Finally, I watched "the girl we chased together in those years" that was so hot recently. The movie theaters are almost all young people, most of them are students, or some audiences who seem to be not old like me but have actually entered the "post-adolescent" period. Although there is a difference in age, everyone’s laughter and crying points are surprisingly consistent, so I can fully understand why this seemingly ordinary youth movie can hit an amazing box office of over 100 million in four days. It has no unexpected plots, no romantic courtship offensive that is too romantic, and some are just the emotional process of a naive boy with a girl for many years. Ke Jingteng kept appearing in his mind and said to Shen Jiayi: "I'm naive, I've chased you for so long. It's this kind of naivety that allows us to unconsciously, in a reality that is never naive and can't be naive, follow Ke Jingteng into another parallel time and space where we can do whatever we want. There, there is our naive youth; in youth, there are buddies who live with us hand in hand; in the years that are inseparable with buddies, there are the boys we like and the girls we chase together. What we like deeply is actually the self who was arrogant and naive despite being stupid at the time; and was as stupid as ourselves, but always willing to accompany our lost companions at critical moments. Ke Jingteng’s parallel time and space store our beloved "youth". When the youth that you think has already traveled appears in front of you, you will not regard it as "good" or "bad", but only as "like" or "dislike" "Such emotional vocabulary to describe. Just like this vivid and natural youth documentary film, it is not only the youth of Nine Knives, Ke Jingteng's youth, Shen Jiayi's youth, but also everyone's youth. Although my youth is not perfect, I like it very much; because it is not perfect, it is more real and lovely. In my eyes, "the girl we chased together that year" is just like my youth. [The most annoying, in fact I like the most] "Duplicity" and "pretentious posture" must be the common portrayal of youth. The boys and girls in the movie seem to be very different, but in fact, their essence is the same. Ke Jingteng, who is naughty by nature and doesn't like to study, always looked at Shen Jiayi as hardworking and well-behaved at first. He didn't understand why all the best friends chased Shen Jiayi. In his opinion, Shen Jiayi was just more beautiful than ordinary girls. Shen Jiayi attaches importance to image and does everything in a straightforward manner, which is totally different from his habit of being naked at home wherever he likes. Shen Jiayi thinks he is naive, and he thinks Shen Jiayi pretends to be an adult. But love often starts with prejudice. Disapproval of each other is the starting point of mutual attention. Looking at them like this, it feels familiar. When they are young, boys always like to express their preferences straightforwardly. In the movie, the boys' desire for sex is presented in a funny way, and the dialogue is unconcealed, just like Ke Jingteng's frank character who likes to be naked. On the contrary, girls are always more mature than boys of the same age, always disapproving of boy's childish behavior, and always accustomed to hiding their true feelings. However, what they didn't expect was that mature girls sometimes need protection like children, and naive boys sometimes bear the burden for girls like adults. An accidental intersection, narrowing the distance between each other. The difference, that little similarity, opened the heart for each other. I like that Shen Jiayi bravely stepped forward and fought against the instructor's search for schoolbags. Later, she and a few big boys were punished to squat outside the classroom corridor. She, who had never been punished before, cried pears with rain, and frequently said shame. But at that moment, she was not only beautiful in appearance, but also more beautiful in heart. Become the "perfect goddess" in Ke Jingteng's heart. Although they are so different, they have the same values of defying power and insisting on upholding justice. In fact, they are very similar. Therefore, the one that I thought was the most annoying, from another angle, I saw the hidden side and became my favorite. Both like and hate must be invested in emotions. When subjective prejudice meets objective events, the initial "prejudice" turns into the "paranoid" that will be liked for a long time in the future. Once I like it, I will always like it, and I still seem to be touched when I grow up. Isn’t the original intention of a relationship not to ask why and why you can’t tell why you love you, so you decide to like it forever? What really makes us can't help but look back is the teenage self who used to be like Ke Jingteng, who purely liked a girl (boy) to the end. [The most memorable, it turns out to be the easiest] I