The shaping of characters, such as the protagonist Taishan Taishui Lord, and the man playing the movie, are very good. But the image of the Germans is relatively facial, and I can't feel that they are also a group of people until I take a photo with the movie brother when the scene is cleared.
The flashback performance of the lens editing, the golden lens at the beginning flashes at the end, as if to comfort everyone, they are in heaven.
In particular, the shot of the protagonist walking on the bridge is a 180-degree shot from top to bottom, just like the world is turned upside down, how chaotic war is.
The filming method is very beautiful, although there is almost no shaping of the human nature of the German army. But you can experience the feeling of despair of the Russians before that winter—it's not that reinforcements are not coming, or that there is no reinforcements, and the motherland is about to fall. There is no water, no food...
So many people just disappeared. Fight your sister's battle.
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