There are no taxis, nor is it a conversation between a female taxi driver and passengers. When other people’s comments were written silly, a group of people yelled at them. The woman is a divorced middle-class woman with her own private car. The passengers in her car are all people in her life, namely her son; her relatives or sisters; the old lady who was kindly picked up to go to the temple to pray; mistakenly regarded her as a man looking for a young lady And the prostitute who got in her car; another woman who went to a temple with her, took her along when she left the temple.
The ten dialogues are not independent, the narrative is always advancing.
Abbas has reached the very edge of record and narrative. As Godard said, he ended "movie" in the traditional sense. At the same time, a new life was announced.
View more about Ten reviews
