mentioning in the impression.
The Yamato, with the brilliance of the great god shining, so everything looked a little bit different before it was released. The great god used his usual idol drama acting skills, all, intact, applied to this apocalyptic hero.
Sometimes the dialogue between him and Kuroki Mingsha seemed to be a young couple playing scenes. The disturbances in this world have never had a slight impact on the great god. Still grimacing, and his signature pouting, toothy half-face, his performance alone made such a slim and extremely eschatological story of no one before and after, so relaxed, so natural, so romantic, and so warm. . .
All mankind made a Yamato ship, and the people on the entire ship made a Kimura God.
As for the technical quality of the film, from the vertical comparison of Japan, there has been a lot of progress; but the horizontal comparison of today's live-action movies of similar themes is still very immature.
The ending song is very beautiful, the movie poster is very beautiful, Kuroki Mingsha's eye circles are still very dark, the alien's bullets are as weak as fireworks, and the appearance of the big god wearing a jacket with gloves in his mouth reminds me of many years, many years. before. . .
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