Under the shell of the crime story, there is no more troublesome puzzle.
The inexplicable arrival of the injustice of innocence is just like many unpredictable and unexplainable situations in life. If there is no reason, it will just stay there, and you will be suffocated.
There is no excessive exaggeration and sensationalism, no large paragraphs of gorgeous and profound lines, no deliberately artificial scenes. Everything was not dealt with deliberately, but from the beginning of the situation, the audience naturally sided with the male protagonist.
Love in the normal state is very life, very natural, and for a long time, and it is reflected in every detail. The details in the film are not given too much, but this inadvertently touches people's hearts. The opening moment is warm and tirelessly feeding Coco's father; a group photo of father and son on the bedside of the night when they are alone; suddenly firm eyes when each gives his wife a strong hug; the wall is quickly filled with photos and constantly sketched and rewritten numbers; be careful to protect Every movement of the son's psychology; a few words with friends; loss of control in front of his parents; hesitation and anxiety when trying to save a young man who was robbed by himself. All the shots didn't last for a long time, and the story moved forward like life. The protagonist made new decisions one by one quickly, without entanglement.
The director's story was told without delay, and he succeeded in shaping an ordinary man. Those are the energy and conscience of ordinary people. I think the meaning of this story is not to distinguish between moral high and low, it portrays a kind of indifferent firmness in ordinary life that is moving. Understanding, trust and solid support make this love, not love, incomparably beautiful. As the ending actor said, this is not a story about escape, this story is about love and freedom.
The dialogue of the police in the film is very interesting.
"He's just a French teacher?"
"Yes, but he is indeed omnipotent."
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