often wonder why movies about "youth" are always being made, and all the audience, including myself, after watching countless youth movies, the next one will appear At that time, still pay the bill. Perhaps we all need to constantly look back at the best places in our hearts in our lives that are constantly moving forward, so that we can still retain the right to simple happiness and free feelings in the increasingly cruel reality. If you ask me what is the most memorable thing in the movie? What appeared in my mind were bright little details, such as Ke Jingteng and Shen Jiayi's bet. After he lost, he hoped that he would lose the bet and tie his head. Shen Jiayi, who didn't lose, also combed his ponytail and came to class. I like that there is no trace between the two, only the tacit understanding of each other. Do not say like, but care about any word you say, this is like from the bottom of my heart. After the two separated for many years, the September 21st earthquake became a bridge connecting each other. They chatted easily on the phone as usual, hiding their injuries quietly, as if they had never been disconnected. If you truly and deeply like someone, no matter how big the rift between you is, she will still be the first person you want to care about in times of crisis. The key to "love" is never whether we are together or not, but the psychological position. Therefore, the first lover will always be the "invisible rival" of the later lover. Unexpectedly, the last laugh of the movie became my biggest cry. At Shen Jiayi's wedding banquet, everyone coaxed to kiss the bride, and the groom made the condition that he must kiss the groom first how he wanted to kiss the bride. Ke Jing Jingteng rushed towards the bridegroom without saying a word, and kissed him for a long time. When the mirror pushed Shen Jiayi's surprise, she smiled and burst into tears. At that moment, she finally understood how the boy who had liked her for many years felt about her. Even if he had never been together before, he would never be together in the future. He always wanted to be closer to her. She is his beautiful first love and his eternal youth. If there were no such unrepentant youth affairs, there would not be them who later understood love better. Such a life that has been loved and loved will bring the warmth and thickness of emotion to guard each other's life in which the dust has settled. Such them make me feel: It's great to have love! [Those codes of youth that belong to us] The codes of youth that appear in the movie are also codes of my youth. "Rose Night" is a must-see every Saturday. The host style of Fang Fangfang and Peng Chacha's Beauty and the Beast always produces wonderful sparks. I miss the time when the host visited the singer in depth and could listen to the song well. Jacky Cheung sells one million "Kissing Goodbye" cassettes, and I have heard it more than a hundred times. Each song is almost back-to-back. In the first girlhood of the girlhood, I also fantasized about the romance of kissing goodbye countless times. The "First Dance" that must be played at the freshman dance party still has a prelude, and the magical effect of turning back time in an instant. Huang Shujun's "Love Syndrome" that swept the streets and alleys at the time accurately conveyed the magic of love and the mood of the person in love that is infatuated with each other like poisoning. At that time, we didn't know that these ordinary daily lives would become unforgettable inner scenery in the future. Only at the moment when the movie reappeared, I could clearly see the past with light and wind, and I have been quietly accompanying me in my heart. Just like those who have loved, and the self who have been loved, in fact, they have never disappeared. They continue to stay in parallel time and space, relying on each other. We actually have more than we know. Then I remembered two simple but profound lines. Shen Jiayi: "Thank you for liking me. Ke Jingteng: "I also like the me who liked you back then. I think this is the best comment on "The girl we chased together that year." I believe that no matter how many years, we will still deeply like the self who must be paranoid to love anyway when we are young. Nine knives: "If there is love, there will be willpower." I feel the same. If you have spent a few years loving someone, regardless of whether you can achieve a righteous result in the end, you will definitely be able to become a better self in the process of loving her (him); also because you have given yourself desperately for a person. There is a self who is more determined to love later. Have love With the willpower, you have the infinite possibilities of life. This is really a very loving movie, and because of those loving memories, it breaks out of many movies and becomes another beautiful mark about "youth".
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