Besides, the word "black" precedes this "humor", which raises some suspenseful expectations.
Although he has always opposed the Guan Gong war against Qin Qiong, he still has to commit a transnational analogy: Feng Junhao in the season of "Kidnapping a Dog at the Door" is very Ning Hao. The rhythm is tight, the drama is linked together, and the tenon and tenon insertion has its own meaning, and there is no lack of black belly jokes. A kind of balance can be harvested between the public viewing and the expression of one's own ideas. Although it is also "black", it is not as melancholy and hard as "Memories of Murder". Humor is only used for embellishment and adjustment. Even more unlike the long and slow "Mother" nine years later, the story will turn to gray abstraction in the course of the day.
The joy of the queen—"Black" is not an ontological issue. The
protagonist bribery section is a nightmare passage. Although he is not a good person in the strict sense of a moral drama, the story is three-quarters of the humble character. With the real, strong sympathy effect, we can no longer face his death indifferently:
A. A. A toast to the principal.
B. The principal raises a glass.
C. The principal picked up the wine glass and threw it towards the wall.
D. A certain man drank it in one fell swoop.
These few shots during the reception are almost identical to the previous description of the first half of the accident in the bathroom. Among them, the sequence of the contents of shots ABC has changed; although the position of shot D has changed (in the interlude, before the cup, this time after the cup), the content is the same.
Then there is the matching treatment of the platform part and the accident part:
A. Aerial shot : A certain man is standing on the subway cordon line unsteadily, and a line of trains rushes past.
B. The person is leaning on the stop sign, and his expression is painful because his stomach is upset. (Cue music sounds)
C. He bends down beside the railroad track (vomiting), the subway with warning lights is gradually approaching; zooming, the person in the foreground quickly blurs. (The prompt music gradually strengthens and gradually merges with the sound of subway pits.)
Similar to the banquet part, the ABC lens is only equivalent to the same shot and re-shooting, the main difference comes from the "moment before the end". This scene was shown in two scenes in the previous accident:
1. In the bathroom: a colleague narrated to the protagonist that "he was hit to death"
2. (The colleague made an exaggerated foley) The victim's glasses were raised in the night sky again After falling, a line of trains passed by. (Colleague’s voice-over: Oh my god, it’s terrible)
And this time, the treatment is -
D. The vibration from the track makes the camera vibrate (the roaring warning horn is higher than the warning tone that symbolizes evil omen, and it will eventually be replaced) The strong headlights turned the protagonist's face pale to a blank screen.
It is believed that at this time, the mature audiences who have been nurtured by various fancy psychological montages for many years, despite all their unwillingness in their hearts, have also filled the protagonist's one-way fate resume with a cross sign which means the end. It wasn't until a minute and a half later that the same drunk heroine tripped over an object under her feet, and when the camera moved down and we found the familiar figure, she breathed a sigh of relief: Fortunately, she was cheated. The thick black tone before, seems to be a lot clearer at once. (Perhaps it should be understood this way: "Black humor" is a partial phrase in terms of its grammatical composition. The first is the mind and ability to smile, and the second is the question of "color", whether it is cold enough, whether it "faces the bleak", it's just it the essential problem of insufficient)
and for this was deceived, Bong Joon-ho indeed an ample supply of chips, conspiracy began to get even earlier, even before the banquet to go back to -
After a ceremonial bribery preparation, the protagonist embraces the cake box nervously and sits on the train where the story began. In the meantime, women who earn sympathy for their livelihoods handed out confessions to each passenger as usual. He desperately needs other things to disperse his attention and calm his mind. He read it awkwardly, and there is no new statement: My husband abandoned me and I am sick, please help me... He looked around and carefully took out one from the cake box. The paper money is handed to the woman, removing the slightest carelessness about the matter (people can be evil, but they have to behave for good, this is a question I have been thinking about) solemnly and frankly, it is almost to make people Think of the scene before the death of the martyrs. After the long bow of the woman and the child on her shoulders, the train drove into the tunnel, his yellow face floated above the darkness, and the picture faded. Very smooth hint of death, the last frame gives the illusion of lifelike portraits. The trap is so meticulous, how many people can escape? And the insights and tragic ideas gained at the moment of our protagonist’s "death"—everyone repeats the path taken by the predecessors, the sorrow of those who follow the order, the ant-like life and death, the reincarnation, and everything returns to nothing—but nothing It will not easily evaporate due to his final survival, which is the excellence of "Tie". Compared with some "film festivals" that take "reveal" and "exposure" as their criteria, use these two terms as formulas and labels, and concept-first "film festivals", it follows a simple principle: I also tell the truth, and I don't have to go against the good. Of mind. The delicate balance in between can be controlled through some specific operations.
Sharing a conspiracy:
I stretched out my hand from behind the scenes, scratching you at the
end of the film, and the heroine got her wish and walked along the autumn boulevard with her friends. As she walked, a group of people rushed to the rear mirror of the car in her hand to trim her makeup. Suddenly she raised her head to look up at the stray sunlight from the gap between the trees. When she found the timing was right, she stopped to find the correct position, turned the small mirror, focused precisely, and got the most dazzling ray. Qiuyang presented it to the audience outside the screen.
