This film does not have a grand war scene, but it can show the cruelty and bloody of an alternative battlefield in a narrow, dim, dirty air, and muddy underground. Those miners and engineers who were originally ignored are the masters of this battlefield.
The film cleverly uses the narrative technique of two main lines interspersed, which makes it different from the same type of film. Apart from the main line of the war, another narrative thread parallel to it captures the experience of the protagonist tunnel expert Woodward in his hometown and his beloved girl. There is no thrilling part of their love, but only because the two bright and lovely personalities illuminate the whole film.
It feels like the two narrative clues are very peaceful, and even the lines of war rarely have narrative episodes of ups and downs. But it is under these peaces that each fresh life has the opportunity to show the vivid side of human nature. It is even more obvious, the absurdity and cruelty of this war! In essence, this is not a war about the interests of civilians, but it is the civilians who shed the most blood and sacrifices!
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