The film is finished, it is a rare Italian movie unlike Italian movies. When I saw her first shot, I felt that this might not make me addicted to the storyline, because his graphic design is quite eye-catching. Seeing the middle, I feel that there are too many clues and too wide coverage, will it appear that the film will be scattered. As a result, what surprised me was that at the end of the film, the director brought all the branches together perfectly. The film did not have very intense emotional ups and downs, but it also moved the heartstrings of the audience, and recalled as the film developed. For his own memory, the director is more sensible that he did not reject this kind of memory and thinking environment, and even created a philosophical mood for you to think about.
Chinese movies don’t pay attention to details and stories. I can’t think of any Chinese director who can control such a huge thoughts like "Don’t Move". It’s like the director has taken us into the protagonist’s memories, clearly detached. The broken daydreams can make us see so real, and the director's skill is extraordinary. But if the full score is 10, I can only give him 7.5. I personally think that the film still has the petty bourgeoisie of European films, and some symbolic montages are deliberately used in the film, such as crosses, which may be related to Western religions. Well, I probably counted it. He used it more than 10 times. At first, I collected cross shots to see what the director wanted to express with a cross, but I still didn’t control it. I used it too much in one shot, maybe ordinary audiences. I don’t pay much attention to this point, but for me, many symbolic shots have been used. It’s like having a hot pot until the end. It feels salty and unpleasant. It may also be with me. The reason why I like a film with a stronger documentary style is that the director’s feelings are too rich, and he does not want to express his feelings in the camera all the time. She becomes trivial, it might be better to be natural. However, the flaws are not concealed, the film is still very, very exciting!
Now I want to talk about the emotional expression of the film, don't move! A very interesting name. Don’t move has two meanings. One is "Don’t get close" and the other is "Don’t leave." It appears three times in the film. The first time I said "Don’t move" after having sex with Italino. The second time it was during Italino's surgery that she said not to move, and the third time was when her daughter had an operation at the end, so I would rather explain not moving as not leaving.
Chinese artificial words are very interesting, sex, sex, sex is the heart and birth, sex is born from the heart, and there is love again after sex. In fact, this film is telling a story of sex and love. A raped woman was mistaken. Think of it as a prostitute. Afterwards, the man fell in love with this wonderful feeling of "prostitution" in a slum, and in the end he even fell in love with the poor woman. I believe the protagonist is a person who is very afraid of family, and he is also afraid of whom he will fall in love with. He also resists to love someone, but he yearns for love. He is a person with a very strong Oedipus plot. This is evident in the film. He escapes from family and desires family. His wife cannot bring him psychological comfort. , And a poor woman like his mother when he was a child ignited his passion and made his love out of control. The woman is like him, the family is unfortunate, and he yearns for the security of home. This man has come to her a few more times. Having sex, she would be idiotically moved! When a man says he loves her, she says if you leave me, I will kill you. But when the man’s wife became pregnant, she chose to have an abortion and leave. For example, in the case of parting an old dog, the old dog is the male lead. Penelope’s stressful emotions cannot be vented. When parting, she treats the dog as a doctor, so she shouts like venting, which is also about her emotions. Catharsis, after all, she is leaving the doctor.
In my opinion, the doctor and Italino are actually the same person. Why I say that Italino is very similar to the doctor because I think Penelope was physically raped by his father, and the doctor was mentally raped by his father. Up! The overall film is good, and the actors performed very well, but the director is not strong enough in his own choices, so it is a bit like a pot of stew. He wants to show the character of the doctor and it turns out to be very confusing, but the character of the woman has changed a few strokes. It is very colorful for the performance. This is the intention to plant flowers without blooming, and unintentionally plant willows and willows to make a shade. I have to admit that the biggest highlight of this movie is Penelope.
I don’t know how many parts of it are the same as those of the admirer. It is estimated that most of them come from this woman. My thinking is very messy. I clearly want to vent something, but I can’t describe it. If I don’t write it, I can’t write about emotion. What's wrong, maybe my mind is full of memories now, or my experience is too little to experience some deeper feelings.
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