This is a blatant joke-don't hide, I know you are always there. I couldn't help but recall a comic that I had read: two cross talk actors in long robes and jackets each held an "old man music" in their hands, sticking out the screen, and the destination was pointed at the audience's squeaky nest. (Probably aimed at exposing the inadequacy of traditional art, the title seems to be "Look at you are not happy now") I did not expect that the exaggeration used in the comics was actually practiced in this movie, and it broke through the two-dimensional material restrictions. Really stretch out "a hand" from the picture frame (a strong light that can trigger a visual reaction, untouchable but real and sensible), and it will scratch your heart-a naughty, astute, good at drilling The finger easily pierced the layer of window paper that the producer and the audience had been tacitly tasting with. Just like at the end of the densely packed cast and crew list, a "YOU" that is so large that the entire screen pops up unexpectedly, the audience can't help but bury what kind of fright: Oops, let this guy see through... ·A bit intimidating, just like this easily pulls you to the high position of self-confidence and collusion, you can't help but want to block your eyes, but you look around and slowly withdraw your hands, and the film is also at this moment Ending knowingly, the full-screen black cast and crew was revealed. I have to be grateful that the movie ended in such a peaceful and peaceful scene. In fact, the snare drum in your chest has never stopped. I'm so worried that this guy is playing endlessly. Suddenly, he turns around the mirror peak in a dark belly, and throws you a gray-black one that is doomed: everyone is there, and none of them can escape~ ~ I can only admit that on the wrist that flexibly turns the car mirror, there is indeed someone's soul-a young heart who will end with heavy metal, and is willing to make a narrow grimace in the face of the darkness of fate.
There is only a thin line between pain and pleasure. Now, as a judge, is this strength just right?
Who laughed last?
Robert McGee said in his "Story" that the protagonist must have at least one chance to realize his desire, at least once.
The male pig got his wish and left the office full of personnel disputes (it seems that the box of cakes really played its intended effect), retracted his gaze looking out the window at the reminder of the students, received his homework, and announced the play of the "modern behaviorist film" ( Is it because the director borrowed the words of the actor to say nothing about it?). At this moment the students closed the curtains, his yellow face plunged into darkness without any content. The result is not as intense and beautiful as the pursuit process; the desire after fulfillment cannot be named happiness.
The female pig hopes that one day she will be well-placed and her own righteousness will be reported by the media. The last time she was on TV, and then she went on an outing away from boring work-and then she realized it-but after thinking about it, this is a matter of life. It’s flat, and a simple decision that can be made without expending so much story energy is a “false proposition” that can be achieved at the origin of the story.······
Uncle Gatekeeper’s dream (? Dreams are not high or low) is A pot of fragrant dog meat is to be stewed under the cover of the basement. However, during the nine minutes of the movie, the pot of soup with all ingredients seems to be disturbed by uninvited guests and has never been drunk in the belly. Fortunately, life will continue, and he still has plenty of opportunities.
But the guy who simply wants to eat, sleeps in the basement, and where he will spend the rest of his life, can only be tested by everyone. Well, there is a blank space for retreat.
The color
yellow outside the fan seems to have been given a special meaning. At the beginning, the girl who posted the revelation of finding the dog wore a lemon yellow raincoat, and then she appeared holding the lost dog, wearing the same color; every time the heroine chased and flees for the dog, she wore a creamy yellow hooded top. In a Hollywood climax of dog-catching fantasies, groups of people in yellow shirts appeared against the background of the blue sky, who sprinkled golden confetti to cheer her up. The protagonist looks for dogs on rainy nights and posts notices during the day. They are all wearing bright yellow raincoats that are very different from his daily color.
But it only ends here. The author chose this brilliant warning color among many symbols and signs. As a dog-related color, artificially constructed conditioned reflex may reflect the little taste of personal preference. It is just talking and laughing, but not There is nothing to do with the grand purpose.
Xiaoyu
/ Laugh rating: Not just dumb, it makes people laugh like a meal. The renting room is overheated, and the windows must be staggered for a few hours before going to bed by two inches wide slits. My heroic laughter wafted in the wind, and the uncle doorman believed that there was a host with a nervous problem hiding here.
/Laughing at you, I was wrong in
this kind of little joke that made fun of you and my previous common sense of viewing movies. The most "excessive" thing is that the heroine has always been favored by the heroine and the old woman wrote to her before she died and worked in the female pig business. A letter that arrived at the post office at the time of the crisis: Experience tells us that the opportunity is here, the opportunity to come back! And the last comfort is just "The dried radishes that I dried on the roof are all yours~~"... It turns out that as long as you have enough momentum, little fun can also open the gates of emotions, such as a mountain torrent gushing out and breaking through us. A face with a stiff expression after wearing a mask for too long.
/Laughing at yourself: If you just laugh at people who are ridiculous in time, the injustice seems a bit hypocritical. Bong Junhao didn't forget to play with himself at the end. With a little sense of self-condition, he said through the mouth of a male pig who was promoted to a university professor: Today we are going to watch some modern behaviorist films.
/Thriller laugh-the story of someone being built into the wall. The imitated fire exaggerates the background light, casts huge shadows on the wall, and the janitor’s excessive body movements make this passage seem to be a parody of a horror film at first glance. However, intuition and understanding of the system of centralization and power make it feel like an empathy. We know that "it's not so simple". The core of the story is so "underground" and unsightly. It is actually a gravel that is hard to swallow without being wrapped in sugar.
/Tearful Smile
Regarding the tramp who lives in the sewer, I don’t want to say much. Facing the lowest level, any explanation seems hypocritical. I just remember the tongue who couldn’t flexibly argued and said,
"I’m just hungry..."
A person who has been abandoned from the social system and protection, just like a grass, and not as good as a dog.
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