On the boundary of the deadly man, every time the actor encounters something, he can always return to the original point, talking about the next possibility and fate, the picture is so square and tight, and it is extracted and then extracted. All the dust belonging to the plot was filtered out, showing how a person was rectified, the flesh and blood were taken away, and there was still a drop of hot blood remaining in the blood stain. Like the title, of course I prefer the condensed storytelling tone.
It's actually a very warm story, with the faint afterglow coming out of the seams...
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