Perhaps it stems from the intuition of watching movies and TV for so many years. From the first time Judou and Tianqing are together, it feels that these two people will not end well in the end. But this scene is really good enough, the red cloth, the red water in the pool, the moment when the cloth and the water are joined from the bottom up, the red cloth wipes the woman’s fascinated expression and falls into the water, like It's like the first materialized portrayal of wild and slightly shy sex. That kind of early movie has no special effects and gorgeous skills, but when it comes out, it suddenly makes people feel that all special effects are like clouds. Feeling is to make people feel, beautiful.
Speaking of these two people, there will be no good end, why? This is not to say that to be a woman you must accept your destiny and bear it silently without resistance, but she is too sharp. This sharpness is manifested in that everything she does is too absolute, without the slightest deal with it. The space of revolving, even the traces of not even thinking about it, stayed in her mind. She wanted to get rid of the torture of the old things, so she walked towards Azure without hesitation; she stubbornly believed that the old things were bad for nothing, and spurned him unrestrainedly, challenging his limits with actions time and time again; she felt that Azure was sky white His biological father felt that there was no doubt that Tian Bai should have known it for granted. This is a rather stubborn woman. It is the kind that you treat me 100 badly, and I will pay you back a thousand bad ones. When people are too persistent, they often cause the brain to short-circuit and the brain cells are not enough. And if the person is born with such extreme stubborn emotions, then the expression is often tragedy, whether it is a character in reality or an artistic image. Ju Dou, as long as she feels that something is right, she would like to try her best to change the pattern to do it without considering any consequences. In fact, this world has various things, thoughts, and emotions. These various things must basically achieve a balance. The maintenance of this balance will naturally eliminate those extreme elements and eventually reach a state of harmony, that is, One thing, if you are willing to make it bigger, or if you are too concerned about something or something, too much, too arrogant, you will be overwhelmed or overwhelmed, then there will be an equally extreme result waiting for you, those results The formation of it often seems to be caused by external factors, but in fact it is caused by one's own character driving one's actions.
Reflected in this film, what is this extreme product? That kid, he is the incarnation of that extreme, and he was also born to counteract the extreme stubbornness of Judou, and then eliminate this extreme product. When he was one or two years old, Tian Bai could not laugh, when he was two or three years old, Tian Bai could not speak, when he was four or five years old, Tian Bai wanted to seek a sense of security like other children, to recognize a certain fact and give himself a With a stable inner environment, he called his father and called a full screw. When he discovered that this kind of full screw situation existed, that is, when the world was not what he thought, he didn't understand it. At this time, The extreme stubbornness inherited in his heart began to cause trouble. He dragged the old man into the pool. He didn't have the conditioned reflex of calling like ordinary children. He laughed. The kid who can't laugh laughed at this time. His mother and his family are different from others. He is also destined to be different. When she saw Tianbai chasing after the gossiping mother with a knife, Ying thought of a question: Whose interests does Tianbai want to protect in her heart? But when I think about it later, I feel that this is no longer a problem worthy of further investigation. People are inherently contradictory, not to mention that they have grown up in such a contradictory environment. Rather than clearly speaking about whose interests they are defending, it is better to say yes. Some words angered something deep in his heart.
In fact, in the film, the sense of confrontation between the two stubborn forces arranged in the film is very strong, just like the red cloth silently falling into the pool at the end of the film. This scene seems familiar, but it is no longer the same as when the two first met. A symbol of beauty, Judou's stern cry for abrupt cessation made the red cloth fall full of silent weirdness. I don’t want to say that when I was doing reading comprehension in high school. It’s about anaphora, ambush pen, continuity and transformation, but I still feel shocked. Perhaps the first appearance of Red Cloth left me too deep, right? That reason, how this thing came about, let it go back, it is very balanced, very fair, of course, it also has a sense of picture.
When subtitles, I forgot to read who the screenwriter is. This screenwriter is very good. The wonderful irony that symbolizes the innocent name. There are hints in the words of Judou, a pun, and the connotation of the word in a variety of words. Occasion appears (actually this woman is very intelligent if she thinks so, at least she reacts quickly). The lines are very compact, just like life itself, there are no redundant gaps, and it does not give people the feeling of extra empty shots.
The director made a movie, and he told you in the movie that the story is like this, so you decisively think that the story is like this, and in the process of watching it, you continue to cooperate with surprises, sighs, surprises and other mental attitudes and expressions to continue to agree. The point of view of the director is probably the success of a film as well as a director. The connotation is not the connotation, but I think it is secondary. After all, every audience is not the director himself, and will not understand the connotation given by the director 100%. It seems that only the living situation drawn by the director is the living situation that the director can summarize from it. So I always feel that the greatest mission of the director is to draw up a good situation, and the real connotation is not so much the director, but the viewer itself.
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