To Sophie Marceau, to the screen

Katlyn 2022-01-24 08:01:50

After watching Sophie Marceau's "Super Female Agent", I don't need to use wine as a hook, and I feel emotional about it. I know what "years are like axes and knives, and knives make people grow old". Time is really the coldest and sharpest executioner, pinching his pocket watch, destroying the artworks of the creator, such as Sophie Marceau.

Coincidentally, I have seen a few of her movies. Most of them are good ones, such as "First Kiss 1, 2", "Fangfang", "Brave Heart", "The Phantom of the Louvre", "Escape from the Yaoyao". These are all I hunted and hunted on TV, "A good film is made by the day, and I can get it by hand." And when I search for movies online, I usually put "sci-fi movies" "

shallowly "... In this way, Sophie Marceau became one of my favorite movie actors, even though she was twice my age. But it seems that I "watched" her growing up. Is this the magic of the movie? Sophie Marceau in "The First Kiss", in the words of a wet man, is: "The gentlest bowed head, like a water lotus, shy like a cool breeze." If you are pure enough to use "Xiaojiabiyu" to describe it, you will feel that Stained with lipopowder gas. The Sophie Marceau in "Fangfang" is fresh lychee kernels that have just been peeled, and the juice will drip. By the time "Brave Heart", Sophie was already in full bloom in the wind, the French rose spreading like a peacock feather, with a smile in the corner of her mouth. Time flies to "Escape to Yaoyao" and this "Super Girl Agent". There is more fierceness in the charm, and an edge and corner in the tenderness. She is like a coral reef, magnificent and vicissitudes of life. (Excuse me for not knowing much about animals and plants.)

Sophie Marceau is indeed old, vaguely a legend of yesterday, but fortunately there is still this side of the screen. Broad, the echoes dive from upstream to downstream, and the image wanders from this ferry to the next. Time only allows the meteors to leave a moment of brilliance, and the screen persistently allows the sun to rise from here and shine through a universe. Here, Sylvester Stallone will always be the tough guy who fought to the last drop of blood; Hao Shaowen will always be the chubby, heartless, and muddle-headed boy...

So, use the ancient dragon "Seven At the end of "A Weapon", I can write:

The protagonist of this article is actually not Sophie Marceau, but that side of the screen, that piece of magic carpet!

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